Literary Criticism
In: Signs: journal of women in culture and society, Band 6, Heft 2, S. 268-282
ISSN: 1545-6943
4319 Ergebnisse
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In: Signs: journal of women in culture and society, Band 6, Heft 2, S. 268-282
ISSN: 1545-6943
In: Signs: journal of women in culture and society, Band 2, Heft 2, S. 404-421
ISSN: 1545-6943
In: Signs: journal of women in culture and society, Band 1, Heft 2, S. 435-460
ISSN: 1545-6943
In: Signs: journal of women in culture and society, Band 4, Heft 3, S. 514-527
ISSN: 1545-6943
In: History of European ideas, Band 5, Heft 1, S. 108-109
ISSN: 0191-6599
In: Worldview, Band 20, Heft 9, S. 28-29
In: The journalism bulletin, Band 2, Heft 3, S. 29-37
In: The journalism bulletin, Band 2, Heft 2, S. 9-14
In: Longman Critical Readers
Marxism has had an enormous impact on literary and cultural studies, and all those interested in the field need to be aware of its achievements. This collection presents the very best of recent Marxist literary criticism in one single volume. An international group of contributors provide an introduction to the development, current trends and evolution of the subject. They include such notable Marxist critics as Tony Bennett, Terry Eagleton, Edward W. Said, Raymond Williams and Fredric Jameson. A diverse range of subjects are analysed such as James Bond, Brecht, Jane Austen and the modern hist.
In this book, the first to offer a comprehensive examination of the emerging study of law as literature, Guyora Binder and Robert Weisberg show that law is not only a scheme of social order, but also a process of creating meaning, and a crucial dimension of modern culture. They present lawyers as literary innovators, who creatively interpret legal authority, narrate disputed facts and hypothetical fictions, represent persons before the law, move audiences with artful rhetoric, and invent new legal forms and concepts. Binder and Weisberg explain the literary theories and methods increasingly applied to law, and they introduce and synthesize the work of over a hundred authors in the fields of law, literature, philosophy, and cultural studies. Drawing on these disparate bodies of scholarship, Binder and Weisberg analyze law as interpretation, narration, rhetoric, language, and culture, placing each of these approaches within the history of literary and legal thought. They sort the styles of analysis most likely to sharpen critical understanding from those that risk self-indulgent sentimentalism or sterile skepticism, and they endorse a broadly synthetic cultural criticism that views law as an arena for composing and contesting identity, status, and character. Such a cultural criticism would evaluate law not simply as a device for realizing rights and interests but also as the framework for a vibrant cultural life
In: Routledge classics
In: Telos: critical theory of the contemporary, Band 1980, Heft 43, S. 199-208
ISSN: 1940-459X
In: Telos, Band 43, S. 199-208
ISSN: 0040-2842, 0090-6514