Suchergebnisse

Volltext // Exemplar mit der Signatur: München, Bayerische Staatsbibliothek -- H.as. 2033

Lo Man-wa. ; "December 2000." ; Thesis (Ph.D.)--Chinese University of Hong Kong, 2000. ; Includes bibliographical references (p. 207-253). ; Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. ; Mode of access: World Wide Web. ; Abstracts in English and Chinese.

在中國現代文學中,文藝與政治之間有著密切而複雜的關係,此一問題在現代戲劇中尤其值得重視。過往戲劇研究長期位處邊緣,這與戲劇此一文類所獨具的綜合藝術特質不無關係,其橫跨文學、美術、音樂、表演等領域的跨藝術特徵,導致其複雜性實際上遠超純文學的範疇。另一方面,戲劇運動的集團性和政治性,亦導致論者對於中國現代戲劇發展較為簡單化的論述,戲劇史的書寫往往與時代話語緊密連繫。不論是純粹文藝化還是政治化的角度,皆很可能遮蔽了戲劇本身一體兩面的問題,導致研究單一化和簡單化。洪深 (1894-1955)、田漢 (1898-1968)和夏衍 (1900-1995)均是中國現代重要戲劇家,同時亦長期被定位為左翼文藝陣營中的重要成員。戲劇家和政治家的身分重疊,導致他們的研究情況往往與時代的意識形態掛鈎,而目前有關他們的研究更是受到冷落,與他們的文學成就並不相稱。本文以三位劇作家為研究對象,希望通過他們的不同面向,重新審視文藝與政治之間各種複雜關係的可能性。 ; 本文分為五章。第一章為導論,主要介紹本文的寫作理念、方法和背景。第二章以洪深為研究對象,重新探討他的現實主義戲劇創作和主張。洪深對改譯劇的主張和實踐,體現了他與晚清鴛鴦蝴蝶派文學和西方戲劇的深刻淵源,而他和蕭伯納之間的文學關係,反映了他對早期文明戲的戲劇改革和西方舞台的繼承,突顯了洪深如何在中西文化之間思索中國現代戲劇中的現實主義問題。第三章從西方唯美主義和先鋒文學運動的角度,重新探討田漢的創作和政治轉向。本章考察田漢對外國文學的譯介活動,當中包括英國唯美主義作家威廉.莫里斯、德國表現主義影劇、俄國和日本左翼劇場,反映了田漢戲劇運動的左翼國際主義特徵;然而田漢對日本作家佐藤春夫和谷崎潤一郎的翻譯,則體現了他對唯美主義的回歸。第四章以夏衍的戲劇創作為研究對象,重新探討夏衍的戲劇文學的獨特性。本章把夏衍此時期的劇作分為歷史劇和上海都市劇兩個角度作出分析,並將它們放在當時文學場域中與郭沫若的歷史劇、國防文學、現代派小說和左翼電影作一比較,並分析夏衍的現實主義與左翼現實主義的相異。第五章為結論,綜合前文各章的討論,重新思考三位劇作家的戲劇實踐,並重審中國現代戲劇中文藝與政治之間的複雜關係。 ; There is a complicated relationship between literature and politics in modern Chinese literature, especially in modern Chinese drama. As a result, the research of modern Chinese drama has long been placed at a marginal position. Drama is an integrated artistic form consisting of literature, art, music, and performance, and therefore presents a complexity that goes far beyond "pure literature". On the other hand, the history of modern Chinese drama is closely integrated with historical discourse as a result of the organizational and political characteristics of drama movements. This shows that either literary or political point of view may confine the interpretation of their inter-related complexity and interaction. Hong Shen (1894-1955), Tian Han (1898-1968) and Xia Yan (1900-1995) are three of the most important dramatists in modern Chinese literature, who were also regarded as representative members in the left-wing literary camp. Due to their dual identities as dramatist and politician, their images are often connected with historical and ideological discourses. This has also resulted in desolation in ...

在過去的二十年中,隨著1989 年的革命(以及之後突進的新自由主義經濟政策),信息和通信技術(ICT)的擴散,世界經歷了急劇變化。但高等教育,尤其是英文文學研究有没有根據這一時期的文化、經濟、社會和政治的情況來修正呢?本論文探討從現代主義美學和片面國家論述的小說(英文書寫的),過渡到一個文化和政治驅動並行的後現代形式,及反映一個日益全球化和全球意識的二十一世紀引人注目的問題。通過當代小說的新自由主義全球化的測試 ──或者也被稱為後現代的情况和晚期資本主義的文化邏輯──我們了解世界據稱走向非殖民化只不過掩飾另一種殖民方式,導致葛蘭西的霸權理論效果,使馬克思主義理論的社會力量轉變成促使不同階級的政治權力形式,取決於一個非常關鍵的因素- 共識。 ; The world has experienced rapid changes in the last twenty years concomitant of the Revolutions of 1989 (and the subsequent onrush of neoliberal economic policies) and the proliferation of Information and Communication Technology (ICT), but has higher ed,and particularly, the study of English literature modified in accordance to the cultural, economic, social, and political circumstances of the period? This thesis explores the compelling question by illustrating the transition of contemporary literary fiction (written in English) from modernist aesthetics and one-sided national discourse into a culturally and politically driven postmodern form to parallel and reflect an increasingly global and globally aware 21st century. Through contemporary fiction's examination of neoliberal globalization - or perhaps what is also known as the postmodern condition and cultural logic of late capitalism - we come to understand a return of colonization in a world allegedly moving towards decolonization. What results is the Gramscian theory of hegemony, which gives rise to a Marxist theory of the transformation of social forces into forms of political power adequate to different class projects that depends on a very crucial factor - consensus. ; Detailed summary in vernacular field only. ; Tchan, Chrystal Ching. ; "December 2012." ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2013. ; Includes bibliographical references (leaves 105-110). ; Abstracts also in Chinese. ; Abstract --- p.i ; Table of Contents --- p.ii ; Introduction --- p.1 ; Chapter Chapter One: --- Nationalism and the Decline of Empire --- p.15 ; Chapter Chapter Two: --- The Reflexive Resurgence of Local and National Formations in Hari ...

Cheung Wah. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2005. ; Includes bibliographical references (leaves 135-142). ; Abstracts in English and Chinese. ; Abstract --- p.ii ; Acknowledgements --- p.vi ; Abbreviations --- p.vii ; Introduction --- p.1 ; Chapter Chapter One --- "The Language of Sexual & Political Oppressions in Pinter's Political Plays: One for the Road, Mountain Language and Party Time" --- p.9 ; Chapter Chapter Two --- "Sexual Difference in Language in Pinter's Plays of Marital Failure: The Collection, The Homecoming, Betrayal and A Kind of Alaska" --- p.44 ; Chapter Chapter Three --- "The Poetry of Forming Selves from the Past in Pinter's Memory Plays: Landscape, Silence, Old Times and Ashes to Ashes" --- p.90 ; Conclusion --- p.127 ; References --- p.135

田漢(1898-1968)是中國現代文學的重要劇作家之一。他亦以電影劇本作家、戲曲作家、詩人、小說家、散文家、翻譯家、歌詞作家、文學評論家和社會活動家知名於世。田漢雖在文學史上有著舉足輕重的地位,其研究卻長期受到政治因素制約。新時期以來,田漢研究轉趨活躍,但論者多從比較文學的角度分析其作品。本論文希望從田漢在日本大正時期留學的經歷,考察其早期藝術生命之形成。 ; 大正時期,日本在經濟、文化、社會價值觀各方面都有著激烈變動,「兩性解放」為其時代精神,「新女性」的話題非常盛行。論者雖然大多留意到女性角色和婚戀議題在田漢早期作品的重要,但甚少提及田漢留日時期的經歷與其作品的關係。田漢是中國留日學生,早在日本時期即已開展話劇創作。除對外國文學的接受外,田漢實際上亦受到日本化的西方思想、運動和生活方式,例如女性解放理論、劇場運動和咖啡店文化所影響,而這些影響更以不同方式滲透到其早期作品中。本論文旨在闡述這些因素在田漢早期創作生命中所起的作用,尤其是他對女性和婚戀議題的思考和取態。本論文的研究範圍涵括田漢在二十世紀二十年代的整個創作歷程。 ; 本論文共分五章,內容如下:第一章為導論,簡介田漢研究的情況、本論文的研究範圍、目的和方法。第二章至第四章討論大正時期不同的社會文化因素與田漢早期作品的關係。第二章考察田漢早期作品對日本大正時期女性解放理論的接受和轉化,以及田漢對當時社會戀愛事件的評價。第三章闡述藝術座的新劇運動,以及其創立人島村抱月和松井須磨子的戀愛事跡對田漢早期創作生命的影響。第四章從大正時代的咖啡店文化出發,分析田漢一系列不同文類、以咖啡店女侍為主角的早期作品。第五章為總結。 ; Tian Han (1898-1968) is one of the most prominent dramatists of modern Chinese literature. He is also renowned as a film scriptwriter, xiqu (traditional Chinese drama) writer, poet, novelist, proser, translator, lyricist, literary critic and social activist. Nevertheless, the study of Tian had long been at a standstill due to political reasons. Since the 1980s, most of the researches have been conducted from the approach of comparative literature. This thesis, however, traces the development of Tian's literary life by examining his experiences in Japan during the Taisho Period. ; During the Taisho Period, Japan experienced tremendous changes in economy, culture and social values, with "sex liberation considered as the zeitgeist and "new women as a popular issue. Many scholars have discussed the significance of female characters and the theme of "love and marriage in Tian's early works, but they seldom mentioned the influences by Tian's experiences in Japan. Tian, as a returned Chinese student, had started his playwright career in Japan. Apart from the reception of western literature, Tian was also influenced by the "Japanized western thoughts, movements and lifestyle, such as feminist theories, theatre movements and café culture, which had penetrated his early works in different ways. With the focus on Tian's literary works ...

Ko Chung Man Cynthia. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2005. ; Includes bibliographical references (leaves 159-168). ; Abstracts in English and Chinese. ; Acknowledgement --- p.i ; Abstract --- p.iii ; 摘要 --- p.v ; "Introduction: Nationalism, Exile and Homelands" ; Nationalism and Exile --- p.1 ; Chapter Chapter One: --- Spaces of Nostalgia and Subversion: Memory as Imaginary Homelands ; The Split Identities of the Political Exile --- p.22 ; Memory as Imaginary Homelands for Exile Writers: Definition --- p.29 ; Memory as Imaginary Homelands for Beidao and Brodsky --- p.40 ; Concluding Remarks --- p.66 ; Chapter Chapter Two: --- Obsession with the Past: Cities Traveled as Surrogate Homelands ; The Exile Writers' Despair towards the Future --- p.68 ; Cities Traveled as Surrogate Homelands: Definition --- p.72 ; Surrogate Homelands in Beidao's and Brodsky's Endless Journey --- p.80 ; Concluding Remarks --- p.104 ; Chapter Chapter Three: --- Spaces of Solitude: The Linguistic Homelands ; Exile and Language Crisis --- p.106 ; Linguistic Homelands for Exile Writers: Definition --- p.112 ; Linguistic Homelands for Beidao and Brodsky --- p.122 ; Concluding Remarks --- p.151 ; Conclusion: Textual Spaces as Homelands for the Exile Poets --- p.153 ; Works Cited --- p.159

中國歷史上屢有異邦人士親身踏訪禹域,其中不乏有心之人將見聞感受付諸紙筆,撰文紀行。考慮到此類材料的政治意涵與文類屬性,本文採用「中國行紀」的概念指稱明治時代日本人結合親身踏訪禹域體驗撰寫的紀行文字。本文討論之日本明治(1868-1912)在時段上與中國晚清大致相當。不到五十年裏,兩國都經歷了翻天覆地但又截然相反的變動。也就是說,在日本不斷進步、日趨興盛的同時,中國卻世風日下,走向衰頹。一百多年前日本漢學者的中國行紀從異域鄰人的角度爲今人理解與進入晚清提供了嶄新的研究視角。 ; 有關明治漢文中國行紀的先行研究側重於中日政治關係的歷史描繪,對兩國知識人士之間文化交流與知識轉型方面的價值則有待繼續討論。本文將集中討論被視為明治三大漢文中國行紀的竹添進一郎《棧雲峽雨日記》、岡千仞《觀光紀游》與山本憲《燕山楚水紀遊》。它們分別代表了明治前期、中期與後期日本人對中國的旅行書寫,顯示出日本漢文中國行紀逐漸走向盡頭的趨勢。上述三書不僅影響到許多同代及其後大正、昭和時期的中國行紀,而且行紀文體的親歷性與權威性也使其對於近代日本人中國認識的轉變與形塑起到潛移默化的作用。三位作者都是受到過傳統舊式教育的漢學者,通過寫作傳達出親歷中國後想像與現實的落差,又以文學家的筆調記錄了晚清社會政治與士民生活的方方面面,在近代中日文化交流與知識轉型上扮演了重要角色。筆者將以漢文筆談為切入點,討論近代中日知識人士圍繞文化交流、知識轉型、文士往來與書籍酬贈等重要議題展開的交際與互動。本文期望通過勾稽相關文獻史料,回歸晚清歷史語境,藉助異域之眼反躬自省。 ; In Chinese history, there were always overseas people travelling to China, including Japanese sinologists, many of whom had recorded their impressions of China by composing travelogues. Considering the political implication and the genre application of this kind of materials, this research adopts the term "travelogues about China" to generalize all these records. The time period to be discussed in this research project is the whole Meiji era, namely, from 1868 to 1912, less than half a century, corresponding roughly to the late Qing period. These two countries had undergone tremendous but reversed revolutions during this period. That is to say, when Japan made progress everyday, China, on the other hand, was in an apparent state of decline. Travelogues about China 150 years ago provide people nowadays with a new research angle to comprehend and enter the late Qing history from Japanese sinologists' perspectives. ; Previous research about on Japanese travelogues about China in Chinese during the Meiji Period focused on historical descriptions of Sino-Japanese political relationships, however, the value of cultural exchange and transformation of knowledge between literary elites from both of these two countries remain to be discussed. This research plans to focus on Takezoe Shin'ichirō's San'un Kyōu Nikki (A Diary of Clouds Hanging between the Mountains and ...

黃微子. ; "2007年9月". ; 論文(哲學碩士)--香港中文大學, 2007. ; 參考文獻(leaves 93-99). ; "2007 nian 9 yue". ; Abstract also in English. ; Huang Weizi. ; Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2007. ; Can kao wen xian (leaves 93-99). ; Chapter 第一章 --- 香港想像和主流意識形態 --- p.1 ; Chapter 第一節 --- 香港想像的蹤跡 --- p.1 ; Chapter 第二節 --- 主流意識形態的主體 --- p.7 ; Chapter 第三節 --- 《香港風情》的"風情´ح --- p.12 ; Chapter 第四節 --- 合法化香港和現代化大陸 --- p.16 ; Chapter 第二章 --- 天堂的光和地洞的火 --- p.20 ; Chapter 第一節 --- "浮出歷史地表´ح --- p.20 ; Chapter 第二節 --- 天堂般的燈火 --- p.24 ; Chapter 第三節 --- 地洞中的墮落 --- p.30 ; Chapter 第四節 --- 曖昧的光影交疊 --- p.36 ; Chapter 第三章 --- 學習現代和重置傳統 --- p.42 ; Chapter 第一節 --- 學習現代 --- p.42 ; Chapter 第二節 --- 重置傳統 --- p.48 ; Chapter 第三節 --- "不爭論´ح與整合 --- p.53 ; Chapter 第四章 --- 觀看、移情和越界追逐 --- p.60 ; Chapter 第一節 --- 觀看、移情 --- p.60 ; Chapter 第二節 --- 越界追逐 --- p.65 ; Chapter 第三節 --- "香港化´ح與"中華性´ح --- p.71 ; Chapter 第五章 --- 從預言到跨越 --- p.78 ; Chapter 第一節 --- 書寫與建構 --- p.78 ; Chapter 第二節 --- 呈現與遮蔽 --- p.83 ; Chapter 第三節 --- 從1997到2007 --- p.85 ; 參考文獻 --- p.93

Lam Annie. ; Thesis submitted in: September 2006. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2007. ; Includes bibliographical references (leaves 154-170). ; Abstracts in English and Chinese. ; Abstracts --- p.i-iii ; Introduction --- p.1 ; Chapter Chapter I. --- The Development of Marriage in Hong Kong (1966-1997) --- p.14 ; Chapter 1. --- Debates over the reforms of marriage legislations (1966-1977) --- p.14 ; Chapter 2. --- The Narrowing of Gender Differences and Its Impact on Local Marriages (1977-1989) --- p.16 ; Chapter 3. --- Political Instability and the Threats to Local Marriage (1989-1997) --- p.21 ; Chapter Chapter II --- . Perspectives towards Marriage in Student Dramas by the Local Youth (1966-1977) --- p.26 ; Chapter 1. --- Movement of Spoken Drama Initiated by Local Students --- p.27 ; Chapter 2. --- Composition of Original Drama --- p.31 ; Chapter 3. --- Concepts of Marriage in Student Drama: Modern v.s Traditions (1968-1970) --- p.33 ; Chapter 4. --- Concept of Marriage in Student Drama: Marriage and Social Developments (1971-1977) --- p.44 ; Chapter 5. --- Summary --- p.53 ; Illustrations for Chapter II --- p.55 ; Chapter Chapter III --- Women's Identity Under the Institution of Marriage (1977-1989) --- p.56 ; Chapter 1. --- Young Women's Problems (1977-1980) --- p.57 ; Chapter 2. --- Victimization of Women (1982-1984) --- p.62 ; Chapter 3. --- Rise of Career Women (1984-1985) --- p.69 ; Chapter 4. --- Re-evaluation of Gender Roles in Marriage and the Society (1986-1989) --- p.74 ; Chapter 5. --- Summary --- p.85 ; Illustrations for Chapter III --- p.87 ; Chapter Chapter IV --- The Disintegration of Family in Local Spoken Drama (1989-1997) --- p.89 ; Chapter 1. --- Re-evaluation on the Necessity of Marriage (1989-1992) --- p.90 ; Chapter 2. --- Alternatives to Marriage Introduced (1992-1995) --- p.104 ; Chapter 3. --- Marriage Concepts and the Cultural Identity of Hong Kong (1996-1997) --- p.115 ; Chapter 4. --- Summary --- p.122 ; Illustrations for Chapter IV --- p.124 ; Conclusion ...

張詠梅. ; 論文(哲學博士)--香港中文大學, 2001. ; 參考文獻 (p. 235-273). ; 中英文摘要. ; Available also through the Internet via Dissertations & theses @ Chinese University of Hong Kong. ; Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. ; Mode of access: World Wide Web. ; Zhang Yongmei. ; Lun wen (Zhe xue bo shi)--Xianggang Zhong wen da xue, 2001. ; Can kao wen xian (p. 235-273). ; Zhong Ying wen zhai yao.

黎必信. ; "2012年3月". ; "2012 nian 3 yue". ; Thesis (Ph.D.)--Chinese University of Hong Kong, 2012. ; Includes bibliographical references (leaves 355-368). ; Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. ; Abstract in Chinese and English. ; Li Bixin.