Suchergebnisse

"Dionysius Bar Ṣalībī's Treatise against the Jews offers rare and illuminating insight into Christian-Jewish-Muslim relations during the Crusader era, not from the perspective of western Crusaders, but from the frequently neglected viewpoint of the Oriental Orthodox tradition. Bar Ṣalībī, a distinguished hierarch of the Syrian Orthodox Church, lived in a turbulent time of heightened tensions in the Levant. The Treatise against the Jews, which forms part of the corpus of Syriac polemical works, investigates the prejudices of Christians and Jews towards each other during the 12 century AD.This edition and translation is based on all the available manuscripts of the text, accompanied by extensive introductions, notes and commentary as well as studies of its place in the field of Syriac Patristic polemics"--

The legend of Sergius Bahira in the light of Christian apologetics vis-a-vis Islam -- Muslim-Christian confrontation and counterhistory -- The Islamic Bahira -- The apocalypse of Bahira -- Bahira's teachings -- Breaking crosses -- God's word and his spirit-Bahira's christology -- Protection and recognition-Bahira and Q 5:82 -- The physics of heaven -- The Qur'an against Islam -- The legend outside the legend -- Bahira the source -- Bahira the heretic -- Bahira the false witness -- Bahira the victim -- Jewish traditions about Bahira -- Bahira the forecaster -- Concluding discussion -- Texts and translations -- The recensions and the manuscript tradition -- Some characteristics of the recensions -- Textual genealogy -- Manuscripts -- Conspectus siglorum -- Methodological considerations -- The East-Syrian recension -- The West-Syrian recension -- The short Arabic recension -- The long Arabic recension

"Shells on a Desert Shore is a fresh, original look at an indigenous culture of North America having a deep and intimate knowledge of the Gulf of California. Cathy Moser Marlett offers a richly illustrated ethnographic work, describing the Seri knowledge of mollusks and their cultural importance"--

Momentography of a failure brings essays, timelines, film, photography, and a series of conversations together to deal with Ethiopia's controversial urbanisation and the transformative space of the city. It explores the gradual transition of rural-urban space, inner-city migration, emerging and disappearing spaces, and commoning in public space. Momentography of a failure is established at the verge of a hyper-documented world, a hybrid space of digital sociability. While the media production, its reception, and distribution was pluralized by digitization, practices such as "media-sharing" and "citizen journalism" established new conditions for visibility, reinvented the authorial image, and promoted yet another dematerialization of authorship. The author camouflages in the cloud(s). Adoption, appropriation, and recycling are standardized. Authorship becomes secondary to content and alternative models of authorship are formulated: co-authoring, collaborative creation, interactivity, and strategic anonymity, in which cultural activism is reinforced. Momentography of a failure sets out on this point and draws up a multidisciplinary artistic and urban research platform that calls for practicing forms of participatory citizenship through collaborative thinking, creation, and reflection. Momentography of a failure is a network of artists, urbanists, writers, and activists that stand where aesthetic-artistic practice and sociopolitical activism come together to explore failure--and its various realities--and claim, reaffirm, and dream alternatives