Power and Imagination: Studies in Politics and Literature
In: Politologija, Heft 3, S. 121-128
ISSN: 1392-1681
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In: Politologija, Heft 3, S. 121-128
ISSN: 1392-1681
ISSN: 2029-4573
This paper overviews the articles, published in this issue of Filosofija. Sociologija. The articles are arranged in three topics – social and political philosophy, philosophical anthropology and epistemology. In developing these topics the authors get in touch with each other. They are worried about the present condition of society and its future, troubles of human existence and prospects of human knowledge.
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This paper overviews the articles, published in this issue of Filosofija. Sociologija. The articles are arranged in three topics – social and political philosophy, philosophical anthropology and epistemology. In developing these topics the authors get in touch with each other. They are worried about the present condition of society and its future, troubles of human existence and prospects of human knowledge.
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In: Politologija, Heft 3, S. 126-139
ISSN: 1392-1681
The paper examines a polemic that rose after the publishing of Vytautas Kubilius' book 20th Century Literature in 1995: the main topics, forms, and development; the positions and professional, institutional, and generation dependence of its participants, their arguments and rhetoric. The number and fervour of reviews was evidence of the importance and influence attached to Kubilius' work, but at the same time it highlighted different approaches to literature (an artistic composition or a social phenomenon performing aesthetic, social and political functions), its historic process (homogeneous or multiplex), expectations of literary studies (uncompromisingly objective or subjective, Soviet vs Western, with priorities given to aesthetics or attention to social functions). The polemic displayed a particular sensitivity to various interpretations of Lithuanian literature of the Soviet period and the problematic place of the post-Soviet critic. The paper also considers the way the history of literature written by Kubilius could be read and interpreted after a decade of its publications, especially the possibility of a different estimation of his attention to historical contexts and ideological aspects in the perspective of contemporary literary studies.
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The paper examines a polemic that rose after the publishing of Vytautas Kubilius' book 20th Century Literature in 1995: the main topics, forms, and development; the positions and professional, institutional, and generation dependence of its participants, their arguments and rhetoric. The number and fervour of reviews was evidence of the importance and influence attached to Kubilius' work, but at the same time it highlighted different approaches to literature (an artistic composition or a social phenomenon performing aesthetic, social and political functions), its historic process (homogeneous or multiplex), expectations of literary studies (uncompromisingly objective or subjective, Soviet vs Western, with priorities given to aesthetics or attention to social functions). The polemic displayed a particular sensitivity to various interpretations of Lithuanian literature of the Soviet period and the problematic place of the post-Soviet critic. The paper also considers the way the history of literature written by Kubilius could be read and interpreted after a decade of its publications, especially the possibility of a different estimation of his attention to historical contexts and ideological aspects in the perspective of contemporary literary studies.
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Crime related publications in mass media have big impact on the public understanding of crime situation, as well as of the strategy and tactics in current criminal policy. Due to this fact, the diffusion of this kind of information becomes a serious social and political problem in modern society. The article "Crime and Press in Lithuanian Society" analyses trends and structure of crime related publications in Lithuanian press, their inner ideology, and public attitude to crime related publications. The article points on the fact that publications in Lithuanian press are not adequate to the official description of crime situation in society, create distorted image of crime, and misinform public about the real state of affairs in criminal justice. In its turn, images of crime and criminal justice could negatively influence the implementation of effective democratic criminal policy in Lithuania.
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Crime related publications in mass media have big impact on the public understanding of crime situation, as well as of the strategy and tactics in current criminal policy. Due to this fact, the diffusion of this kind of information becomes a serious social and political problem in modern society. The article "Crime and Press in Lithuanian Society" analyses trends and structure of crime related publications in Lithuanian press, their inner ideology, and public attitude to crime related publications. The article points on the fact that publications in Lithuanian press are not adequate to the official description of crime situation in society, create distorted image of crime, and misinform public about the real state of affairs in criminal justice. In its turn, images of crime and criminal justice could negatively influence the implementation of effective democratic criminal policy in Lithuania.
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The paper analyses four characters ofliterary fairy tales: The Adventures of Pinocchio by Carlo Collodi, The Golden Key or The Adventures of Buratino by Alexei Tolstoy, The Magic Inkpot by Mykolas Sluckis and A Tale of the Forest by Eduardas Mieželaitis. Their common feature, at first sight, is only a wooden body; however, some similar inner characteristics should be noticed. All those characters represent the child's behaviour and mentality. The most influential work is The Adventures of Pinocchio; the didactic nature of the work can be traced in other works, although didacticism is softened and modified. The adventurous plot of the works is also their common characteristic. A Tale of the Forest by Mieželaitis represents the new stage of development of the Lithuanian Children's literature. Children's literature in the 1980s, by using the so called Aesop's language, dared to raise more complicated, even politically dangerous ideas. The protagonist of the work partly represents resistance and revolt. The "birth" of the character is also different: he was not simply carved of a piece of wood; he is an offspring of a lonely woman and a mythic creature, who mainly represents Nature. That is why the character is more metaphorical, more sophisticated, compared with Pinocchio and Buratino.
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The paper analyses four characters ofliterary fairy tales: The Adventures of Pinocchio by Carlo Collodi, The Golden Key or The Adventures of Buratino by Alexei Tolstoy, The Magic Inkpot by Mykolas Sluckis and A Tale of the Forest by Eduardas Mieželaitis. Their common feature, at first sight, is only a wooden body; however, some similar inner characteristics should be noticed. All those characters represent the child's behaviour and mentality. The most influential work is The Adventures of Pinocchio; the didactic nature of the work can be traced in other works, although didacticism is softened and modified. The adventurous plot of the works is also their common characteristic. A Tale of the Forest by Mieželaitis represents the new stage of development of the Lithuanian Children's literature. Children's literature in the 1980s, by using the so called Aesop's language, dared to raise more complicated, even politically dangerous ideas. The protagonist of the work partly represents resistance and revolt. The "birth" of the character is also different: he was not simply carved of a piece of wood; he is an offspring of a lonely woman and a mythic creature, who mainly represents Nature. That is why the character is more metaphorical, more sophisticated, compared with Pinocchio and Buratino.
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The paper analyses four characters ofliterary fairy tales: The Adventures of Pinocchio by Carlo Collodi, The Golden Key or The Adventures of Buratino by Alexei Tolstoy, The Magic Inkpot by Mykolas Sluckis and A Tale of the Forest by Eduardas Mieželaitis. Their common feature, at first sight, is only a wooden body; however, some similar inner characteristics should be noticed. All those characters represent the child's behaviour and mentality. The most influential work is The Adventures of Pinocchio; the didactic nature of the work can be traced in other works, although didacticism is softened and modified. The adventurous plot of the works is also their common characteristic. A Tale of the Forest by Mieželaitis represents the new stage of development of the Lithuanian Children's literature. Children's literature in the 1980s, by using the so called Aesop's language, dared to raise more complicated, even politically dangerous ideas. The protagonist of the work partly represents resistance and revolt. The "birth" of the character is also different: he was not simply carved of a piece of wood; he is an offspring of a lonely woman and a mythic creature, who mainly represents Nature. That is why the character is more metaphorical, more sophisticated, compared with Pinocchio and Buratino.
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The paper analyses four characters ofliterary fairy tales: The Adventures of Pinocchio by Carlo Collodi, The Golden Key or The Adventures of Buratino by Alexei Tolstoy, The Magic Inkpot by Mykolas Sluckis and A Tale of the Forest by Eduardas Mieželaitis. Their common feature, at first sight, is only a wooden body; however, some similar inner characteristics should be noticed. All those characters represent the child's behaviour and mentality. The most influential work is The Adventures of Pinocchio; the didactic nature of the work can be traced in other works, although didacticism is softened and modified. The adventurous plot of the works is also their common characteristic. A Tale of the Forest by Mieželaitis represents the new stage of development of the Lithuanian Children's literature. Children's literature in the 1980s, by using the so called Aesop's language, dared to raise more complicated, even politically dangerous ideas. The protagonist of the work partly represents resistance and revolt. The "birth" of the character is also different: he was not simply carved of a piece of wood; he is an offspring of a lonely woman and a mythic creature, who mainly represents Nature. That is why the character is more metaphorical, more sophisticated, compared with Pinocchio and Buratino.
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The purpose of the article is to attract attention to the role of press and its meaning in the context of civil society in one of the developmental stages of democracy. After the social structure had changed in Lithuania, as in other post soviet countries where the totalitarian ideology deformed the concepts of truth and identity, the need and expectations of psychological security to create a better future were directly related to the press. On the grounds of political philosophy, the imperative of public space as an imperative of a basic democracy institution which appears when the members of community create and support it, is analyzed. Analyzing the way in which the press as one of the governmental blocks participates in the maintenance of public space because of itself and represents the citizens, shows the level of public discussion quality and community information. The right of society to receive information is political since the awareness guarantees the realization of universal freedom; the purification of press links with civil society is important as a theoretical basis when examining the role of media in the periods of societal changes.
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The purpose of the article is to attract attention to the role of press and its meaning in the context of civil society in one of the developmental stages of democracy. After the social structure had changed in Lithuania, as in other post soviet countries where the totalitarian ideology deformed the concepts of truth and identity, the need and expectations of psychological security to create a better future were directly related to the press. On the grounds of political philosophy, the imperative of public space as an imperative of a basic democracy institution which appears when the members of community create and support it, is analyzed. Analyzing the way in which the press as one of the governmental blocks participates in the maintenance of public space because of itself and represents the citizens, shows the level of public discussion quality and community information. The right of society to receive information is political since the awareness guarantees the realization of universal freedom; the purification of press links with civil society is important as a theoretical basis when examining the role of media in the periods of societal changes.
BASE