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The Relationship Between Literature and Language Revitalization : "RewiTEATRalizacja"in Wilamowice
In: Multiethnica, Band 39
Nordisk folkrättslig literatur: 1900 - 1939
In: Skrifter utgivna av Svenska Institutet för Internationell Rätt 6
Mass murder and German society in the Third Reich
In: The Hugo Valentin lectures 1
Civil Society and Activism in Europe - Contextualizing Engagement and Political Orientations
In: Politiikka: Valtiotieteellisen Yhdistyksen julkaisu, Band 52, Heft 3, S. 250-251
ISSN: 0032-3365
Det är du själv som bestämmer!: politik, samtidskritik och litteraturdebatt från tre decennier
Selections from Delblanc's work on politics, literature, and society
Towards a Fossil-Free Society
This volume describes the "Swedish part" (WP4) of the EU project COMPLEX, which has been dealing with pathways to a low carbon society with the Stockholm-Mälar region in focus. COMPLEX started on 1 October 2012 and ended after four years, on 30 September 2016. The central theme of the WP4 research has been to use the Stockholm-Mälar region as a sort of a "laboratory" for modelling and stakeholder interactions, but also for providing backgrounds, perspectives, tools and suggested policy outlines.
BASE
Between Literature and Politics. Strindberg and Scandinavian Radicalism as Seen through his Relationship with Edvard Brandes, Branting and Bjørnson
Strindberg's strategies of commitment, disengagement and new commitment across the border between literature and politics represent an intriguing intellectual adventure we can follow throughout his life as a writer. My article focuses on Strindberg's dilemma as it took form in the first half of the 1880s, and observes it through his fundamental and controversial relationship with the Swedish journalist, literary critic and Social-democratic political leader Hjalmar Branting, with the Danish playwright, literary critic, journalist and radical liberal politician Edvard Brandes, and with the Norwegian writer, politically engaged intellectual and nasjonalskald Bjørnstjerne Bjørnson. For a period they all experienced, along with Strindberg, the ambivalence of working in a social field where art and politics were intertwined, and were to a certain extent involved in the same project, each with his own interpretation. For Strindberg the writer, defending his autonomy from the political field in the end became crucial. What did his colleagues expect from his work? How did Strindberg react to their expectations? What is his legacy today with respect to stances such as intellectual autonomy from power, democratic rule, pacifism and critique of civilization, but also anti-feminism and anti-Semitism? Strindberg's unruly genius illustrates that it is at times difficult to draw the dividing line between radicalism and reaction, and that the great modernists were often also great anti-modernists.
BASE
Translating Popular Education: Civil Society Cooperation between Sweden and Estonia
In: Statsvetenskaplig tidskrift, Band 111, Heft 1, S. 107-111
ISSN: 0039-0747