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Fiction is generally understood to be a fascinating, yet somehow deficient affair, merely derivative of reality. What if we could, instead, come up with an affirmative approach that takes stories seriously in their capacity to bring forth a substance of their own? Iconic texts such as Mary Shelley's Frankenstein and its numerous adaptations stubbornly resist our attempts to classify them as mere representations of reality. Friederike Danebrock shows how these texts insist that we take them seriously as agents and interlocutors in our world- and culture-making activities. Drawing on this analysis, she develops a theory of narrative fiction as a generative practice.

"In 1905, Freud published his Three Essays on the Theory of Sexuality, the book that established the core psychoanalytic thesis that sexuality is central to formations of the unconscious. Inverting Freud's title, Eric Santner here takes up the sexuality of theory-or, more exactly, its sex-appeal, the modes of enjoyment to be found in the kinds of critical thinking that, since the 1960s, have laid claim to that ancient word, "theory." Untying Things Together is both an intellectual history of major theoretical paradigms and a call for their reexamination and renewal in light of the "postcritical turn" away from them. Santner organizes this intellectual history autobiographically as the story of his own encounters and involvements with key theorists and theoretical projects. He thereby shows that to reduce these theoretical projects to so many exercises in a "hermeneutics of suspicion" (a move associated with certain "post-critique" authors) is to miss what is most vital, most alive, indeed life-changing about them. It is to miss the "gay science" they elaborate. Santner's explorations yield new ways of accounting for the "sublime object" of theory, the libidinal charge it carries for those susceptible to its charms"--