Suchergebnisse

Ovaj rad nudi interdisciplinarni pogled i promišljanje međusobnih veza i odnosa između glazbe, ljudskog života i svijeta. S namjerom da se predstave mogući načini definiranja glazbe, razmatraju se dva pristupa: »glazbanje« (»musicking«) i disjunktivna strategija razumijevanja glazbe, od kojih oba nude deskriptivni, no ne i vrednujući pogled. Nakon kratkog osvrta na glazbu kao sredstvo političke propagande ili sredstvo iz sfere masovne produkcije i konformizma, šire je predstavljeno drugo lice glazbe pomoću pojma »glazbe zajednice«, gdje težnja k nemogućem, kao bezuvjetna dobrodošlica, te beskonačna odgovornost prema drugome čine glazbu univerzalnom vježbom etičkih gestā, otvorenosti i prihvaćanja. ; This paper offers an interdisciplinary account and a reflection of the interconnections and relations among music, human life, and the world. With the intention to present the possible ways of defining music, two approaches are examined. These approaches are "musicking" and the disjunctive strategy of understanding music, both of which provide a descriptive and not an evaluative account. After a brief acknowledgement of music as a means for political propaganda, and as a means belonging to the sphere of mass production and conformism, the other side of music is to be presented mainly through the concept of "community music", where the unconditional welcome of striving towards the impossible and the infinite responsibility towards the other makes music universal exercise in ethical gestures, openness, and acceptance. ; Cet article propose une approche interdisciplinaire et une réflexion sur les interconnexions et les relations entre la musique, le monde humain et le monde. Dans l'intention de présenter les différentes manières possibles de définir la musique, deux approches seront examinées : l'activité musicale en tant que processus (« musicking ») et la stratégie disjonctive de compréhension de la musique. Ces deux approches privilégient l'explication descriptive et n'offrent pas de critères d'appréciations. Ainsi, après avoir brièvement déterminé la musique en tant que moyen politique de propagande ou en tant que sphère de production de masse et de conformisme, l'autre facette de la musique sera présentée plus largement à travers le concept de « musique communautaire », où l'aspiration vers l'impossible en tant qu'accueil inconditionnel et responsabilité infinie des uns envers les autres font de la musique une pratique universelle des gestes éthiques, d'ouverture et d'acceptation. ; Dieser Artikel bietet einen interdisziplinären Bericht und eine Kritik an der Verbundenheit und den Beziehungen zwischen musik, menschenleben und Welt. mit der Absicht, mögliche Wege der Definition von musik zu präsentieren, werden zwei Ansätze untersucht: das "musicking" (musikpraxis) und die disjunktive Strategie des musikverständnisses. Beide Ansätze bieten eine deskriptive und keine evaluative Sehweise. Nach einer kurzen Rückschau auf die musik als mittel der politischen Propaganda oder als mittel aus der Sphäre der massenproduktion und des Konformismus wurde die andere Seite der musik in einer umfassenderen Art und Weise durch den Begriff der "Gemeinschaftsmusik" präsentiert, wo das Streben nach dem Unmöglichen als bedingungsloses Willkommen und die unendliche Verantwortung gegenü ber dem anderen die musik zu einer universellen Übung der ethischen Gesten, Offenheit und Akzeptanz machen.

Numizmatički katalozi i literatura bilježe primjerke krivotvorenih austrijskih guldenskih novčanica nastalih potkraj 18. i osobito tijekom 19. stoljeća. Takve primjerke novčanica posjeduju i muzejske i privatne numizmatičke zbirke. Te krivotvorine izrađivali su i crtanjem, u manjim količinama, i tiskarskim postupcima, u većim količinama, iako su za krivotvorenje novca bile propisane stroge zakonske sankcije. Primjerci krivotvorina od 1 i 5 guldena (izdanja 7. srpnja 1866.) izrađeni tiskarskim postupcima i crtanjem osobito su zanimljivi zbog vremena nastanka i optjecaja u novčanom prometu, pa i zbog kvalitete izvedbe. U radu su prikazana obilježja tih krivotvorina. ; Numismatic catalogues and literature record specimens of forged Austrian gulden banknotes made at the end of the 18th and especially during the 19th century. These banknotes can be found in museum and private numismatic collections. The forgeries were made using drawing (smaller amounts) and printing techniques (larger amounts), although there were severe legislative sanctions for forging money. The examples of forged 1 and 5 guldens (issued on 7 July 1866) made by printing and drawing are especially interesting because of the time when they were made and their circulation, and also because of the quality of the work. The author shows the characteristics of these forgeries.

Following the largest enlargement of the EU from 15 to 25 Member States many people are asking the question: where does Europe end? The Union has already made political commitments to additional EU members: Romania, Bulgaria, Turkey, Croatia & the other Balkan countries & in spite of the European Neighborhood Policy further thinking of the EU enlargement also includes Ukraine & Moldova. But the French & Dutch rejection of the constitutional treaty has made the future EU enlargement uncertain & the EU adopted a new comprehensive enlargement strategy based on consolidation of the EU. References. Adapted from the source document.

Autor u kratkim crtama daje pregled razvitka umjetnosti medalje na području priobalne Hrvatske od 15. st. do druge austrijske dominacije. Materijal je grupi ran u sljedeće skupine: Istra, Mletačka Dalmacija, Dubrovnik, Napoleonovo doba, Prva austrijska vlast, svetačke medaljice. Sam katalog sadrži 52 komada medalja, poznatih bilo iz zbirki, bilo iz stručne literature. ; Among the older Istrian medals there is one of Francesco Biondi, a Florentine monk, bishop of Capodistria (Justinopolis, Kopar), made in 1448. Other Istrian medals of interest are a rough cast-bronze one from 1693, made for a corporate body for the distribution of hay in Pula and a small cast bronze medal, made in Rome on the occasion of the renewal of St. Euphemia's church in Rovinj in 1756. Of course, there is also a modest medal presented by the Poreč community to the last Venetian podesta in 1797. Speaking of Dalmatian medals, one ought to mention two of the great names of the Renaissance, who excelled in the art of the medal: Paolo de Ragusa and Francesco Laurana. Several famous Dalmatians who lived abroad in the 16th c. were depicted on medals: Jacobus Banisius, Francesco Niconizio and Antonio Veranzio. One of the earliest Dalmatian medals is the one made in 1600 for the Procuratori dell' Area di S. Simeone in Zadar. There is also a medal struck on the occasion of the liberation of Castelnuovo (Hercegnovi) in 1687. The Scuola Dalmata in Venice also hat its own small silver medals depicting S. George and S. Tripone. The numerous Dalmatian magistrates' medals from the 17th and 18th c. are usually of little artistic value, having been made by local gold or silversmiths, according to the wishes of the local nobility, who wanted to honour a departing provveditore generale or conte (various provveditori generali of Dalmatia and Albania, podesta of Poreč, counts of Korčula, Split, Šibenik and Zadar, provveditori of Imotski, Makarska and Sinj). Speaking about medals of the ancient Republic of Dubrovnik one ought to mention that only trace left there by Paolo de Ragusio are the delicate copper follari. Matteo de' Pasti made a medal of Timoteo Maffei, the archbishop of Ragusa. Three 16th c. Ragusan patricians: Giovanni Nale-Nalješković, Domenico Ragnina and Luca Cerva-Crijević were depicted on medals. A medal by St. Urbain was dedicated to Giorgio Baglivi, a Ragusan surgeon. The first medal was struck in Dubrovnik on the occasion of the reconstruction of St. Blaise's church in 1707. In 1771 the relics of St. Stephen King of Hungary were presented by the Ragusan Senate to Emperor Joseph Il. and Empress Maria Theresia; the event was marked by a medal. The other two remarkable medals of Dubrovnik were the one to commemorate the death of the rector Orsat Gozze Gučetić, 1798; Gioacchino Hamerani's 1803 Luigi Alvise Mozzi medal. Napoleon Bonaparte's Marshal Marmont dissolved the government of the reverend and feeble Republic of Ragusa on January 31. 1808. Napoleon's massive numismatic propaganda was very well organized. An entire team of artists worked for Napoleon in Paris, but there were also many medallists elsewhere producing medals, in order to celebrate his victories, thus for instance the 1806 medal commemorating the conquests of Dalmatia, of Istria, and of Illyricum. Several of the Dalmatian Napoleonic medals have not been attributed to any of the known medallists, thus for instance the rare Zaratine Lycaeum medal from 1809. A more rudely made medal was presented by the inhabitants of Sinj to Pierre Bouillerot, a French surgeon, in 1811 . During the first Austrian rule, in 1801 a decoration by I. N. Wirt was distributed, with the bust of Emperor Franc is II. on the obverse and the inscription DALMATAE BEN EMERENTI/ 1801 on the reverse . One of the earliest Austrian medals struck for Dalmatia was the Zara tine medal of 1804 by Luigi Ferrari, which commemorated the Dalmatian nobility paying respect to Emperor Franc is II. (1792- 1806-1 835), represented by Count Peter von Goess, Governor of Dalmatia between 1802 and 1805. One should not forget the most popular of all medals: the saints' medals and tokens, which were struck, cast or engraved in very large quantities and were cheap and therefore accessible to the masses of pilgrims. The most popular were those of Madonna of Trsat, made chiefly after 1715, when the Madonna was solemnly crowned .

In the Republic of Croatia, new topographic maps are just being produced, primarily at the scale of 1:25 000. The Military Topographic Map is being made for the Ministry of Defence according to the existing manual "Topographic symbols" from 1993. For civil needs, the Topographic Map is made at the scale of 1:25 000 according to the new, officially not yet adopted collection of symbols "Map Key" from 1998. The paper points out the importance of changing the map graphics of topographic maps according to the modern communication and visualisation of space. ; U Republici Hrvatskoj u tijeku je izrada novih topografskih karata, u prvom redu onih mjerila 1:25 000. Za potrebe Ministarstva obrane izrađuje se Vojni topografski zemljovid prema postojećem priručniku "Topografsko znakovlje" iz 1993. Za civilne potrebe izrađuje se Topografska karta 1:25 000 prema novoj, još službeno neusvojenoj, zbirci znakova "Kartografski ključ" iz 1998. U radu je istaknuta važnost promjene kartografike topografskih karata sukladno suvremenoj komunikaciji i vizualizaciji prostora.

Rudolf Valdec, together with Robert Frangeš-Mihanović, was a sculptor of the Zagreb circle in the late 19th and early 20th century. Medal art in Croatia began with those two leading Croatian sculptors at the time of Art Nouveau. Right from the beginning their commemorative works were on par with contemporary European medal-making. Rudolf Valdec's medals are completely in the Art Nouveau style, which implies that the plaque was the dominant form of art expression. He was an excellent portraitist, and his plaques are technologically perfect. He made small portraits and compositions in shallow relief, with meticulously rendered decorative details in curving lines. The Collection of Medals and Plaques in the Modern Gallery in Zagreb has fifty five works by Rudolf Valdec. Twenty plaques and two medals were made after posters, in several techniques and struck in a variety of materials. They date from 1905, when Valdec started his work on medals, to 1923, when he made the last plaque. The Dragutin Mandl Collection of Medals and Plaques has all the fourteen works by the artist, a total of forty-nine specimens, and six specimens were acquired from other sources. This article for the first time gives a comprehensive and detailed presentation of all the medal works of Rudolf Valdec, enabling the public at large, and also experts, to get to know his complete opus in medals in the Modern Gallery in Zagreb. The commemorative work by this Croatian sculptor must be seen in the context of the art medal. Rudolf Valdec is one of the pioneers of the modern Croatian medal, with masterpieces in this branch of sculpture. Outstanding is the portrait plaque of J.J. Strossmayer (1905) and the plaque with the figural composition Military Casino (1911).

The paper discusses an attempt at language standardization in Bosnia and Herzegovina at the beginning of the Austro-Hungarian rule over these former Ottoman provinces. The year 1883 was crucial for phonemic orthography, which, with some variations, has remained in use to this day. Dlustuš's manuscript of the Primer will be used to demonstrate the changes that were made and how orthography in Bosnia and Herzegovina changed. In order to understand what exactly happened, the following years must be considered as well: 1850 – the year of the launch of the first magazine intended for Bosnia and Herzegovina (Bosanski prijatelj) and the acceptance of the Illyrian language concept; 1866 – the year of the opening of the official printing office and the imposition of Karadžić's reformed Cyrillic alphabet and predominantly phonemic orthography, and 1878 – the year of the establishment of a new government and the return to the previous linguistic tendencies based on Latin script and morphophonemic orthography. Only by considering all these events, one can understand why the new government made a linguistic turn in relation to the initial years of its rule.

The author looks at documents regarding the protection of minorities, designed by the Council of Europe as the oldest organization promoting the idea of European unity. He also analyzes the steps that the Republic of Croatia has made in its desire to join the Euro-Atlantic integration. Croatian politics, in line with the will of the Croatian citizens expressed in the elections of Jan 2000, has tried to reach that goal by satisfying the requirements for integration. Adapted from the source document.

The analyses of the process of transition in Serbia, made by some international institutions & organizations, have shown that the fundamental problems in our economy are ineffective institutions & necessity of overall infrastructure changes. The author considers that any significant economic growth in Serbia in the future is unrealistic in the unfavorable macro- & micro economic business environment. She emphasizes the necessity to implement institutional & infrastructure reforms, which should be the first postulate for growth of productivity & competitiveness of enterprises & national economy. Tables, References. Adapted from the source document.

U svim dosadašnjim radovima na temu umijeća govorništva istraživala su se verbalna i neverbalna komunikacija, stil, gestovni znakovi, držanje tijela, položaj trupa, pokreti nogu, govori u kontekstu vremena i prostora i sl., no slučaj nepoznavanja ili lošega poznavanja jezika zemlje kojoj je političar na čelu nije istraživan ni razrađen. A upravo je to slučaj s bivšim predsjednikom Vlade Republike Hrvatske Tihomirom Oreškovićem. Ovim se radom željelo ustanoviti kakav dojam ostavlja bivši premijer na javnost u kontekstu nepoznavanja hrvatskoga jezika. Također se pokušalo utvrditi koje odlike u javnome nastupu ima i kakav dojam one ostavljaju na javnost. Kako bi to utvrdili, za potrebe rada autori su proveli dubinski intervju sa stručnjacima iz područja društveno humanističkih znanosti koji su se osvrnuli na javni nastup i dojam koji bivši premijer ostavlja na javnost. Kako bismo kvantitativno argumentirali odgovore dobivene iz dubinskoga intervjua, dodatno je provedeno anketno istraživanje o dojmu koji ostavlja na ispitanike. Radi dodatne argumentacije analiziran je i sadržaj u obliku transkripata javnih nastupa premijera Oreškovića. ; All the previous works on the art of public speaking have investigated the verbal and nonverbal communication, style, gesture signs, posture, position of torso, leg movements, speaking in the context of time and space, etc. But the case of ignorance or poor knowledge of language of the country, whose head the politician is, has neither been investigated nor elaborated. And that is precisely the case with former Croatian Prime Minister Tihomir Orešković. The main intention of this paper is to determine what kind of impression the former Croatian Prime Minister Tihomir Orešković makes on the public in the context of lack of knowledge of the Croatian language. It also tried to find out his characteristics in public appearance and what impression they make on the public. In order to determine that, for the purpose of this paper we conducted in-depth interviews with experts in the field of social and human sciences that made a review of public appearance and impression that former Prime Minister Orešković made on general public. In order to quantitatively argue the answers obtained from in-depth interviews, we additionally conducted a survey where we examined the impression he made on respondents. For the purpose of additional argumentation the authors also analyzed the content in the form of transcripts of public appearances of former Prime Minister Orešković.

Organizacija i razvoj pravosudnih tijela i odgovarajućega pravnog okvira u Hrvatskoj nakon Drugoga svjetskog rata bila je nezaobilazna sastavnica ustrojavanja ukupne nove vlasti na ovim prostorima. Rad analizira okolnosti i uvjete u kojima se uspostavljaju sudski sustav (okružni i kotarski sudovi te "specijalni sudovi") i tužiteljstvo u Hrvatskoj te zadaci koji su stavljani pred poslijeratno sudstvo. Naglasak je stavljen i na pitanje zakonskoga kontinuiteta, koji je osim za osiguranje legaliteta iskorišten i u svrhu izgradnje i stabilizacije nove vlasti. ; The organisation of the new government in the immediate aftermath of the war in Croatia encompassed and largely relied on the formation and development of judicial institutions and the accompanying legal regulations. This paper analyses the circumstances and conditions in which the judicial system was established and the tasks set before the post-war judiciary. It was essential to review how the regulations were standardised and how regular (circuit and district) courts and short-lived 'special' courts, whose consequences were far-reaching, operated. It is important to highlight the significance of public prosecutors in Croatia. Through analysing archival sources and the available literature, an attempt was made to determine the extent that the legal vacuum that appeared after the severance of all ties with the pre-war laws made it easier to implement the new system, which sought to secure not only its own legality, but also the legitimacy of its authority.

Autor istražuje i analizira recentne promjene u emisijskim politikama država i monetarnih unija u segmentu kovinskog novca, koje su sve češće, a provode se zato da bi se ostvarili nefiskalni prihodi i postigli drugi nemonetarni učinci. U radu se razmatraju samo službene emisije kovinskog novca. ; The author researches and analyses recent changes in the coin emission policies of states and monetary unions, which are increasingly frequent and are made to acquire non-fiscal revenue and achieve other non-monetary effects. The article examines only official coin emission.

Autor istražuje i analizira recentne promjene u emisijskim politikama država i monetarnih unija u segmentu kovinskog novca, koje su sve češće, a provode se zato da bi se ostvarili nefiskalni prihodi i postigli drugi nemonetarni učinci. U radu se razmatraju samo službene emisije kovinskog novca. ; The author researches and analyses recent changes in the coin emission policies of states and monetary unions, which are increasingly frequent and are made to acquire non-fiscal revenue and achieve other non-monetary effects. The article examines only official coin emission.

Demokracija označava pluralistički oblik upravljanja u kojemu se odluke donose izravnim ili neizravnim putem, većinom glasova. Članak se bavi analizom suodnosa demokratičnosti društva i stupnja demokratičnosti u upravljanju lokalnom baptističkom crkvom Saveza baptističkih crkava u Republici Hrvatskoj, koja je strukturno temeljena na kongregacijskome modelu upravljanja. ; Democracy is a pluralist form of government where the decisions are made directly or indirectly through the majority of votes. This article deals with analyzing the correlation between the level of democracy in society and the level of democracy in managing local Baptist churches in the Baptist Union in Croatia, which is structurally based on a congregational model of management.

By means of a comparative analysis of the available data, we can divide intelligence organizations into three groups of models, provisionally called American, British, & (the former) Soviet. These models have at the same time served as a basis for building intelligence systems in other states. Unlike the other two systems, the co-called British model of intelligence organization includes the central organization that coordinates the operation of all the others. The British intelligence system is made up of independent services located within different ministries, whose activities are coordinated by the cabinet or its working bodies. 1 Diagram, 23 References. Adapted from the source document.