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"耽美"来源于日本,是以女性读者群为主要受众、描写男性与男性之间浪漫关系或性关系的文学或艺术作品,也被称为BL(Boy's Love)。喜爱耽美的女性爱好者被称为"腐女"。耽美文化自1990 年代后期随着日本流行文化进入中国,至今已在中国网络空间中逐渐发展成为一个主要由女性网民所组成的,包含文本创作、阅读与交流的文化圈。与此同时,耽美文化的流行亦引发了中国当下种种对性与性别问题的思考。 ; 本研究将耽美文化解译为"女性幻想男男之爱"的欲望结构,从精神分析幻想理论与酷儿理论的视角来考察中国网络中的耽美文化现象。论文所围绕的一个问题是,耽美文化与中国社会文化中的性/别话语产生了怎样的关系,以及如何从腐女的耽美幻想中搭建起与现实性/别政治的联系。研究首先分析了两类网络耽美小说文本,分别来看它们与1990年代以后的"男同性恋"身份话语,和2000年代以后对"中国古典文化"想象之间的吸收、挪用与再创造;其次以网络腐女圈的论坛讨论与配对狂欢为对象,研究网络耽美式恶搞对官方媒体、主流男性形象和异性恋规范的权威所潜在的颠覆性;最后以2011年一桩"腐女被抓案"新闻报道为契机,来观察耽美文化与网络淫秽色情审查的纠葛、冲突与可能的出路。 ; 欲望幻想的流动性决定着它边界的模糊与开放,以及它承载、影响乃至侵扰"现实"秩序的功能。因此,作为一种女性的男性同性情欲幻想,本研究视耽美文化最引人注目的地方不在于其本身的出现与流行程度,而在于它与各种性/别话语的相互建构与矛盾冲突。此外,在对幻想文本、网络话语以及腐女群体的调查中,本研究也期待探索某种"酷儿"政治在中国网络文化中生产的可能性。 ; Boy's love (BL in short; danmei in Chinese) is a Japanese term for female-oriented fictional media, which focuses on love, sex and romance between beautiful androgynous boys or young men. Apart from the gay self-representations, BL is a genre of male homoeroticism by and for mostly heterosexual women. In China, the BL fans call themselves "Fu Nu", which means "rotten girl", to describe their enthusiasm for fantasizing male homosexuality. BL originated from Japanese amine, comic and game youth culture, and has since become a transnational phenomenon all over the world with a global fan base. As such, the phenomenon of boy's love had already aroused a lot of discussions in relation to ideologies of gender and sexuality from different cultural and social perspectives. BL fandom in China's culture context with its "Chinese characteristics" also deserves particular attention, when it opens up a fantastic space for Chinese woman to practice their sexuality beyond non-heterosexual norms. ; However there is limited work that considers the queer sexuality of female BL fans in China, in relation to the queer texts and queer discourses they create. There is also little research that explores the capacity of boy's love netizens to resist the on-going internet surveillance by the Chinese government of information deemed 'sexually inappropriate' ...

Tang, Kin Yat Gary. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2009. ; Includes bibliographical references (leaves 215-231). ; Abstract also in Chinese. ; Table of content ; TABLE OF CONTENT --- p.I ; ACKNOWLEDGEMENT --- p.IV ; ACRONYMS AND ABBREVIATIONS --- p.V ; LIST OF FIGURES AND TABLES --- p.VII ; ABSTRACT --- p.IX ; Chapter CHAPTER 1 --- INTRODUCTION --- p.1 ; Research Background and Objective --- p.1 ; Research Design --- p.4 ; Research Significance --- p.5 ; Plan of Dissertation --- p.7 ; Chapter CHAPTER 2 --- ELECTORAL COORDINATION: BACKGROUND OF FURTHER EXPLORATION --- p.9 ; What is the Pro-democracy Camp? --- p.9 ; Electoral Coordination in a Competitive Authoritarian Regime --- p.13 ; Literature Review: Factors behind Performance of Electoral Coordination --- p.23 ; Summary --- p.32 ; Chapter CHAPTER 3 --- THEORY AND HYPOTHESES --- p.33 ; What is Electoral Coordination? Conceptualization and Operationalization of Dependent Variables --- p.33 ; Identifying Independent Variables --- p.38 ; Further Analytical Dimensions --- p.47 ; Research Method --- p.51 ; Summary --- p.52 ; Chapter CHAPTER 4 --- 1998 & 2000 LEGISLATIVE COUNCIL ELECTIONS --- p.54 ; Background of Elections --- p.54 ; Candidate Lists --- p.62 ; Electoral Platform --- p.64 ; Practice of Vote Division --- p.68 ; Election Forum at Mass Media --- p.73 ; Summary --- p.81 ; Chapter CHAPTER 5 --- 2004 LEGISLATIVE COUNCIL ELECTION --- p.84 ; Background of Election --- p.84 ; Background of Strategic Coordination --- p.90 ; Strategic Coordination and Mission of The pro-democracy camp --- p.92 ; Decision-Making Mechanism of Strategic Coordination --- p.94 ; Result of Strategic Coordination --- p.95 ; Summary --- p.122 ; Chapter CHAPTER 6 --- 2008 LEGISLATIVE COUNCIL ELECTION --- p.125 ; Background of Election --- p.125 ; Candidate Lists --- p.133 ; Electoral Platforms --- p.136 ; Practice of Vote Division --- p.141 ; Electoral Forum in Mass Media --- p.144 ; Dispute about Support of Anson Chan --- p.152 ; Summary --- p.153 ; Chapter ...

Chan, Mun Tak Ada. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2009. ; Includes bibliographical references (leaves 65-69). ; In English with some Chinese characters; abstract also in Chinese. ; Abstract --- p.i ; Abstract (Chinese) --- p.iii ; Acknowledgements --- p.iv ; Table of Contents --- p.V ; List of Figures and Tables --- p.vii ; Chapter Chapter One --- Introduction --- p.1 ; Geographical Location and Political Status of Hong Kong --- p.3 ; Personal Reflection on the Change of HKSAR´ةs Sovereignty --- p.8 ; Chapter Chapter Two --- Propaganda on Television: Music Video in Hong Kong Mass Media --- p.10 ; Defining Post-colonialism --- p.10 ; A Brief History of Hong Kong --- p.12 ; National Affiliation of the Hong Kong Citizens in the Pre- and Post-Handover Era --- p.14 ; Chapter Chapter Three --- The Changing Audiovisual Presentation of the PRC National Anthem Video Clips in Post-colonial Hong Kong --- p.23 ; Chinese Musical Nationalism in Post-colonial Hong Kong --- p.23 ; "Vocabulary´ح and Its Post-colonial Interpretation --- p.24 ; "Structure´ح and Its Post-colonial Interpretation --- p.25 ; Conceptualization of the Nation by Displaying the PRC flag and the Hong Kong SAR flag --- p.26 ; Conceptualizing the Ideas of Ethnicity --- p.30 ; Image of People´ةs Liberation Army in Constructing the Concept of the Nation --- p.32 ; Interrelationship between the Musical Interpretation and the People featured --- p.34 ; Vocabulary in Constructing the Concepts of the Chinese Nation --- p.41 ; Conclusion --- p.44 ; Chapter Chapter Four --- Conclusion --- p.48 ; Post-Colonial Influences Upon the Cultural Identity of Hong Kong Citizens --- p.48 ; Reinforcing Political Affiliation to the PRC using the National Anthem after the 1997 Handover --- p.49 ; Our Home Our Country featuring the PRC National Anthem as a Political Tool --- p.50 ; The Historical Significance of Our Home Our Country --- p.52 ; Appendix I Basic Information of the National Anthem Video Clip Our Home Our Country --- p.54 ; Appendix II Musical ...

So Ming Hang. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2005. ; Includes bibliographical references (leaves 218-227). ; Abstracts in English and Chinese. ; Abstract --- p.i ; Acknowledgements --- p.v ; Content --- p.vii ; List of Table and figures --- p.xi ; Chapter Chapter 1 --- Introduction: the dilemma of RTHK and research questions --- p.1 ; Chapter 1.1 --- Introduction --- p.1 ; Chapter 1.2 --- Significance of the study: importance of the mass media and RTHK in the political process in Hong Kong --- p.4 ; Chapter 1.3 --- Significance of the study: practical policy concerns for RTHK --- p.6 ; Chapter 1.3.1 --- The unstable financial situation of the public broadcasters around the world --- p.6 ; Chapter 1.3.2 --- "The political context of Hong Kong, which RTHK is situated" --- p.12 ; Chapter 1.4 --- Research questions --- p.22 ; Chapter Chapter 2 --- Literature Review: The normative role of public broadcaster and their performance in actual practice compared with commercial broadcaster --- p.25 ; Chapter 2.1 --- Introduction --- p.25 ; Chapter 2.2 --- Public vs Private --- p.26 ; Chapter 2.3 --- Theoretical defense for the public broadcasting: Market failure in broadcasting --- p.27 ; Chapter 2.3.1 --- Spectrum scarcity and failure of competition --- p.27 ; Chapter 2.3.2 --- """Public goods"" nature of broadcasting" --- p.28 ; Chapter 2.3.3 --- Externality of the broadcasting as a media --- p.29 ; Chapter 2.3.4 --- The incapacity of the audience --- p.34 ; Chapter 2.4 --- Spectrum scarcity: Weakening rationale --- p.35 ; Chapter 2.5 --- "Market Solution for the ""public goods"" failure: Advertising" --- p.36 ; Chapter 2.6 --- Empirical studies: The public broadcasters may not be very different --- p.39 ; Chapter 2.6.1 --- Information source/news source/guest --- p.39 ; Chapter 2.6.2 --- Topics/Agenda --- p.42 ; Chapter 2.6.3 --- Frames/Themes/Angle --- p.43 ; Chapter 2.6.4 --- Other studies --- p.44 ; Chapter 2.7 --- Theoretical explanation for the quite similar phenomenon between the public and ...

Zhang Weiyu. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2003. ; Includes bibliographical references (leaves 170-177). ; Abstracts in English and Chinese. ; Introduction --- p.1 ; Chapter I --- Subaltern Public Spheres on the Internet --- p.5 ; Democracy and the Internet --- p.5 ; Public sphere as a democratic ideal --- p.7 ; Chapter ´Ø --- Habermasian public sphere --- p.8 ; Chapter ´Ø --- Multiple public spheres --- p.11 ; Chapter ´Ø --- Habermasian public sphere vs. multiple public spheres --- p.17 ; Public sphere and the Internet --- p.21 ; Chapter ´Ø --- Habermasian public sphere on the Internet --- p.23 ; Chapter ´Ø --- Multiple public spheres on the Internet --- p.27 ; Chapter II --- Subaltern Public Spheres in China --- p.30 ; The history of Chinese civil society --- p.30 ; Civil society in contemporary China --- p.32 ; Chapter ´Ø --- Definitions of civil society --- p.32 ; Chapter ´Ø --- Trade union and the caged social organizations --- p.34 ; Chapter ´Ø --- Entrepreneurial class and the incorporated social organizations --- p.36 ; Chapter ´Ø --- Discussions --- p.38 ; Multiple public spheres in contemporary China --- p.39 ; Chapter ´Ø --- Mass media and the dominant public sphere --- p.41 ; Chapter ´Ø --- The premises of subaltern public sphere in China --- p.42 ; Chapter ´Ø --- Subaltern public spheres in contemporary China --- p.44 ; Chapter III --- Research Questions and Research Design --- p.48 ; Research questions --- p.48 ; Research site: an online discussion board of movies --- p.48 ; Chapter ´Ø --- Why BBS? --- p.49 ; Chapter ´Ø --- Why movies? --- p.51 ; Research methods --- p.54 ; Chapter IV --- Bulletin Boards as Subaltern Public Spheres --- p.57 ; Introduction of Rear Window --- p.58 ; Chapter ´Ø --- The development of Rear Window --- p.59 ; Chapter ´Ø --- The contents on Rear Window --- p.61 ; Chapter ´Ø --- The users of Rear Window --- p.63 ; Accessibility of Rear Window --- p.65 ; Chapter ´Ø --- Accessibility of the Internet in China --- p.65 ; Chapter ´Ø --- Accessibility of ...

Television drama series are today the most popular format on Chinese TV. The fact that these series largely portray nationalist stories of glorious emperors and courageous officials leaves the impression that they must be propaganda, designed by the Communist Party. This volume challenges such assumptions and shows how TV drama production is a complex process of cultural governance that is not dominated by one particular actor, but characterized by diffuse political interests, commercial considerations, viewing habits, and ideological assumptions. By examining political discourses in Chinese drama series and analyzing the factors leading to their creation, this book explains why Chinese TV content relies so heavily on didactical messages and emotional symbols, and argues that such content risks creating precisely the kind of passive masses that Chinese media workers and government officials are trying so hard to emancipate

香港在主流革命史學的敘述中一般被認為是推動辛亥革命的「搖籃」,但在革命黨人之外的社會大眾,對「革命」究竟有怎樣的取態?《香港華字日報》是這段時期香港銷量最大的華文報紙,仔細考察該報創辦的歷史及其1909-1913年的政治取態,可見該報是華商陳氏家族的一份現代產業,並無黨派認同,報紙內容與宗旨也頗具現代傳媒的新聞專業主義色彩,強調「中立」而較少傳統「文人論政」情懷。 ; 本文選取1909-1913年的《香港華字日報》,剖析這五年的報紙中與「革命」相關的內容細節,認為這份報紙對「革命」並非積極推動,取態反而偏於保守,並順應時勢而調整:辛亥前報紙展現的「革命」介於傳統和現代之間,既是「犯上作亂」的傳統造反,又是謀求民族獨立、政治改良的現代革命;而辛亥之後,報紙不滿意革命黨建立的地方政府,轉而支持中央而強烈反對革命黨的「二次革命」。這樣的取態既反映了部份以往未得到充分審視的社會輿論,也與報紙自身的立場及處境有關。 ; Hong Kong is understood as the "birthplace" of the 1911 Revolution in mainstream studies of the Chinese Revolution. But besides the revolutionaries, how did ordinary people understand "revolution"? Wah Tsz Yat Po was the most widely circulated Chinese language newspaper in Hong Kong during the period concerned. The thesis is an in-depth study of the newspaper's founding history and its political stance during 1909-1913. It is found that the newspaper was a modernised property owned by the Chan family in Hong Kong. It did not have political affiliations. Its content and objectives showed the newspaper's emphasis on journalistic professionalism that was similar to that held by modern day mass media, preferring "neutrality" over the tradition of providing political comments. ; The thesis closely examines the content of Wah Tsz Yat Po that was related to revolution during 1909-1913. It proposes that the newspaper did not play an active role in promoting revolution. Its stance was rather conservative instead and changed in accordance with political developments. Before the revolution of 1911, the newspaper regarded "revolution" as something between tradition and modernity. It was understood as a "rebellion against the authorities" in the traditional sense and also as a way to attain national independence and political reform in the modern sense. After 1911, the newspaper was against the local government set up by the revolutionists. It then turned its support to Yuan's central government and took a strong oppositional stance towards "the Second Revolution" initiated by Sun's revolutionary party. Its stance not ...

本研究是一項關於北京中年抑鬱症患者主觀經驗的敘事分析。研究的目的在於探尋患者對於自身患病歷程的主觀詮釋,他們的服務需求以及對於中國大陸精神衛生社會工作進行反思。研究的參與對象為目的性抽樣所得到的來自北京的一個抑鬱癥自助團體的八名中年抑鬱癥患者。 ; 患者回顧了他們不同階段的經歷:發病期、住院期以及康復期。然後他們對於這些經歷做了詮釋。基於不同領域的社會服務需求,對於醫院、社區、大眾傳媒以及政府,他們都給出了寶貴的意見。 ; 研究發現,既有的理論觀點對於關著對自身經歷的詮釋有著重要的影響,尤其是生物醫學模型。認知觀點和性別觀點也可以在患者們的敘事中找到蹤跡。精神科醫生在患者的整個經歷中都處於重要的地位,他們的觀點和行為對患者也產生了重要的影響。 ; 患者還受到社會和歷史因素的影響。他們的詮釋會受到社會觀念和文化價值的影響,比如命運、面子、孝順以及性別角色等等。而歷史事件諸如文化大革命以及天安門事件也會對他們的人生經歷以及他們的主觀詮釋造成影響。而中國目前的社會情境也是另一項重要的影響因素。 ; 從他們的故事中,我們可以看到,最重要的主題就是他們在患病過程中認知模式的轉變,包括對待抑鬱癥本身,所接受的服務以及自身的看法。在他們的敘述中,另外兩個主題也是非常值得注意的,那就是和抑鬱症有關的"喪失以及醫院裡非人道的治療方式。 ; 他們的故事為我們對於北京中年抑鬱症患者經歷的理解提供了非常豐富詳實的材料。這些發現對於知識理論的發展、政策的制定以及針對抑鬱症患者的臨床社會工作實踐都有著很大的啟示。整個社會以及不同領域的精神衛生專業人士都應該攜起手來幫助他們,共同去創造一個更加包容和諧的社會。 ; This research was a narrative analysis of the subjective experiences of the depressed middle-aged adults in Beijing, China. The purposes of the research were to explore the clients' subjective interpretation of their lived experience of depression, their service needs and reflect on the improvement of mental health social work in Mainland China. A purposive sample of eight depressed clients from a self-help group in a mental health hospital in Beijing participated in this study. ; The clients talked about their experiences at different stages: the onset, in the hospital and the rehabilitation, and interpreted their experiences. They also gave some advice to the hospital, the community, the mass media and the government based on their social service needs. ; The theoretical perspectives influenced the clients' interpretations of their experiences, especially the biomedical model. The cognitive perspective and the gender perspective could also be found in the client's narratives. The psychiatrists were very important in the whole process of the clients' experiences. Their perspectives and behaviors also influenced the clients. ; It is found that the clients were also influenced by social and historical factors. Their interpretations were affected by social beliefs and cultural values such as fate, face, filial piety and ...