The Mass Media
In: Parliamentary affairs: a journal of representative politics, Band 54, Heft 3, S. 553-554
ISSN: 0031-2290
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In: Parliamentary affairs: a journal of representative politics, Band 54, Heft 3, S. 553-554
ISSN: 0031-2290
In: Mondoperaio: rivista mensile periodico dei socialisti, Heft 2, S. 151-155
ISSN: 0392-1115
In: Italian Political Science Review: Rivista italiana di scienza politica, Band 32, Heft 1, S. 175-177
ISSN: 0048-8402
In: Mondoperaio: rivista mensile periodico dei socialisti, Heft 6, S. 62-65
ISSN: 0392-1115
In: Politicka misao, Band 38, Heft 4, S. 189-192
In: The Journal of sex research, Band 39, Heft 1, S. 42-45
ISSN: 1559-8519
In: Političeskie issledovanija: Polis ; naučnyj i kul'turno-prosvetitel'skij žurnal = Political studies, Heft 3, S. 63-71
ISSN: 1026-9487, 0321-2017
In: Regional and federal studies, Band 13, Heft 2, S. 106-126
ISSN: 1359-7566
In: Peace research abstracts journal, Band 38, Heft 6, S. 819
ISSN: 0031-3599
In: Regional & federal studies, Band 13, Heft 2, S. 106-126
ISSN: 1743-9434
In: Mondoperaio: rivista mensile periodico dei socialisti, Heft 4-5, S. 143-148
ISSN: 0392-1115
In: Političeskie issledovanija: Polis ; naučnyj i kul'turno-prosvetitel'skij žurnal = Political studies, Heft 5, S. 123-133
ISSN: 1026-9487, 0321-2017
In: European security: ES, Band 12, Heft 2, S. 85-88
ISSN: 0966-2839
In: European Journal of Cultural Studies, Band 4, Heft 4, S. 491-501
The representation of the past through products of the 'culture industry' bears the history of a long debate between detractors and optimists. This controversy becomes especially significant in a time where commercial audiovisual media affect in unprecedented ways the content and the form in which massive audiences relate to the events of the past. Even more so in a so-called postmodern moment in which public confidence in the real is overall in decline. In this context, the debate on the representation of the history and memory of the Holocaust the paradigmatic example of limitations and imperatives to representational practice - has become a contemporary battlefield regarding the legitimacy and propriety of mass media products. By examining contemporary Holocaust representations that are at the intersection between the world of commercial mass media and the conventional nonfiction culture and documentary tradition (such as high-tech museums and Steven Spielberg's Survivors of the Shoah Visual History Foundation), this article will reflect upon the diverse implications of the mass media-history relation.
In: Political communication: an international journal, Band 19, Heft 2, S. 155-170
ISSN: 1091-7675