Described is research investigating level of political knowledge among 600 pupils aged 18 (last-year secondary school) in Belgium & the variables that may cause differential levels. Results show that the average level of political knowledge is low. The most significant independent variables are: sex (boys score better than girls), political participation of the parents, mass media, & (in a negative way) school. Mass media are most frequently mentioned as the most important sources of political information, & Rs with a high level of news media exposure score best. Political education at school is shown to have low impact; on the contrary, Rs who mentioned school as their most important source of political information tended to score worst. 29 Tables, 1 Figure. HA
In: Militaire spectator: MS ; maanblad ; waarin opgen. de officie͏̈le mededelingen van de Koninkl. Landmacht en de Koninkl. Luchtmacht, Band 180, Heft 7-8, S. 300-307
"耽美"来源于日本,是以女性读者群为主要受众、描写男性与男性之间浪漫关系或性关系的文学或艺术作品,也被称为BL(Boy's Love)。喜爱耽美的女性爱好者被称为"腐女"。耽美文化自1990 年代后期随着日本流行文化进入中国,至今已在中国网络空间中逐渐发展成为一个主要由女性网民所组成的,包含文本创作、阅读与交流的文化圈。与此同时,耽美文化的流行亦引发了中国当下种种对性与性别问题的思考。 ; 本研究将耽美文化解译为"女性幻想男男之爱"的欲望结构,从精神分析幻想理论与酷儿理论的视角来考察中国网络中的耽美文化现象。论文所围绕的一个问题是,耽美文化与中国社会文化中的性/别话语产生了怎样的关系,以及如何从腐女的耽美幻想中搭建起与现实性/别政治的联系。研究首先分析了两类网络耽美小说文本,分别来看它们与1990年代以后的"男同性恋"身份话语,和2000年代以后对"中国古典文化"想象之间的吸收、挪用与再创造;其次以网络腐女圈的论坛讨论与配对狂欢为对象,研究网络耽美式恶搞对官方媒体、主流男性形象和异性恋规范的权威所潜在的颠覆性;最后以2011年一桩"腐女被抓案"新闻报道为契机,来观察耽美文化与网络淫秽色情审查的纠葛、冲突与可能的出路。 ; 欲望幻想的流动性决定着它边界的模糊与开放,以及它承载、影响乃至侵扰"现实"秩序的功能。因此,作为一种女性的男性同性情欲幻想,本研究视耽美文化最引人注目的地方不在于其本身的出现与流行程度,而在于它与各种性/别话语的相互建构与矛盾冲突。此外,在对幻想文本、网络话语以及腐女群体的调查中,本研究也期待探索某种"酷儿"政治在中国网络文化中生产的可能性。 ; Boy's love (BL in short; danmei in Chinese) is a Japanese term for female-oriented fictional media, which focuses on love, sex and romance between beautiful androgynous boys or young men. Apart from the gay self-representations, BL is a genre of male homoeroticism by and for mostly heterosexual women. In China, the BL fans call themselves "Fu Nu", which means "rotten girl", to describe their enthusiasm for fantasizing male homosexuality. BL originated from Japanese amine, comic and game youth culture, and has since become a transnational phenomenon all over the world with a global fan base. As such, the phenomenon of boy's love had already aroused a lot of discussions in relation to ideologies of gender and sexuality from different cultural and social perspectives. BL fandom in China's culture context with its "Chinese characteristics" also deserves particular attention, when it opens up a fantastic space for Chinese woman to practice their sexuality beyond non-heterosexual norms. ; However there is limited work that considers the queer sexuality of female BL fans in China, in relation to the queer texts and queer discourses they create. There is also little research that explores the capacity of boy's love netizens to resist the on-going internet surveillance by the Chinese government of information deemed 'sexually inappropriate' ...
Separate individual dispositions to action are not a sufficient condition for demonstrations. Organizational & institutional factors have an equal importance. Ultimately, a demonstration results from a power struggle between organizations to get individuals to support or defend their objectives. In the mobilization process, these organizations use control mechanisms & techniques to influence their members: exploitation of affective & instrumental ties binding individuals to the organization, access to & use of mass media, selective communication by the organizational leaders, & the induction of frustration. Special attention is given to the role of militants & their language's characteristics, in the mobilization process. HA.
The politicization of Belgian political parties since WWII has resulted in what is termed a "particracy," ie, a parliamentary democracy wherein party structures dominate the political decision-making process. The gradual institutionalization of party patronage within the parliament, ministerial cabinets, public administration, the judiciary, & mass media is discussed, examining mechanisms of recruitment & policy articulation. The process of within-party candidate selection is also considered, focusing on the shift away from rank-&-file participation toward central decisions by local & national party leaders, with a concomitant restructuring of "party discipline." Historical bases of the current patronage system are briefly considered, noting the prewar politicization of magisterial posts & the shift from reliance on party newspapers to party control of broadcast media administrators. Modified HA.
Chan, Mun Tak Ada. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2009. ; Includes bibliographical references (leaves 65-69). ; In English with some Chinese characters; abstract also in Chinese. ; Abstract --- p.i ; Abstract (Chinese) --- p.iii ; Acknowledgements --- p.iv ; Table of Contents --- p.V ; List of Figures and Tables --- p.vii ; Chapter Chapter One --- Introduction --- p.1 ; Geographical Location and Political Status of Hong Kong --- p.3 ; Personal Reflection on the Change of HKSAR´ةs Sovereignty --- p.8 ; Chapter Chapter Two --- Propaganda on Television: Music Video in Hong Kong Mass Media --- p.10 ; Defining Post-colonialism --- p.10 ; A Brief History of Hong Kong --- p.12 ; National Affiliation of the Hong Kong Citizens in the Pre- and Post-Handover Era --- p.14 ; Chapter Chapter Three --- The Changing Audiovisual Presentation of the PRC National Anthem Video Clips in Post-colonial Hong Kong --- p.23 ; Chinese Musical Nationalism in Post-colonial Hong Kong --- p.23 ; "Vocabulary´ح and Its Post-colonial Interpretation --- p.24 ; "Structure´ح and Its Post-colonial Interpretation --- p.25 ; Conceptualization of the Nation by Displaying the PRC flag and the Hong Kong SAR flag --- p.26 ; Conceptualizing the Ideas of Ethnicity --- p.30 ; Image of People´ةs Liberation Army in Constructing the Concept of the Nation --- p.32 ; Interrelationship between the Musical Interpretation and the People featured --- p.34 ; Vocabulary in Constructing the Concepts of the Chinese Nation --- p.41 ; Conclusion --- p.44 ; Chapter Chapter Four --- Conclusion --- p.48 ; Post-Colonial Influences Upon the Cultural Identity of Hong Kong Citizens --- p.48 ; Reinforcing Political Affiliation to the PRC using the National Anthem after the 1997 Handover --- p.49 ; Our Home Our Country featuring the PRC National Anthem as a Political Tool --- p.50 ; The Historical Significance of Our Home Our Country --- p.52 ; Appendix I Basic Information of the National Anthem Video Clip Our Home Our Country --- p.54 ; Appendix II Musical ...
So Ming Hang. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2005. ; Includes bibliographical references (leaves 218-227). ; Abstracts in English and Chinese. ; Abstract --- p.i ; Acknowledgements --- p.v ; Content --- p.vii ; List of Table and figures --- p.xi ; Chapter Chapter 1 --- Introduction: the dilemma of RTHK and research questions --- p.1 ; Chapter 1.1 --- Introduction --- p.1 ; Chapter 1.2 --- Significance of the study: importance of the mass media and RTHK in the political process in Hong Kong --- p.4 ; Chapter 1.3 --- Significance of the study: practical policy concerns for RTHK --- p.6 ; Chapter 1.3.1 --- The unstable financial situation of the public broadcasters around the world --- p.6 ; Chapter 1.3.2 --- "The political context of Hong Kong, which RTHK is situated" --- p.12 ; Chapter 1.4 --- Research questions --- p.22 ; Chapter Chapter 2 --- Literature Review: The normative role of public broadcaster and their performance in actual practice compared with commercial broadcaster --- p.25 ; Chapter 2.1 --- Introduction --- p.25 ; Chapter 2.2 --- Public vs Private --- p.26 ; Chapter 2.3 --- Theoretical defense for the public broadcasting: Market failure in broadcasting --- p.27 ; Chapter 2.3.1 --- Spectrum scarcity and failure of competition --- p.27 ; Chapter 2.3.2 --- """Public goods"" nature of broadcasting" --- p.28 ; Chapter 2.3.3 --- Externality of the broadcasting as a media --- p.29 ; Chapter 2.3.4 --- The incapacity of the audience --- p.34 ; Chapter 2.4 --- Spectrum scarcity: Weakening rationale --- p.35 ; Chapter 2.5 --- "Market Solution for the ""public goods"" failure: Advertising" --- p.36 ; Chapter 2.6 --- Empirical studies: The public broadcasters may not be very different --- p.39 ; Chapter 2.6.1 --- Information source/news source/guest --- p.39 ; Chapter 2.6.2 --- Topics/Agenda --- p.42 ; Chapter 2.6.3 --- Frames/Themes/Angle --- p.43 ; Chapter 2.6.4 --- Other studies --- p.44 ; Chapter 2.7 --- Theoretical explanation for the quite similar phenomenon between the public and ...
Zhang Weiyu. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2003. ; Includes bibliographical references (leaves 170-177). ; Abstracts in English and Chinese. ; Introduction --- p.1 ; Chapter I --- Subaltern Public Spheres on the Internet --- p.5 ; Democracy and the Internet --- p.5 ; Public sphere as a democratic ideal --- p.7 ; Chapter ´Ø --- Habermasian public sphere --- p.8 ; Chapter ´Ø --- Multiple public spheres --- p.11 ; Chapter ´Ø --- Habermasian public sphere vs. multiple public spheres --- p.17 ; Public sphere and the Internet --- p.21 ; Chapter ´Ø --- Habermasian public sphere on the Internet --- p.23 ; Chapter ´Ø --- Multiple public spheres on the Internet --- p.27 ; Chapter II --- Subaltern Public Spheres in China --- p.30 ; The history of Chinese civil society --- p.30 ; Civil society in contemporary China --- p.32 ; Chapter ´Ø --- Definitions of civil society --- p.32 ; Chapter ´Ø --- Trade union and the caged social organizations --- p.34 ; Chapter ´Ø --- Entrepreneurial class and the incorporated social organizations --- p.36 ; Chapter ´Ø --- Discussions --- p.38 ; Multiple public spheres in contemporary China --- p.39 ; Chapter ´Ø --- Mass media and the dominant public sphere --- p.41 ; Chapter ´Ø --- The premises of subaltern public sphere in China --- p.42 ; Chapter ´Ø --- Subaltern public spheres in contemporary China --- p.44 ; Chapter III --- Research Questions and Research Design --- p.48 ; Research questions --- p.48 ; Research site: an online discussion board of movies --- p.48 ; Chapter ´Ø --- Why BBS? --- p.49 ; Chapter ´Ø --- Why movies? --- p.51 ; Research methods --- p.54 ; Chapter IV --- Bulletin Boards as Subaltern Public Spheres --- p.57 ; Introduction of Rear Window --- p.58 ; Chapter ´Ø --- The development of Rear Window --- p.59 ; Chapter ´Ø --- The contents on Rear Window --- p.61 ; Chapter ´Ø --- The users of Rear Window --- p.63 ; Accessibility of Rear Window --- p.65 ; Chapter ´Ø --- Accessibility of the Internet in China --- p.65 ; Chapter ´Ø --- Accessibility of ...