Le contrôle des mass media
In: Communications, Band 14, Heft 1, S. 100-110
ISSN: 2102-5924
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In: Communications, Band 14, Heft 1, S. 100-110
ISSN: 2102-5924
In: Autres temps: cahiers d'ethique sociale et politique, Band 16, Heft 1, S. 5-12
ISSN: 2261-1010
In: Communications, Band 14, Heft 1, S. 129-136
ISSN: 2102-5924
In: Actuel développement: revue bimestrielle, S. 15-17
ISSN: 0395-9481
In: Études internationales, Band 8, Heft 2, S. 320
ISSN: 1703-7891
In: Communications, Band 5, Heft 1, S. 94-99
ISSN: 2102-5924
In: Autogestion et socialisme : études, débats, documents, Band 20, Heft 1, S. 204-205
In: Le Burundi en images: revue en mensuelle, Heft 74, S. 24-32
Auf der Veranstaltung in Bujumbura (11./12. September 1986) ging es um 3 große Themen: die Rolle der Information in der Außenpolitik Burundis, die Beziehungen zwischen Massenmedien und Innenministerium und die Unterstützung der Medien bei der Verbreitung von Parteientscheidungen, d.h. Entscheidungen der Einheitspartei UPRONA. (DÜI-Ott)
World Affairs Online
In: Le débat: histoire, politique, société ; revue mensuelle, Band 195, Heft 3, S. 67-77
ISSN: 2111-4587
In: Recherches sociographiques, Band 12, Heft 1, S. 117
ISSN: 1705-6225
In: Communications, Band 28, Heft 1, S. 219-233
ISSN: 2102-5924
In: Mélanges de la Casa de Velazquez, Band 10, Heft 1, S. 233-271
ISSN: 2173-1306
La définition des œuvres littéraires et des objets culturels, leurs formes et leurs modes de compréhension varient à l'intérieur de grandes configurations techniques et sociales elles-mêmes changeantes. Le champ de ces « médiamorphoses » réciproques recouvre, du XIXe au XXIe siècle, des genres et des domaines divers : de la poésie lettrée au roman-feuilleton, de la littérature à la publicité, des premières théories des mass-médias à nos modernes doxas politiques et intellectuelles. Lamartine, Dumas, Mallarmé ou Zola sont relus sous un angle permettant aussi de lire autrement Gabriel Tarde, Gramsci, Walter Benjamin ou McLuhan.
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In: Études internationales, Band 7, Heft 3, S. 479
ISSN: 1703-7891
This thesis seeks to analyse the historical interpretations produced by societies in order to interpret and understand their past events, thus being capable of creating and rebuilding their collective imagination and their identity. In this sense, this study will particularly focus on the meanings that "collective imagination(s)" give to recent historical events and battles that are emerging from the social conflict to control "historicity" and "memory".It will start from the study of a political process of the Spanish transition. This event, controversial in the Spanish society, is subject to constant review both by historiography and literature, but most particularly by the media. Therefore, the analysis of the social and media representations of the Spanish transition proves to be, from our perspective very interesting, because they are historical productions with a strong influence on the construction of the Spanish "social memory".This research is therefore part of the disciplinary field of "history of present time" and is interested in the "memory" and "the public uses of history", including the historical representations that contribute to the creation of the "social memory". Within this context, our study will address the construction of this social memory by starting to analyse the role played by mass media as instruments of transmission of "memory" and historicity. Therefore, this research will dedicate a particular attention to the historical storytelling that forms what some authors have called "media historiography" and that has been an important contribution to the social construction of the interpretation of the past and then the present time.In order to do so, we propose to examine the official storytelling that arises from public institutions and that has been conveyed by the media through different generic forms: informative productions, reports and documentary shows. Later, we will undertake the analysis of historical productions, as well as the contributions of historiography, in the ...
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