Suchergebnisse

El presente trabajo se ocupa de la noción de policía en los escritos de Michel Foucault, tanto en sus libros publicados en vida, como en los cursos y textos editados póstumamente. Establece que las referencias sobre el tema dispersas en sus libros encuentran una formulación articulada en las clases de sus cursos, que conforman una especie de breve tratado sobre la policía en los siglos xvii y xviii, respecto de su objeto, sus límites y sus antinomias. Muestra, además, la relevancia que le concede el autor al dispositivo policial de estos siglos, en la medida en que, a través de él, sobre todo por sus antinomias, tomó forma la racionalidad a partir de la cual pensamos todavía nuestra política. Finalmente, este trabajo subraya la importancia del análisis foucaultiano de la policía para la comprensión del concepto de biopolítica.

1. Urban tourism and its discontents : an introduction / Johannes Novy and Claire Colomb -- 2. No conflict? : discourses and management of tourism-related tensions in Paris / Maria Gravari-Barbas and Sebastien Jacquot -- 3. The selling (out) of Berlin and the de- and re-politicization of urban tourism in Europe's "Capital of Cool" / Johannes Novy -- 4. Touristification and awakening civil society in post-socialist Prague / Michaela Pixova and Jan Sladek -- 5. Density wars in Silicon Beach : the struggle to mix new spaces for toil, stay and play in Santa Monica, California / Deike Peters -- 6. Contesting China's tourism wave : identity politics, protest, and the rise of the Hongkonger city state movement / Daniel Garrett -- 7. From San Francisco's "Tech Boom 2.0" to Valparaiso's UNESCO World Heritage Site : resistance to tourism gentrification in a comparative political perspective / Florian Opillard -- 8. Tourism provision as protest in "post-conflict" Belfast / Emily Bereskin -- 9. The "No Grandi Navi" campaign : protests against cruise tourism in Venice / Michele Vianello -- 10. Favela tourism : negotiating visitors, socio-economic benefits, image and representation in Pre-Olympics Rio de Janeiro / Anne-Marie Broudehoux -- 11. Politics as early as possible : democratizing the Olympics by contesting Olympic bids / John Lauermann -- 12. Attracting international tourism through mega-events and the birth of a conflict culture in Belo Horizonte / Lucia Capanema Alvares, Altamiro S. Mol Bessa, Thiago Pinto Barbosa and Karina Machado de Castro Simao -- 13. The right to Gaudi : What can we learn from the commoning of Park Guell, Barcelona? / Albert Arias-Sans and Antonio Paolo Russo -- 14. Of artisans, antique dealers, and ambulant vendors : culturally stratified conflicts in Buenos Aires' historic centre / Jacob Lederman --15. The abrupt rise (and fall) of creative entrepreneurs : socio-economic change, the visitor economy and social conflict in a traditional neighbourhood of Shanghai / Non Arkaraprasertkul -- 16. The living vs. the dead in Singapore : contesting the authoritarian tourist city / Jason D. Luger -- 17. "Fantasies of antithesis" : assessing Hamburg's Gangeviertel as a tourist attraction / Nina Fraeser.

National audience One century of disappearances and violence It was in the 16th century that the world was re-selling and discovered infinely greater than previously thought. The first half of the 16th century is a period of expansion in all areas. America has just been discovered by Christophe Colomb in 1492. The print shop distributes printed books across Europe. These discoveries lead to a new form of economic and intellectual trade, conquest wars, flush peace, rivals between sovereigns, Valois in France, Habsburg in the German Roman Empire, Tudor in England. Europe celebrates ancient beauty, history and wisdom. It was the time of Michel Ange, Titien, of the Greco, and in France, the major shipyards of the Castles du Val de Loire developed. ; National audience Un siècle de renaissances et de violences C'est au XVIè siècle que le monde se réinvente, se découvre infiniment plus grand qu'on ne l'imaginait jusqu'alors. La première moitié du XVIè siècle est une période d'expansion dans tous les domaines. L'Amérique vient d'être découverte par Christophe Colomb en 1492. L'imprimerie diffuse les livres imprimés partout en Europe. Ces découvertes conduisent à une nouvelle forme d'échanges économiques et intellectuels, à des guerres de conquête, à des paix flamboyantes, à des rivalités entre souverains, Valois en France, Habsbourg dans le saint Empire romain germanique, Tudor en Angleterre. L'Europe célèbre la beauté , l'histoire et la sagesse antiques. C'est l'époque de Michel Ange, Titien, du Greco, et en France, s'épanouissent les grands chantiers des châteaux du Val de Loire.

Cardinal George I d'Amboise is known for his clerical and political functions. When he had reached the height of his glory, by combining the apostolic functions of legate in France and Avignon, and political functions of first counsellor to King Louis XII, he had a splendid private palace built in Gaillon, within which he had several chapels erected. A set of stalls was built, between 1509 and 1518, for the high chapel whose apse is exactly superimposed on that of the low chapel. These stalls are kept in the Basilica of St. Denis, and are the only work, among those commissioned by the cardinal, which has come down to us in almost complete integrity. Like the Château de Gaillon, they present a mix of styles specific to their time, happily combining Gothic and ancient vocabulary. Italian craftsmen came to the site in 1509 and created the marquetry panels. Among them was Giovanni Barili who led this team. All the innovative elements were realized that year. The death of the cardinal in 1510 blocked the work, which was taken over in 1516 by Nicolas Castille. He created a few elements but not enough to make the fourteen stalls planned, so there are only twelve. The elements that were restored or created under Viollet-le-Duc have not altered the appearance or iconography of the ensemble. The sculpted scenes are chosen from the lives of saints or have been inspired by engravings of G. Reisch's Margarita philosophica or Ovid's Metamorphoses. The inlaid scenes call upon the Calendar of the Shepherds, the Book of Hours of Louis de Laval and the dialogue between the sibyls and the virtues links them to the collection of the Divine Institutions of Lactance. The humanist spirit of George I d'Amboise was thus able to reveal itself in the valorization of the ancient spirit and the care he put into dispensing this culture. ; Le cardinal Georges Ier d'Amboise est connu pour ses fonctions cléricales et politiques. Lorsqu'il eut atteint le faîte de sa gloire, en réunissant les fonctions apostoliques, de légat en France et en ...

Cardinal George I d'Amboise is known for his clerical and political functions. When he had reached the height of his glory, by combining the apostolic functions of legate in France and Avignon, and political functions of first counsellor to King Louis XII, he had a splendid private palace built in Gaillon, within which he had several chapels erected. A set of stalls was built, between 1509 and 1518, for the high chapel whose apse is exactly superimposed on that of the low chapel. These stalls are kept in the Basilica of St. Denis, and are the only work, among those commissioned by the cardinal, which has come down to us in almost complete integrity. Like the Château de Gaillon, they present a mix of styles specific to their time, happily combining Gothic and ancient vocabulary. Italian craftsmen came to the site in 1509 and created the marquetry panels. Among them was Giovanni Barili who led this team. All the innovative elements were realized that year. The death of the cardinal in 1510 blocked the work, which was taken over in 1516 by Nicolas Castille. He created a few elements but not enough to make the fourteen stalls planned, so there are only twelve. The elements that were restored or created under Viollet-le-Duc have not altered the appearance or iconography of the ensemble. The sculpted scenes are chosen from the lives of saints or have been inspired by engravings of G. Reisch's Margarita philosophica or Ovid's Metamorphoses. The inlaid scenes call upon the Calendar of the Shepherds, the Book of Hours of Louis de Laval and the dialogue between the sibyls and the virtues links them to the collection of the Divine Institutions of Lactance. The humanist spirit of George I d'Amboise was thus able to reveal itself in the valorization of the ancient spirit and the care he put into dispensing this culture. ; Le cardinal Georges Ier d'Amboise est connu pour ses fonctions cléricales et politiques. Lorsqu'il eut atteint le faîte de sa gloire, en réunissant les fonctions apostoliques, de légat en France et en ...

Cardinal George I d'Amboise is known for his clerical and political functions. When he had reached the height of his glory, by combining the apostolic functions of legate in France and Avignon, and political functions of first counsellor to King Louis XII, he had a splendid private palace built in Gaillon, within which he had several chapels erected. A set of stalls was built, between 1509 and 1518, for the high chapel whose apse is exactly superimposed on that of the low chapel. These stalls are kept in the Basilica of St. Denis, and are the only work, among those commissioned by the cardinal, which has come down to us in almost complete integrity. Like the Château de Gaillon, they present a mix of styles specific to their time, happily combining Gothic and ancient vocabulary. Italian craftsmen came to the site in 1509 and created the marquetry panels. Among them was Giovanni Barili who led this team. All the innovative elements were realized that year. The death of the cardinal in 1510 blocked the work, which was taken over in 1516 by Nicolas Castille. He created a few elements but not enough to make the fourteen stalls planned, so there are only twelve. The elements that were restored or created under Viollet-le-Duc have not altered the appearance or iconography of the ensemble. The sculpted scenes are chosen from the lives of saints or have been inspired by engravings of G. Reisch's Margarita philosophica or Ovid's Metamorphoses. The inlaid scenes call upon the Calendar of the Shepherds, the Book of Hours of Louis de Laval and the dialogue between the sibyls and the virtues links them to the collection of the Divine Institutions of Lactance. The humanist spirit of George I d'Amboise was thus able to reveal itself in the valorization of the ancient spirit and the care he put into dispensing this culture. ; Le cardinal Georges Ier d'Amboise est connu pour ses fonctions cléricales et politiques. Lorsqu'il eut atteint le faîte de sa gloire, en réunissant les fonctions apostoliques, de légat en France et en ...