Suchergebnisse

Momentography of a failure brings essays, timelines, film, photography, and a series of conversations together to deal with Ethiopia's controversial urbanisation and the transformative space of the city. It explores the gradual transition of rural-urban space, inner-city migration, emerging and disappearing spaces, and commoning in public space. Momentography of a failure is established at the verge of a hyper-documented world, a hybrid space of digital sociability. While the media production, its reception, and distribution was pluralized by digitization, practices such as "media-sharing" and "citizen journalism" established new conditions for visibility, reinvented the authorial image, and promoted yet another dematerialization of authorship. The author camouflages in the cloud(s). Adoption, appropriation, and recycling are standardized. Authorship becomes secondary to content and alternative models of authorship are formulated: co-authoring, collaborative creation, interactivity, and strategic anonymity, in which cultural activism is reinforced. Momentography of a failure sets out on this point and draws up a multidisciplinary artistic and urban research platform that calls for practicing forms of participatory citizenship through collaborative thinking, creation, and reflection. Momentography of a failure is a network of artists, urbanists, writers, and activists that stand where aesthetic-artistic practice and sociopolitical activism come together to explore failure--and its various realities--and claim, reaffirm, and dream alternatives

Includes bibliographical references. ; Presented at the Building resilience of Mongolian rangelands: a trans-disciplinary research conference held on June 9-10, 2015 in Ulaanbaatar, Mongolia. ; Socio-ecological boundaries delineate landscapes containing natural resources that are differentially accessed and managed by stakeholders. These boundaries may be human-demarcated and biophysical serving as tangible and intangible features delineating landscapes. Our purpose is to explore Mongolian herders' perceptions of their pasture and boundaries through participatory mapping processes. Our research questions include: 1) what boundaries are depicted on herders' participatory maps? and 2) how are boundaries discussed through herders' participatory mapping narratives? We conducted participatory mapping and informal interviews (n= 35) with herder groups and district officials in Arkhangai, Tuv, Dornod, and Dornogovi. We qualitatively coded participatory mapping narratives and applied visual grounded theory. Tangible features on participatory maps included economic, hydroclimatic, geomorphological, and ecological boundaries portrayed as springs, landforms, vegetation types, seasonal camps, wells, and roads. Non-physical intangible boundaries such as governance arrangements were evident in participatory mapping narratives and served as human demarcated boundaries for accessing seasonal camps, markets, government assistance, and resources for herder migration. The relationships among herder mobility, governance boundaries, and biophysical pasture boundaries are coupled and dynamic, resulting in multi-dimensional outcomes of herder livelihoods.