Suchergebnisse

In the treatment of recent history, some theoretical and methodological issues are presented when it's time to consider the archives that come from subjectivity which is represented in filmic images. Among the most important difficulties is the relation between motion pictures and politics, when it refers to the proposals from different memories in a disputed field. You could affirm that the moving images, as well as oral tradition, already are in history, and historiography must interpret critically using other archives, not ignoring subjectivities who are bearers of collective representations in times of crisis in the public trusts. ; En el tratamiento de la historia reciente se presentan problemas teóricos y metodológicos a la hora de considerar los archivos provenientes de la subjetividad, representada en las imágenes fílmicas. Entre las dificultades más importantes está la relación del cine con la política, cuando se refiere a las propuestas de distintas memorias en un campo en disputa. Podría afirmarse que las imágenes en movimiento, así como la oralidad, ya están en la historia y que la historiografía debe interpretar críticamente, utilizando otros archivos, pero no desconociendo las subjetividades, portadoras de representaciones colectivas en periodos de crisis de las confianzas públicas.

In the treatment of recent history, some theoretical and methodological issues are presented when it's time to consider the archives that come from subjectivity which is represented in filmic images. Among the most important difficulties is the relation between motion pictures and politics, when it refers to the proposals from different memories in a disputed field. You could affirm that the moving images, as well as oral tradition, already are in history, and historiography must interpret critically using other archives, not ignoring subjectivities who are bearers of collective representations in times of crisis in the public trusts. ; En el tratamiento de la historia reciente se presentan problemas teóricos y metodológicos a la hora de considerar los archivos provenientes de la subjetividad, representada en las imágenes fílmicas. Entre las dificultades más importantes está la relación del cine con la política, cuando se refiere a las propuestas de distintas memorias en un campo en disputa. Podría afirmarse que las imágenes en movimiento, así como la oralidad, ya están en la historia y que la historiografía debe interpretar críticamente, utilizando otros archivos, pero no desconociendo las subjetividades, portadoras de representaciones colectivas en periodos de crisis de las confianzas públicas.

"The topics addressed in this work deal with the bioethical and legal conflicts in scenarios such as the termination of pregnancy, assisted reproductive technologies, technical developments in the genomic era, the reproductive cloning of human beings, divergences of sexual development and transsexualism, and a proposal for the analysis of ethical conflics in clinical practice. The joint work of students and professors has lead to identifying a set of issues that address both medical elements and cultural, moral, and legal variables in relation to the proposed topics, in order to offer the necessary elements to deal with the complexity of each of these issues, in which cinema has been used as a didactic and mimetic resource that organizes the argumentative process of each case."--page 2 of cover