Suchergebnisse

Irmela von der Lühe, BUDDENBROOKS AM SCHWARZEN MEER. VLADIMIR JABOTINSKYS ODESSA-ROMAN DIE FÜNF. "PORÓWNANIA" 1 (24), 2019. T. XXIV, S. 123-133. ISSN 1733-165X. Vladimir Jabotinskys Roman Die Fünf ist bei seinem Erscheinen in Deutschland (2012) als eine literarische Entdeckung gefeiert worden. In der Familiengeschichte der Milgroms aus dem Odessa der Jahre vor der Revolution von 1905 spiegeln sich Hoffnungen und Enttäuschungen der Revolution und der jüdischen Assimiliation, des Aufbruchs in eine neue Welt der Moderne und des Absturzes in eine Welt der brutalen Antimoderne. Der Beitrag untersucht die besonderen literarischen Strategien einer Arbeit an der Erinnerung: des Erzählens von Straßen, Plätzen und Räumen, der Analogisierung des politischen Geschehens mit einem Bühnengeschehen, der symbolistischen Überhöhung der Realität durch Rückgriff auf literarische Texte. Nichtnur aus politischen, auch aus erzählerischen Gründen wird Odessa in Jabotinkskys Roman also zu einem umstrittenen Erinnerungsort. ; Irmela von der Lühe, BUDDENBROOKS AT THE BLACK SEA. VLADIMIR JABOTINSKYS ODESSA-NOVEL THE FIVE. "PORÓWNANIA" 1 (24), 2019. Vol. XXIV, P. 123-133. ISSN 1733-165X. When Jabotinksys novel first appeared in Germany (2012) it was celebrated as a spectacular literary event. Jobtinsky's Jewish family novel is situated in the decades before the revolution of 1905; it deals with revolutionary hope and disappointment, with Jewish assimiliation and the idea of a new liberal and tolerant world. It ends with a complete decline of these visions into brutal antimodernism. This article describes special narrative strategies in producing spaces of memory as streets, places and special public locations. Thereby political events appear as analogies to theater plays and also in a symbolistic framework. By this Jabotinskys novel has become a controversial space of memory not only for political but also literary reasons.

Imperial Odessa: Peoples, Spaces, Identities is a book about a cosmopolitan city written by a cosmopolitan scholar with a literary flair. Evrydiki Sifneos conceives Odessa as more of a fin-de siècle east Mediterranean port-metropolis than as a provincial port-city of the Russian Empire in the nineteenth century due to two of its principal characteristics: its function as a hub of international trade and travel, and the multi-ethnic character of its inhabitants. The book unfolds around two interpenetrating axes. The first one introduces a new \'peripatetic\' approach that discovers the space of the city; and the other, the one that has given it its dynamic, is the socio-economic transformations that germinated within the political changes.

Foreword -- Introduction: of peripatetic and other approaches to Odessa's history -- Mobility and ethnic plurality -- Toward a consumer society : tastes, markets and political liberalism -- Merchants, middlemen and entrepreneurs : the driving forces of Odessa's economy -- The spring time of the public sphere -- The two sides of the moon : ethnic clashes and tolerance in a cosmopolitan city -- The end of a cosmopolitan port-city

This article describes how the project "De Famalicão para o Mundo: Contributos da História Local" was developed and implemented, as well as its local, national, and international projection through different community activities that promote
citizen learning. The study focuses on the heritage and local history of Vila Nova de Famalicão, a municipality in the north of Portugal. It presents a museum network that brings together multidisciplinary work teams consisting of teachers, researchers,
students, and cultural technicians who participate and are involved in tasks related to the memory, identity, and history of the territory. My work shows both the use of these museological practices and the cultural impact they have on different audiences.
Alongside these experiences, the historical and literary narratives of the temporary exhibitions—such as the one dedicated to the Portuguese forced labourers in the Nazi concentration system (1939-1945)—expose the reflections on how the citizens of
Famalicão participated and were caught up in this conflict. In this way, museums allow us to interpret not only the painful past, but also the identity awareness of past and present history

ABSTRACTIn 1980s, when digital technology flourished, computer was used solely as drawing tool, while in today's architectural environment, digital technology has undertaken the role of being the main component of the architectural production process. Parametric design, algorithmic design and similar digital design methods, gathered under the title of computational design, have been an important tool in the emergence of contemporary architectural products. With its alternatives, parametric design has been one of the most important current architecture's problem solvers, enabling control of all criteria, from production of forms to efficient use of topography and natural conditions to reflection of local cultural architectural texture. Parametric design with its ability to use all the criteria limiting design as a forming tool has become an instrument that arranges relations of architecture with different disciplines such as ecology, climatology, engineering, geography, sociology, history, archeology, lighting.In this context, parametric design with its potentials such as reinterpretation of traditional architectural forms, understanding of cultural infrastructure with its all layers and considering it as a form source has become a preferred approach in societies expressing their social and cultural changes through architecture, especially in buildings such as museums and libraries they construct. On the other hand, structures' harmony designed by using parametric design with cultural and environmental factors has been another reason for preference of this method. In UAE, which is a newly established country and attempt to create its cultural memory together with its economic power, in China, which weakened its ties with past after the Mao Revolution and is struggling to change its existing culture to contemporary one to support its economic power, in Istanbul/Turkey which has multilayered historical structure, the parametric form creation methods have been utilized for the museum building's design.In this study, firstly, parametric design's role method in memory space design will be discussed theoretically. Subsequently, it is aimed to embody the discussion over three pillars that deal with parametric design method with different approaches. In this sense, the Abu Dhabi Louvre Museum in UAE, which endeavors to create its social and cultural memory, the Yinchuan Museum in China, whose ties with the past have been weakened due to political reasons, and attempts to reconstruct its ancient culture with contemporary understanding of culture, and Istanbul City Museum, which uses parametric design method to present the stratified structure of its local and cultural memory, will be reviewed as model architectural structures of the study.One of the main objectives of the study is to show how parametric design is benefited in these three structures' designs, how parametric-based form creation methods varies with these three structures, and how the relationship between cultural memory and space is configured differently with parametric methods. Additionally, in the context of the possibilities provided by parametric design, an analysis of the artefact-form relations with the environmental factors of all three museums and discussion of these relations are among the objectives of the study. In the study, descriptive survey method was pursued, and an interview was conducted with Alper Derinboğaz, architect of the Istanbul City Museum (ICM).In the conclusion, information use provided by the parametric design as a form source in formation of societies' cultural memory, cultural-environmental adaptation possibilities and flexible design understanding were assessed, and the fact that non-euclid and topological form understanding strengthens the monumentality of museum structures were discussed.Keywords: memory, memory space, museum, parametric design.

In 1980s, when digital technology flourished, computer was used solely as drawing tool, while in today's architectural environment, digital technology has undertaken the role of being the main component of the architectural production process. Parametric design, algorithmic design and similar digital design methods, gathered under the title of computational design, have been an important tool in the emergence of contemporary architectural products. With its alternatives, parametric design has been one of the most important current architecture's problem solvers, enabling control of all criteria, from production of forms to efficient use of topography and natural conditions to reflection of local cultural architectural texture. Parametric design with its ability to use all the criteria limiting design as a forming tool has become an instrument that arranges relations of architecture with different disciplines such as ecology, climatology, engineering, geography, sociology, history, archeology, lighting. In this context, parametric design with its potentials such as reinterpretation of traditional architectural forms, understanding of cultural infrastructure with its all layers and considering it as a form source has become a preferred approach in societies expressing their social and cultural changes through architecture, especially in buildings such as museums and libraries they construct. On the other hand, structures' harmony designed by using parametric design with cultural and environmental factors has been another reason for preference of this method. In UAE, which is a newly established country and attempt to create its cultural memory together with its economic power, in China, which weakened its ties with past after the Mao Revolution and is struggling to change its existing culture to contemporary one to support its economic power, in Istanbul/Turkey which has multilayered historical structure, the parametric form creation methods have been utilized for the museum building's design. In this study, firstly, parametric design's role method in memory space design will be discussed theoretically. Subsequently, it is aimed to embody the discussion over three pillars that deal with parametric design method with different approaches. In this sense, the Abu Dhabi Louvre Museum in UAE, which endeavors to create its social and cultural memory, the Yinchuan Museum in China, whose ties with the past have been weakened due to political reasons, and attempts to reconstruct its ancient culture with contemporary understanding of culture, and Istanbul City Museum, which uses parametric design method to present the stratified structure of its local and cultural memory, will be reviewed as model architectural structures of the study. One of the main objectives of the study is to show how parametric design is benefited in these three structures' designs, how parametric-based form creation methods varies with these three structures, and how the relationship between cultural memory and space is configured differently with parametric methods. Additionally, in the context of the possibilities provided by parametric design, an analysis of the artefact-form relations with the environmental factors of all three museums and discussion of these relations are among the objectives of the study. In the study, descriptive survey method was pursued, and an interview was conducted with Alper Derinboğaz, architect of the Istanbul City Museum (ICM). In the conclusion, information use provided by the parametric design as a form source in formation of societies' cultural memory, cultural-environmental adaptation possibilities and flexible design understanding were assessed, and the fact that non-euclid and topological form understanding strengthens the monumentality of museum structures were discussed.

The article is devoted to the Bleiburg myth in the politics of memory in modern Croatia. In mid-May 1945 the contingents which were trying to move to the West and avoid the possible reprisals against them by the victorious communists were transferred to the Yugoslav partisans by the British military administration. Among them prevailed the members of Croatian Ustasha and Slovene Home Guard, but there were also representatives of other nationalities of Yugoslavia. Soon after the war all the victims of the massacres that took place in 1945 and those who died from hunger and illness during the transfer were Croatized through the efforts of the Croatian emigration. After the collapse of Yugoslavia and during the war (1991–1995), the Bleiburg myth began to acquire official status. The return of Ustasha soldiers as heroes to the public sphere under F. Tudjman was due to the concept of «national reconciliation», which was carried out not through awareness of guilt and acceptance of responsibility for the crimes committed, but through their full or partial justification.The first part of the article reviews the research literature on the Bleiburg myth, the stages of its formation and functional significance. The second part examines the public debate around the Sarajevo mass for the murdered and other commemorative events in the anniversary in May 2020. They are compared with the evaluations of the Bleiburg narrative-ritual complex expressed in the literature.The 75th anniversary of Bleiburg commemorated in an atmosphere of fatigue from the restrictions due to the coronavirus pandemic and on the eve of the Croatian parliamentary elections, demonstrated deep social division, the contested character of history and the political interest in discussing this tragedy. Comparison of the research literature with publications in the mass press indicates the obviousness of the functional model of the Bleiburg myth for a significant segment of Croatian society. Although the demand for renewal of the memorial repertoire seems to have increased, it is still not enough for the transition to the new politics of memory.

Odessa was founded on the fault line between autocratic agricultural Russia and the international trade routes of emerging global capitalism. It was the place where the use value of agricultural products was converted into the exchange value of commodities. In the rift between these two systems of values, and between the epistemological and psychological perceptions associated with them, a third kind of ontological and epistemological space emerged. This space was conditioned by the evolving patterns of the Odessa grain trade regulated by stock trading, and induced in its turn a unique perception of time, history, and the relation between the real and fi ctitious. This article pinpoints the link between the mechanisms of the Odessa grain trade, the patterns of subjectivity and temporal perception that were molded by Odessa's business culture, and the modes of literary representation that elaborated these patterns into a specific literary idiom associated with Odessa literature.

This conversation with the author Neera Kapur-Dromson took place in Nairobi, Kenya, on 9th March 2018 during filming of the documentary film 'Afrasian Memories in East Africa' in which Neera Kapur-Dromson features. Neera Kapur-Dromson lives in France and Kenya. She is the author of the book 'From Jhelum to Tana'. Here, Neera-Kapur Dromson reflects upon transregional interactions across the Indian Ocean as a memory space through life histories of various generations of her ancestors, various actors within the cosmopolitanisms of the Indian Ocean and her own experiences. She discusses how specific Indian Ocean societies experienced, were shaped by and negotiated multiple transformations related but not limited to nation-state politics, transoceanic trade, citizenship politics, colonial railway projects, identity politics, religion and transculturality as migrations, colonialism, and resultant interactions occurred across time and space. Her discussion visualises and demystifies the emergence of entangled Afrasian transregional spaces within the complexity of cosmopolitan societies across the Indian Ocean. The film was part of an international research project at Goethe University, Frankfurt, Germany, titled Africa's Asian Options (AFRASO). It was launched during an AFRASO symposium titled "Afrasian Entanglements: Current Dynamics and Future Perspectives in India-Africa Relations" at the University of Mumbai in June 2018.

McDowell and Braniff explore the relationship between commemoration and conflict in societies which have engaged in peace processes, attempting to unpack the ways in which the practices of memory and commemoration influence efforts to bring armed conflict to an end and whether it can even reactivate conflict as political circumstances change.