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Mode of access: Internet. ; Autor tomado de la dedicatoria. ; Segundo editor y fecha tomados del colofón (r4 r) ; Las il. grab. xilográficos con escenas militares, excepto en A4v que representa plantas americanas. ; Port. a dos tintas con escudo real xilográfico. ; Sign.: A4, a-q6, r4

Texto fechado en Granada: en casa de Rene Rabut ; A-I\p8\s ; Port. con orla tip.

Texto fechado en Granada: en casa de Rene Rabut ; A-I\p8\s ; Port. con orla tip

Obra perteneciente al Fondo Antiguo de la Biblioteca de la USAL

S.l., s.n., 1570. ; Citation confidence: The work may be genuine, but there is a heightened possibility that this works could be a bibliographical ghost. An exemplar may survive in only a single copy, or there may be no known surviving copy. ; Citation/reference: IB: 2366

En el siguiente trabajo se examinan las representaciones de lo monstruoso en la narrativa fantástica chilena, particularmente en el formato cuento. Para ello se propone un análisis temático e histórico de esta vertiente desde el romanticismo político hasta la literatura reciente, siempre desde una mirada general pero enmarcada en una matriz de sentido fundada en el terror como manifestación estética. El estudio se fundamenta a través del análisis de las transgresiones del terror sobrenatural y las implicancias políticas y sociales que inciden en el sistema de representación chileno. Lo anterior con el propósito de reactualizar el canon nacional más allá del dominio mimético. ; The following work examines the representations of the monstrous in Chilean fantastic narrative, particularly in the short story format. For this purpose, a thematic and historical analysis of this aspect is proposed from political romanticism to recent literature, always from a general perspective but framed in a matrix of meaning based on terror as an aesthetic manifestation. The study is based on the analysis of the transgressions of supernatural terror and the political and social implications that affect the Chilean system of representation. The foregoing with the purpose of updating the national canon beyond the mimetic domain. ; Esta publicación es parte del proyecto de I+D+i PGC2018-093648-B-I00, financiado por MCIN/ AEI /10.13039/501100011033/ FEDER «Una manera de hacer Europa» - Estrategias y figuraciones de lo insólito. Manifestaciones del monstruo en la narrativa en lengua española (de 1980 a la actualidad).

El autor de "César renovado" es Gabriele Simeoni (cf. BNF) ; Mode of access: Internet. ; Marca tipográfica en la portada. ; Existe una ed. de 1566 que se corresponde en colación con la presente (cf. UB, Palau) ; Pie de imprenta del colofón con fecha 1565. ; Grabados xilográficos adheridos, no impresos, en h. 47, v. de h. 59 y h. 65. ; Errores de foliación, h. 203 y 204 por 104 y 105. ; Sign.: [cruz]4, 2[cruz]8, A4, B-Z8, a-c8.

[Toulouse], Jacobo Colomerio, 1560. ; Citation confidence: An exemplar has been cited in an established listing bibliography (such as Palau), or more than one copy is known to survive in more than one collection. ; Citation/reference: IB: 13542

Antwerpen, en casa de la viuda de Martin Nutius, 1559. ; Citation confidence: An exemplar has been referenced in a major analytical bibliography, or inspected book in hand, by a member of the Iberian Books project team or a collaborating institution. ; Citation/reference: IB: 9263

Antwerpen, en casa de Martin Nutius, 1556. ; Citation confidence: An exemplar has been referenced in a major analytical bibliography, or inspected book in hand, by a member of the Iberian Books project team or a collaborating institution. ; Citation/reference: IB: 18546

Alcalá de Henares en casa de Juan Mey, vendese en casa de Juan de Medina en Madrid, 1553. ; Language note: Translated version. ; Translated from: Italian. ; Citation confidence: An exemplar has been cited in an established listing bibliography (such as Palau), or more than one copy is known to survive in more than one collection. ; Citation/reference: IB: 199

Sevilla, en las casas de Jácome Cromberger, 1552. ; Citation confidence: An exemplar has been referenced in a major analytical bibliography, or inspected book in hand, by a member of the Iberian Books project team or a collaborating institution. ; Citation/reference: IB: 2838

Sevilla, en casa de Sebastián Trujillo, 1552. ; Citation confidence: An exemplar has been referenced in a major analytical bibliography, or inspected book in hand, by a member of the Iberian Books project team or a collaborating institution. ; Citation/reference: IB: 2839

S.l., s.n., [1550]. ; Citation confidence: The work may be genuine, but there is a heightened possibility that this works could be a bibliographical ghost. An exemplar may survive in only a single copy, or there may be no known surviving copy. ; Citation/reference: IB: 2832

Zaragoza, [Jorge Coci y Leonardo Hutz], 1503. ; Citation confidence: An exemplar has been referenced in a major analytical bibliography, or inspected book in hand, by a member of the Iberian Books project team or a collaborating institution. ; Citation/reference: IB: 17422