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Abstract
This section includes eighty-six short original essays commissioned for the inaugural issue of TSQ: Transgender Studies Quarterly. Written by emerging academics, community-based writers, and senior scholars, each essay in this special issue, "Postposttranssexual: Key Concepts for a Twenty-First-Century Transgender Studies," revolves around a particular keyword or concept. Some contributions focus on a concept central to transgender studies; others describe a term of art from another discipline or interdisciplinary area and show how it might relate to transgender studies. While far from providing a complete picture of the field, these keywords begin to elucidate a conceptual vocabulary for transgender studies. Some of the submissions offer a deep and resilient resistance to the entire project of mapping the field terminologically; some reveal yet-unrealized critical potentials for the field; some take existing terms from canonical thinkers and develop the significance for transgender studies; some offer overviews of well-known methodologies and demonstrate their applicability within transgender studies; some suggest how transgender issues play out in various fields; and some map the productive tensions between trans studies and other interdisciplines.

Performativity is a theory of how reality comes into being. It is also a deconstructive practice. This article addresses the question of performativity as an emergent mode of working in social and cultural research. It does so by way of exploring a research project focusing on prostitution in a multiethnic context in north Norway, carried out by two researchers doing collaborative work on men, sexuality and knowledge. The author's interest is in exploring performativity as a mode of engaging, aimed at achieving transformations in the terms through which the real is constituted. The author argues that practising performativity requires an openness within the research process to the possibility that researchers and their practices themselves must alter. Such transformative modes of relating seem to be called for in order to develop effective ways of engaging with the present.

ABSTRACT  This article provides a semiotic account of the performativity of the brand. It argues that the brand's performativity is a function of its citationality: the ways in which (fractions of) brands are reanimated, or cited, while being reflexively marked as reanimations or citations. First the article argues that the intelligibility and coherence of brands turns on the calibration of a number of gaps in the brand's form: between brand tokens, brand types, and a brand ontology. Such calibration is achieved through moments of citing brand type and brand ontology. The article then discusses three forms of brand citationality that exceed the brand by situating themselves in, and exploiting, these gaps: brand counterfeits, "remixes," and simulations. The article concludes by discussing the relation between citationality and performativity, arguing that the performativity of brand turns on the (meta‐)semiotics of citationality and the excesses it continually generates.

In this article we extend the debate about critical performativity. We begin by outlining the basic tenets of critical performativity and how this has been applied in the study of management and organization. We then address recent critiques of critical performance. We note these arguments suffer from an undue focus on intra-academic debates; engage in author-itarian theoretical policing; feign relevance through symbolic radicalism; and repackage common sense. We take these critiques as an opportunity to offer an extended model of critical performativity that involves focusing on issues of public importance; engaging with non-academic groups using dialectical reasoning; scaling up insights through movement building; and propagating deliberation.

In this article, Karen Barad entertains the possibility of the queerness of one of the most pervasive of all critters – atoms. These "ultraqueer" critters with their quantum quotidian qualities queer queerness itself in their radically deconstructive ways of being. Given that queer is a radical questioning of identity and binaries, including the nature/culture binary, this article aims to show that all sorts of seeming impossibilities are indeed possible, including the queerness of causality, matter, space, and time. What if queerness were understood to reside not in the breech of nature/culture, per se, but in the very nature of spacetimemattering, Barad asks. This article also considers questions of ethics and justice, and in particular, examines the ways in which moralism insists on having its way with the nature/culture divide. Barad argues that moralism, feeds off of human exceptionalism, and, in particular, human superiority and causes injury to humans and nonhumans alike, is a genetic carrier of genocidal hatred, and undermines ecologies of diversity necessary for flourishing.