Suchergebnisse

Series Preface -- Acknowledgements -- Contents -- Chapter 1: Introduction: Phenomenology, Modernism and the Crisis of Modernity -- Braiding -- Phenomenology as Pre-theory: Reduction and Historicity -- Shifts of Attitude: Husserl, Heidegger, Merleau-Ponty -- Epiphanic Modernism -- The Time When Everything Cracked -- Phenomenology, Language and Meaning-Giving -- Primordial Faith -- Apples -- Earthly Angels -- Intersubjectivity: Selves, Others, World -- Hyperdialectic -- Notes -- Chapter 2: On Apples, Broken Frames and Fallenness: Phenomenology and the Unfamiliar Gaze in Cézanne, Stein and Kafka -- Breaking the Frame: Cézanne's Secret Folds and Faithful Apples -- Gertrude Stein, Fringed Experience and an Apple -- Kafka's Metamorphosis: A Rotten Apple -- Notes -- Chapter 3: Earthly Angels and Winged Messengers: Experience and Expression in Hopkins, Stevens and Klee -- Catching Flight: Hopkins's Windhover -- Necessary Angels and Half-Way States: Wallace Stevens -- 'Still Imperfect': Paul Klee's Angelology -- Intuitive Appropriation -- Notes -- Chapter 4: Virginia Woolf's Interworld: Folds, Waves, Gazes -- Bracketing -- 'Gigantic Conversation' -- Doubling -- Bernard's 'Little Language' -- Exchanging Secrets: Woolf and Cézanne -- Notes -- Chapter 5: Hyperdialectic: A Modernist Adventure -- Stein's 'If I Told Him' and NDT's Shutters Shut -- Rhythms of Hyperdialectic: Woolf -- Stevens's Never-Ending Meditation -- Readiness for Questionability: Kafka -- 'Man is Half a Prisoner, Half Borne on Wings': Klee, Hopkins -- Notes -- Bibliography -- Index

This book features papers written by renowned international scholars that analyze the interdependence of art, phenomenology, and social science. The papers show how the analysis of the production as well as the perception and interpretation of art work needs to take into consideration the subjective viewpoint of the artist in addition to that of the interpreter. Phenomenology allows a description of the subjectively centered life-world of the individual actor-artist or interpreter-and the objective structures of literature, music, and the aesthetic domain in general. The perspective of social science serves to reconstruct the socio-historical structure involved in the creation and reception of the art work. The authors concentrate on this specific theoretical focus which combines both phenomenology and social science and offers an innovative framework for the analysis of works of art from the fields of literature, music, visual arts, photography, and film. Some of the contributions present creative interpretations of a variety of distinct art works in addition to the realization of theoretical reflections on the interdependence of arts, phenomenology, and social science. This book features papers that were presented at the international and interdisciplinary conference Phenomenology, Social Sciences, and the Arts, held at the University of Konstanz, May 2009, in commemoration of philosopher and social scientist Alfred Schutz, the developer of phenomenologically oriented sociology. It will appeal to researchers, scholars, and students in phenomenology, social sciences, art theory, and the arts.

In diesem Beitrag beschreibe ich die Verwendung und den Nutzen von visuellen Methoden am Beispiel einer phänomenologischen Studie, für die ich Zeichnungen und Erzählungen von vier Gesprächspartnerinnen im Verlauf von insgesamt zwölf Interviews erhoben habe. Ich veranschauliche, wie der Eingang visueller Methoden in das phänomenologische Toolset zur Sichtbarmachung der Perspektive der Forschungsteilnehmenden beigetragen und Kommunikation und Verstehen erleichtert hat.

One To The Things (Essays on Phenomenolology) -- A. On the Meaning of Phenomenology -- 1. "Phenomenology" -- 2. Ways into phenomenology: phenomenology and metaphenomenology -- 3. A new way into phenomenology: the workshop approach -- 4. Phenomenology through vicarious experience -- 5. Existential uses of phenomenology -- >B. On the Rights of Phenomenology -- 6. How subjective is phenomenology? -- 7. Phenomenology of direct evidence (self-evidence) -- 8. Criteria in phenomenology -- 9. The Phenomenon of reality and reality -- Two At the Things (Essays in Phenomenology) -- 10. Toward a phenomenology of experience -- 11. A phenomenological analysis of approval -- 12. "We": A linguistic and phenomenological analysis -- 13. The relevance of phenomenological philosophy for psychology -- 14. The idea of a phenomenological anthropology and Alexander Pfänder's psychology of man -- 15. Change of perspectives: constitution of a Husserl image -- Index of names -- Index of subjects.

Dealing with creative logos, this collection aims to lift human experience into spirit and culture. In it, the momentum of a gathering "creative brainstorm" leads to the vertiginous imaginative transformability of the creative logos as it ciphers through the elements of experience - sensing, feeling, emotions, forming - in works of art

1. An analysis 'free from presuppositions' -- 2. Husserl's conception of number and his clash with Frege -- 3. Criticism of psychologism and the search for the philosophical presuppositions of logic -- 4. Intentionality -- 5. The problem of generality -- 6. Phenomenological reduction and Husserl's idea -- 7. Reason and reality -- 8. The concept of Lebenswelt -- 9. Scheler's anthropology -- 10. In search of the meaning of 'being' -- 11. From modal analysis to mystical hermeneutics -- 12. Existentialism based on a phenomenology of consciousness -- 13. Sartre's road to Marxism -- 14. The limitations of phenomenology : concluding remarks.

Derrida and Phenomenology is a collection of essays by various authors, entirely devoted to Jacques Derrida's writing on Edmund Husserl's phenomenology. It gives a wide range of reactions to those writings, both critical and supportive, and contains many in-depth studies. Audience: Communicates new evaluations of Derrida's critique of Husserl to those familiar with the issues: specialists in phenomenology, deconstruction, the philosophies of Derrida and Husserl. Also contains a bibliography of recent relevant literature

This collection brings together original essays on a wide variety of topics in the broad area of 'Nietzsche and Phenomenology'. Some of these papers take a thematic approach, thinking through key issues that connect or divide Nietzsche and phenomenology

This Element explores the relationship between phenomenology and mathematics. Its focus is the mathematical thought of Edmund Husserl, founder of phenomenology, but other phenomenologists and phenomenologically-oriented mathematicians, including Weyl, Becker, Gödel, and Rota, are also discussed. After outlining the basic notions of Husserl's phenomenology, the author traces Husserl's journey from his early mathematical studies. Phenomenology's core concepts, such as intention and intuition, each contributed to the emergence of a phenomenological approach to mathematics. This Element examines the phenomenological conceptions of natural number, the continuum, geometry, formal systems, and the applicability of mathematics. It also situates the phenomenological approach in relation to other schools in the philosophy of mathematics-logicism, formalism, intuitionism, Platonism, the French epistemological school, and the philosophy of mathematical practice.