Piotr Kowalski
In: Medium: transmettre pour innover, Band 11, Heft 2, S. 168-177
ISSN: 1771-3757
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In: Medium: transmettre pour innover, Band 11, Heft 2, S. 168-177
ISSN: 1771-3757
In: Arcana: kultura, historia, polityka ; dwumiesiȩcznik, Band 39
ISSN: 1233-6882
In: Arcana: kultura, historia, polityka ; dwumiesiȩcznik, Band 53
ISSN: 1233-6882
In: Stan rzeczy: S Rz ; teoria społeczna, Europa Środkowo-Wschodnia ; półrocznik, Heft 1(8), S. 17-34
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In: The Slavonic and East European review: SEER, Band 89, Heft 2, S. 339-341
ISSN: 2222-4327
In: Social service review: SSR, Band 6, Heft 1, S. 173-173
ISSN: 1537-5404
In: Studia polityczne, Band 50, Heft 3, S. 249-251
In: Roczniki Pedagogiczne, S. 172-175
ISSN: 2544-5243
Blog: The Health Care Blog
At the HLTH conference I talked with CEO of Infermedica, Piotr Orzechowski, and also had a quick word with VP of Marketing Marcus Gordon. Infermedica has been around over a decade, andContinue reading...
In: Jane's defence weekly: JDW, Band 21, Heft 18, S. 32
ISSN: 0265-3818
In: Przegląd bezpieczeństwa wewnętrznego: Internal security review, Band 14, Heft 27, S. 162-167
ISSN: 2720-0841
This essay analyses two texts by Polish art historian Piotr Piotrowski (1952-2015) that articulate theoretical stances towards art museography, the one devoted to issues of trauma management, contemporaneity and identity, and the other presenting a methodological tactic to deflect the power of the art-historical museum piece in critical and democratic ways. Reflecting on how they deal with psychological as well as openly political issues, I interpret and assess their joint contribution to the broader interdisciplinary field of (critical) museography. The texts are "New Museums in New Europe" and "Making the National Museum Critical". The first text discusses four new or newly re-furbished museums in a culture in Eastern Europe since 1989 characterized as "post-traumatic". These museums are contextualized both in relation to the Western museum boom of the same years, and to the new museums' recent history, where sometimes the very architecture and site of these institutions renders trauma tangible. The second text is a case-study based on experience and inside knowledge, from the short period when the author directed and together with Katarzyna Murawska-Muthesius oversaw the Warsaw National Museum of Art (2009-2010). Together they developed Piotrowski's concept of "the critical museum" as a way of dealing with the challenges of running an old national art museum based on masterpieces while also striving to engage with pressing contemporary issues. I contend that the latter concept, in particular, is promising, given that it is possible to maintain a difference within the museum institution as a prerequisite for critical intervention.
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In: Arcana: kultura, historia, polityka ; dwumiesiȩcznik, Band 118/119, S. 8-42
ISSN: 1233-6882
In: Ruch prawniczy, ekonomiczny i socjologiczny: organ Uniwersytetu im. Adama Mickiewicza i Uniwersytetu Ekonomicznego w Poznaniu, Band 78, Heft 4, S. 247-250
ISSN: 2543-9170
In: Iride: filosofia e discussione pubblica, Band 20, Heft 50, S. 171-176
ISSN: 1122-7893