Suchergebnisse

本研究以一个曾经在文革中施暴的红卫兵──李乾的生命传记为个案,以布迪厄的社会实践理论为理论框架,探讨主体参与文革与记忆、反思文革的实践,以及对文革意义的理解,进而理解一系列红卫兵实践(尤其是暴力实践)的逻辑。不同于已有文革研究的精英史和社会史路径,本研究试图发展一种传记取向的文革研究路径,分析个体生命经验与其所处社会情境,红卫兵的惯习与其所处的场域的复杂关系,由此更深刻地理解文革以及无产阶级专政的政治文化。 ; 首先,本研究聚焦这些红卫兵文革初期对文革的认知、情感机制与行动策略,指出其实践如何受制于无产阶级专政场域与惯习的作用,如何再生产无产阶级专政的政治文化,即再生产无产阶级专政的象征秩序、权力技术、话语方式与组织机制,如何再生产文革"武斗"的直接暴力与"文斗"的话语暴力。并且,本研究试图说明早期"造反者"的"造反"动力来自其与老红卫兵在革命资格竞争中的"相对剥夺感";这种"造反"并不是为了反抗主流的象征秩序,而是努力争取自身在这套象征秩序中的优势位置和资本。 ; 其次,本研究探讨主体生命经验中关键性的暴力事件──"一二.五"事件的实际发生过程,分析"一二.五"事件中这些红卫兵对暴力的认知与情感,以及暴力如何被合法化及赋权,其中的专政对象──"流氓"是如何被建构与想象的,由此揭示特定的政治文化脉络中主体的贱斥动力以及这一暴力实践的逻辑。红卫兵暴力惯习的形塑,不仅受制于文革的革命场域的作用,更受制于建国以来历时性的无产阶级专政场域的作用;同时,这一惯习的运作又在维持和再生产无产阶级专政的政治文化。 ; 此外,本研究探讨主体在"一二.五"事件后,如何在一系列社会互动的过程中,逐步实现了意识的转化和主体性变迁,如何从符号中介的生命经验中引入新的认知与情感机制重新理解"一二.五"事件、文革以及无产阶级专政的政治文化。这种批判性的反思实践与主体所处行动场域中的社会位置以及所能接收的多元的、异质性的符号资源密切相关,可以形塑主体惯习的转化,生产新的社会实践以及相应社会关系的改变。 ; 最后,本研究试图将当下民间文革记忆与反思实践置于文革与后文革、毛时代与后毛时代的连续性与转型的关系之中,指出为民间记忆与反思实践赋权的政治文化意义。这一反记忆实践不仅打捞普通人被遗忘的、被边缘化的文革记忆,也介入对历史与现实的批判,积极争取个体对历史的话语权,与对现实政治、文化的参与权。 ; Taking the life biography of a former Red Guard Li Qian who committed violence during the Cultural Revolution (CR) as a case, this research employs Pierre Bourdieu's theory of social practice to explore the Red Guards' participatory, mnemonic and reflective practices during the CR, as well as their understanding of the CR, with the aim of further understanding the logics of the Red Guards' practices (especially their violent practices). Different from the traditional approaches of political history and social history, this study attempts to develop a biography approach to study the CR. It analyzes the complex relations between individuals' life experiences and their social contexts, between the Red Guards' habitus and the specific field, to understand the political culture of the CR and the Proletarian Dictatorship. ; First, this study focuses on the Red Guards' cognitive and emotional mechanism and action strategy during the early days of the CR. It investigates how their practices are subject to the conditioning of the field and ...

Chan, Siu-han. ; Thesis submitted in: July 2004. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2005. ; Includes bibliographical references (leaves 184-193). ; Abstracts in English and Chinese. ; ABSTRACT --- p.i ; 論文摘要 --- p.ii ; ACKNOWLEDGEMENTS --- p.iii ; CONTENTS --- p.v ; INTRODUCTION ; Chapter 1.1 --- Empirical Puzzles and Theoretical Concern --- p.1 ; Chapter 1.2 --- The Cultural Scene in Hong Kong --- p.5 ; Chapter 1.3 --- Defining the New Wave Cinema --- p.8 ; Chapter 1.4 --- The Objectives of the Thesis --- p.12 ; Chapter Chapter 2 --- In Quest of Theoretical Perspective and Analytical Framework ; Chapter 2.1 --- Existing Studies of the New Wave Cinema --- p.13 ; Chapter 2.2 --- The Study of Popular Culture in Hong Kong --- p.21 ; Chapter 2.3 --- Culture Industry: The Approach of the Frankfurt School --- p.28 ; Chapter 2.4 --- The Elective Affinity of Culture Industry with Hong Kong Society --- p.33 ; Chapter 2.5 --- Analytical Framework --- p.36 ; Chapter Chapter 3 --- The Anxiety of Political Subjectivity ; Chapter 3.1 --- Prelude --- p.45 ; Chapter 3.2 --- The Perturbed Hong Kong People --- p.50 ; Chapter 3.3 --- The Hong Kong Diaspora --- p.57 ; Chapter 3.4 --- The Negative Projection on the Colonizers --- p.60 ; Chapter 3.5 --- The Ambivalence Towards the Motherland´ؤChina --- p.66 ; Chapter 3.6 --- Discourse on Political Modernization: The Anxiety of Political Subjectivity --- p.86 ; Chapter Chapter 4 --- The Contradiction of Societal Modernization ; Chapter 4.1 --- Prelude --- p.89 ; Chapter 4.2 --- Looking back at the Pre-modernized Social Order --- p.91 ; Chapter 4.3 --- Rethinking the Entanglement of the Old and the New --- p.102 ; Chapter 4.4 --- Representing the Modernized New Social Order --- p.110 ; Chapter 4.5 --- Discourse on Societal Modernization: The Contradiction of Societal Modernization --- p.123 ; Chapter Chapter 5 --- The Fragility of Hong Kong Cultural Identity ; Chapter 5.1 --- Prelude --- p.126 ; Chapter 5.2 --- Historical Memories as Cultural Receptacles --- p.128 ...

Ng King Sau. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2005. ; Includes bibliographical references (leaves 138-147). ; Abstracts in English and Chinese. ; Abstract --- p.iii ; 論文摘要 --- p.iv ; Acknowledgements --- p.v-vi ; Chapter Chapter 1 --- Introduction ; Chapter 1.1 --- Research Background --- p.1-3 ; Chapter 1.2 --- Research Questions --- p.3-5 ; Chapter 1.3 --- Research Significance --- p.5-7 ; Chapter 1.4 --- Overview of the Research --- p.7-9 ; Chapter Chapter 2 --- Literature Review ; Chapter 2.1 --- Definition of Civil Society --- p.10-16 ; Chapter 2.2 --- The Idea of Global Civil Society --- p.16-19 ; Chapter 2.3 --- Development of Chinese Civil Society --- p.19-23 ; Chapter 2.4 --- Development of Global Civil Society in China --- p.23-26 ; Chapter Chapter 3 --- Analytical Framework and Methodology ; Chapter 3.1 --- Structural Level of Analysis --- p.21-29 ; Chapter 3.2 --- Organizational Level of Analysis --- p.29-33 ; Chapter 3.3 --- Individual Level of Analysis --- p.33-34 ; Chapter 3.4 --- Definition of Culture --- p.34-40 ; Chapter 3.5 --- Methodology --- p.40-45 ; Chapter Chapter 4 --- Global Civil Society: The case of Greenpeace ; Chapter 4.1. --- A History of Greenpeace --- p.46-47 ; Chapter 4.2. --- The Mission of Greenpeace --- p.47 ; Chapter 4.3 --- The Resources of Greenpeace --- p.48-49 ; Chapter 4.4. --- Organizational Structure of Greenpeace: a M-form organization --- p.49-52 ; Chapter 4.5. --- Global Strategy of Greenpeace --- p.52-56 ; Chapter 4.6 --- Background of Establishment of China Office --- p.56-57 ; Chapter 4.7 --- Greenpeace China I: An Introduction to the Hong Kong Unit --- p.57-58 ; Chapter 4.8 --- Greenpeace China II: An Introduction to the Beijing Unit --- p.58-60 ; Chapter 4.9 --- Greenpeace China III: An Introduction to the Guangzhou Unit --- p.60-62 ; Chapter 4.10 --- Conclusion --- p.62-63 ; Chapter Chapter 5 --- Guangzhou Unit: Process and Mechanisms of Cultural Diffusion ; Chapter 5.1 --- Structural Level of Analysis: An Introduction of Guangzhou --- ...

本文以明人對宦官態度轉變及其相應行動爲中心,著重從政治文化互動的角度,探討在明代君權專制強化而滋生發達宦官政治情況之下,士大夫如何因應這一政治結構和政治生態的變化,調整思維與行動的方式,施展和落實儒家的政治理想與目標的過程、言行表現及其意義。 ; 本文認爲明代中後期的士大夫在對待宦官態度與問題上,出現重要的轉變與調適,他們趨向於呼籲改變與宦官對立的關係,普遍強調宦官具備與常"人"一致的天性與善端,主張以引導和"教化"的方式令其從善。這一思維轉向的要義,是中晚明的士大夫在承認宦官官僚政治和認識宦官顯著角色及地位的基礎上,思考通過"改造"宦官進而改善政治。 ; 中晚明時期這股思維轉向更重要地表現為以"化宦"為中心内容的行動與實踐。對宦官讀書之所--内書堂重振的共識與努力以及撰作宦官教化用書,即是這一實踐的直接落實。中晚明人士在内書堂教育和撰作宦官教化書籍中,均重視以歷史和本朝歷史上的宦官善惡實例來強化宦官道德理想教育,感召和鼓勵其去惡向善、忠君愛國以及輔養君德。這是他們借"化宦"來"格君"的努力,是他們施展上層經世理想的表現和重要内容。 ; 在晚明集中出現的衆多宦官教化用書中,萬曆初王畿所作"化宦"書《中鑒錄》是一本對宦官有實際影響和感召力的著作。這與書中揚棄傳統偏見,尊重並同情宦官歷史,鼓勵他們具有常"人"的良知等情形密切關係。與之相反的個案則是張世則撰作的《貂璫史鑒》,以受到宦官排斥告終。其"成敗"視乎它們有否契合中晚明以來宦官在知識文化增廣之餘主體和自我意識提高的趨向。 ; 綜核本文討論所得,主要有以下三點認識。第一,明代士人與宦官的關係複雜多樣,不能以對抗與勾結的二元結構予以簡單處理。中晚明時期不斷出現的"化宦"思想和實踐顯示,士大夫傾向於覺得他們與宦官處於同一政治文化之中,並且有意強化已趨"一體"的向路。第二,在政治現實不利和政治空間有限的情況下,明代士大夫能務實而敏銳地利用"化宦"來"格君",可見他們不曾放棄得君行道的理想,熱情未減。這是政治與文化之間高度呼應、交互影響與滲透的應有真義和全貌。第三,儒家核心價值系統中的原則為後人改造世界提供精神和經典的來源。中晚明人士思考宦官具有"人"的面向與價值並將他們納入"有教無類"之中,顯示儒家價值系統只有回到現實政治與社會生活中並積極地予以回應,摸爬滾打中,才能得到充實和實踐。這是儒學實踐性的特點和要求。 ; This dissertation studies the attitudes and actions of scholar-officials to the eunuchs in the Ming dynasty. From the perspective of political and cultural interaction, it explores how scholar-officials coped with changes in the political structures and political ecologies in which eunuch politics became a major issue of government. It examines scholar-officials' thinking and action in dealing with the eunuchs while attempting to implement their political ideal when monarchical despotism reigned in Ming times. ; The study finds that there are important changes in scholar-officials' attitudes in mid and late Ming times. Instead of discrimination against eunuchs they tended to see eunuchs as their equal as human beings. They believed that eunuchs have similar human nature and humaneness as theirs, and advocated making them good imperial servants by moral and civil education. They adopted an approach that government improvement can be achieved by "transforming the eunuchs through a Confucian-based education and recognizing the eunuch's ...

Chau, Tsz Kin. ; "December 2011." ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2012. ; Includes bibliographical references. ; Abstracts in English and Chinese. ; Introduction --- p.1 ; Chapter Chapter 1 --- Who's Pan Yuliang? Whose Pan Yuliang? --- p.7 ; Who's Pan Yuliang? --- p.7 ; Life and Art of Pan Yuliang: Existing Account --- p.12 ; Whose Pan Yuliang? --- p.22 ; "Summary of Existing Accounts: Biography, Oedipus complex and Narcissism" --- p.30 ; Chapter Chapter 2 --- Reconsidering Pan Yuliang --- p.33 ; Academic works in Mainland China and Taiwan since 2000 --- p.33 ; Theorizing the Woman Painter --- p.42 ; Background I: Modern Art in Republican China --- p.54 ; Background II: Paris Modernism --- p.60 ; Chapter Chapter 3 --- Expanding Biography into History --- p.63 ; Chapter Chapter 4 --- The Political Xiesheng and its Gender Politics --- p.82 ; "Pan Yuliang: from Shanghai (1928-32, 36-37) to Nanjing (1933-35)" --- p.83 ; The Mission ofNanjang: National Administering of Modernism --- p.86 ; Pan Yuliang and the Chinese Arts Association --- p.97 ; Xiesheng and a New Woman/painter Subject --- p.113 ; Conclusion: a Different Modern for a Woman Painter --- p.123 ; Chapter Chapter 5 --- Differencing the Modern and Women's Culture --- p.127 ; Theorizing Women's Culture --- p.130 ; Pan Yuliang and Women's Community --- p.134 ; Contextualizing Women's Community: Republican Modernity and Post-war ; Pacifism --- p.137 ; Conclusion: Women's Art and Modernism --- p.145 ; Conclusion Rethinking Republican and Women's Art --- p.146 ; Appendix --- p.150 ; Glossary --- p.158 ; Graphical Materials --- p.165 ; Bibliography --- p.251

Chan Chi Ho. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2004. ; Includes bibliographical references (leaves 165-184). ; Abstracts in English and Chinese. ; Notes to the Readers --- p.ii ; Abstract --- p.iii ; Chinese Abstract --- p.iv ; Introduction --- p.1 ; Chapter Chapter One --- Imperial Cults as a Context of the Lukan Writings: Historical Preliminaries --- p.11 ; Chapter 1.1 --- Imperial Cults or Emperor Cults as a Religion in the Roman Empire --- p.13 ; Chapter 1.2 --- "The Lukan Perspective: Between the Author, the Literary Text, the Reader, and Their Historical Context" --- p.23 ; Chapter 1.2.1 --- Authorship and Intended Readership of the Lukan Writings --- p.24 ; Chapter 1.2.2 --- Time of Composition --- p.30 ; Chapter 1.2.3 --- Further Notes on Luke-Acts' Historical Situation --- p.37 ; Chapter 1.3 --- The Lukan Perspective on the Roman Empire Rethought --- p.42 ; Chapter Chapter Two --- A Contra-cultural Reformed Judaism Surpassing the Imperial Cult? Assessing Allen Brent's Interpretation of the Lukan Writings --- p.49 ; Chapter 2.1 --- Introduction --- p.49 ; Chapter 2.2 --- "An Overview of Brent's Interpretation of Luke's ""Political Theology""" --- p.53 ; Chapter 2.2.1 --- Contra-cultural Strategy and Social Reintegration into the Host Culture --- p.53 ; Chapter 2.2.2 --- The Augustan Saeculum Aureum and Luke's Delayed Parousia --- p.54 ; Chapter 2.2.3 --- Latent Conflicts Remain --- p.57 ; Chapter 2.2.4 --- "A ""Political Theology"" Doomed to Fail: Domitian and the Fiscus Iudaicus" --- p.57 ; Chapter 2.3 --- "An Evaluation of Brent's Interpretation of Luke's ""Political Theology""" --- p.58 ; Chapter 2.3.1 --- Lukan vs. Imperial Eschatologies --- p.58 ; Chapter 2.3.2 --- """Jewish"" or Pagan Backcloth?" --- p.58 ; Chapter 2.3.3 --- Roman State Religion or Greek Imperial Cults? --- p.59 ; Chapter 2.4 --- Conclusion --- p.61 ; Chapter Chapter Three --- King Agrippa I Smitten by an Angel of the Lord: Acts 12:20-23 and the Lukan Attitude towards Emperor Worship --- p.63 ; Chapter 3.1 --- ...

研究以湖南省松糖事件为例,分析中国农民的抗征地对中央政府信任的影响。研究认为,征地形式、上访过程获取的信息及其上访结果都会影响对中央的信任水平。具体来说,研究有三个主要观点:第一,相比公共项目征地、参与式征地和不威胁生存安全的征地,商业项目征地、命令式征地以及威胁生存安全的征地形式会更容易导致上访。在这些征地中,抗争者提出的诉求由于超越了相关的政策法律因此很难得到地方政府的满足。第二,上访过程中农民对中央信任的变化分为三个阶段:首先,抗争者将中央与其以下政府区别开来,并对中央保持着高水平的信任;接着,多次的进京上访使抗争者获取了有关中央的信息,包括中央已经了解了他们的问题并且这些问题值得重视;最后,失败的抗争结果导致对中央能力和意图的信任同时下降。第三,对中央信任的下降并不一定会导致公民选举要求的提出,这是因为传统的政治文化和无效的村庄选举使农民的政治效能感维持在低水平。 ; Drawing on the data from the Song-tang incident in Hunan province, the research examines the influences of resistance to land expropriation in rural China on political trust in the central government. The study argues that forms of land expropriation, information gained through petitioning and outcomes of petitioning have influences on trust in the center. Specifically, there are three main arguments. Firstly, compared with land expropriation for public use, in participatory manners, and without negative influences on living security, land expropriation for commercial use, in imperative manners, and with negative influences on living security is more likely to cause petitioning. In the three forms of land expropriation, claims are hardly satisfied by local governments since they have surpassed the state rules. Secondly, during petitioning trust in the center changes in three phases: at the beginning, resisters distinguish the center from lower-level governments and retain high-level trust in the center. Secondly, activists gain increasing information about the center during times of petitioning to Beijing. They realize that the center has known their grievances, which are also worth its attention. Finally, failure of resistances results in decline of trust in the center's capacity as well as trust in its commitment. Thirdly, the declined trust in the center does not necessarily imply the demand for popular elections. Due to traditional political culture and ineffective village elections, political efficacy of the farmers remains at a low level. ; Detailed summary in vernacular field only. ; 劉靜平. ; Parallel title from English ...

The article points out that the current expansion of the semiotic focus from signs and texts to whole cultures needs the development of a coherent method. It therefore proposes to establish it through an application of the topological theory of fractals to the analysis of different kinds of symmetries in the semiosphere. Having defined fractals as resemblance between two topological structures, the article first dwells on what "resemblance" means in the comparison of both visual and conceptual patterns; it then proposes a typology of fractal similarities, based on the topological operations of rotation, translation, and reflection. Examples of each typology are given from the fields of cultural and political analysis. The article concludes by hypothesizing that cultural semiotics might evolve into a "pattern science", challenging the customary disciplinary barriers between the study of regularities in nature and in culture.

本研究旨在探索台灣自一九九零年代末推行之母語復興運動及其影響。作為使用者為數最多的本土語言,閩南語一度沒落;隨著母語復興措施當中、鄉土語言教學政策的廣泛開展,閩南語自「方言」一逕躍升為台灣文化的象徵,更被從政者甚至政府利用作對外宣傳之用。 ; 作者通過語言人類學田野考察方法,試圖以閩南語作為案例,釐清及解讀以下幾點:(一)台灣民眾當今的語言選擇及使用狀況;(二)他們的語言態度,與其文化認同之對應關係;(三)語言在台灣族群認同政治所扮演的角色;(四)語言政治在各社會文化層面所引起之角力;(五)方言(或語言,如原住民語言)群之競爭,如何掀起語言及文化傳統之再造和復興,以圖合理化其族群作為台灣文化象徵的地位。 ; 研究結果顯示,雖然巴赫汀 (Bakhtin) 的「眾聲喧嘩」(heteroglossia) 理論在實務層面與台灣的多語、多元文化相呼應,但當地政府所提倡之文化多元論、以及各持份者之間的隱性競爭,若以布迪厄 (Bourdieu) 的文化複製理論和傅柯(Foucault) 的權力知識理論解讀,當更適切。總的來說,台灣的母語復興運動,乃一項與昔日保守政權的抗衡行為賦權,控制兼具的政治行動,更是多元政治文化的象徵。 ; This thesis looks into the government-led language revitalization campaign in Taiwan with special reference to the case of Hokkien, one of the "bensheng" (local) vernacular with Han Chinese roots, in terms of language rights, ethnogenesis, and cultural legitimacy. Tracing the rise and development of concepts such as cultural heritage, ethnic identity and democracy in the region, the focus is placed on the recent changes in Taiwan's language ideology and the intricate emergence of Hokkien as one of the "national" languages and symbols apart from the official language, i.e. Mandarin Chinese. ; Against the backdrop where contesting discourses on language and culture discourses co-exist and crossbreed with each other, there are a number of closely-related issues that this thesis examines in particular: (1) the ways in which language choices are made and perceived in various contexts; (2) implications of such language choices as related to one's cultural identities; (3) the role of language politics in self and group identification and ethnic classification in Taiwan; (4) the power dynamics in various socio-cultural spheres; and (5) the resulting competition of multiple speech groups in Taiwan for authenticity, legitimacy and superiority in the political arena by means of reconstruction and reinvention of ethnic languages and traditions. ; The findings reveal that despite the practical relevance of Bakhtin's theory of heteroglossia to Taiwan's current ethnogenesis against the backdrop of multilingualism and ...

本研究發現一個地區的經濟發展水平與當地居民對中央政府的信任程度負相關。 ; 本研究包括定量和定性兩個部份。定量部份,普通最小二乘線性回歸(OLS)分析和雙層回歸分析的結果顯示:區域經濟發展水平與人們對中央政府的信任存在顯著的負相關關係。控制了個人因素變量,上述相關關係仍然顯著。定性分析部份討論了傳統文化與信息流通在發達地區和欠發達地區如何影響政府信任。這部份分析發現文化因素和信息因素是導致某一地區的民眾比另一地區民眾更不相信中央政府的重要因素,但必須與經濟發展因素相結合才能發揮顯著作用。文化與信息受當地的經濟發展水平影響:一個地區的經濟發展水平越高,傳統文化的影響力越弱,信息化程度越高;反之,經濟發展水平越低,傳統文化的影響力越強,信息化程度越低。定量分析與定性分析都支持研究假設。 ; 把上述靜態觀察納入動態視角,從長遠看,區域經濟發展將削弱公眾對中央政府的信任。具體來說,假定目前的局勢延續,隨著中國越來越多的地區經濟得到發展,當地民眾對中央政府的信任會相應降低。據此推測,中國人的政府信任可能會經歷一個由"中央高、地方低再變為"中央低、地方更低的過程。 ; This research shows that the level of economic development in a region has a negative correlation with local residents' trust in the central government. ; This study draws on both quantitative and qualitative analyses. In the quantitative section, both OLS regression and hierarchical linear modeling show that the level of regional economic development has a significant negative correlation with public trust in the central government, controlling for individual factors. Qualitative analysis suggests that traditional culture and the flow of political information affect people's trust in government when they interact with economic development. In places where economy is underdeveloped, traditional culture has a larger impact and the flow of political information is less free. By contrast, in places where economy is more developed, traditional culture has a weaker effect and the flow of political information is freer. ; Putting the finding of the cross-sectional analysis into a dynamic perspective, it is suggested that the development of local economy may in the long run weaken local residents' trust in the central government. More specifically, assuming that the present situation continues, as more and more regions experience economic growth, local residents may develop weaker confidence in the central government. The pattern of trust in government may then evolve from the current "high trust in the central government and lower trust in local government into "low trust in the central government and even lower trust in local government. ...

本文主要考察社会主义中国的文化政策经历了怎样的发展变化,并试图回答自1949年以来中国共产党是如何介入与领导当代中国的文化,其文化治理的理论与实践又是如何发展与转变,对文化领域又产生了怎样的影响。 ; 与只对政策文件进行解读的传统政策研究不同,本研究采用文化的政治经济学和文化社会学取经,结合宏观与微观、观念与实践两个层面,对上述问题进行考察与分析,从而梳理出中国文化政策发展变化的历史脉络。除了对中共制订的政策文件及主要思想理论进行梳理与分析外,本文选取了代表中国社会主义国家特色的上海市工人文化宮及其话剧生产为个案研究对象,通过文献研究、实地考察、深度访谈、历史比较分析等方法,具体深入地考察文化主体与文化政策之间的关系,尤其是在后毛泽东时代的发展变化,以此勾勒出社会主义中国文化政策从思维到实践的运动轨迹。 ; 本文希望通过这一研究可以在以下三个方面有所贡献:(1)梳理出一种社会主义中国的文化政策的历史脉络;(2)试图通过个体深访和个体口述史,来考察社会主义中国文化政策与个体的关系,从而在微观上提供关于社会主义中国文化政策的重要实证数据。并且,(3)在中观和宏观的层面上建议一种关于社会主义中国文化政策研究的理论框架,作为今后这一研究课题发展的一个基础;(4)通过比较中国与西方发达资本主义国家之间文化政策发展与运动趋势的异同,反思中国文化政策的转型,从而为推进中国文化政策的发展与进步建言。最后,希望本论文可以对社会主义国家或发展中国家的文化政策研究提供中国经验的参考与启发。需要强调的是,本文并非急于给社会主义中国文化政策的历史变迁下定论,限于历史资料收集的有限性和文化政策历时研究的复杂性,本文主要是通过现有的史料和相关数据,来做一项关于社会主义中国文化政策领域的开拓性的基础研究,也是为日后中国文化政策研究的发展做一种铺垫。 ; The thesis project attempts to answer the questions about how the Chinese Communist Party governs the cultural domain in Contemporary China, and how the cultural governance develops and influences cultural production in China since 1949. ; This research tries systematically explores the development of the cultural policy of Socialist China by focusing on Shanghai Municipal Workers Palace of Culture and its cultural production, which is an understudied topic in Chinese Studies. Through investigating the CCP's theories, thoughts and policies in cultural sphere, the ways and rules of producing literature and art, it will systematically analyze the relationship of the Chinese party-state and culture in different historical periods, and illustrate the development of the CCP's cultural policy from theory to practice. ; The study mainly adopts Cultural Political Economy and Sociology of Culture approaches. Different from traditional cultural policy studies, it is a historical and comparative empirical inquiry with an integrated macro and micro perspective. The study introduces qualitative methods including archive analysis, field study, in-depth interview, oral history, participant observation, and historical comparative analysis and etc, to answer the ...

Chan, Pui Lun. ; "December 2010." ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2011. ; Includes bibliographical references (leaves 133-147). ; Abstracts in English and Chinese. ; Abstract of thesis entitled: --- p.i ; Abstract (Chinese) --- p.iii ; Acknowledgements --- p.iv ; Table of Contents --- p.v ; List of Figures and Tables --- p.viii ; Romanization and Translation --- p.ix ; Chapter Chapter One - --- Introduction --- p.1 ; Chapter 1.1 --- "Motivations, Arguements and Methodology" --- p.2 ; Chapter 1.2 --- Ethnomusicological Studies on Chinese Operas --- p.3 ; Chapter 1.3 --- Studying Peking opera in Hong Kong --- p.5 ; Biographies of Mainland Peking Opera Performers --- p.5 ; Newspapers Reports and Columns --- p.6 ; Interview Transcripts of Peking Opera Artists in Hong Kong --- p.7 ; Government Documents and Archival Data --- p.8 ; Fieldwork --- p.8 ; Challenges and Limitations --- p.9 ; Chapter 1.4 --- Thesis Outline --- p.10 ; Chapter Chapter Two - --- The History of Peking Opera in Hong Kong --- p.14 ; Chapter 2.1 --- The Dual Forces of Cultural Policies --- p.15 ; Tour Performances as Diplomacy --- p.15 ; The First Encounter: Mei Lan-fang's Tour in 1922 --- p.17 ; Cultural Competition between the Two Chinese Regimes --- p.21 ; Cultural Policy of the Colonial Government before 1980 --- p.24 ; Chapter 2.2 --- Early Peking Opera Activities in Hong Kong --- p.26 ; Peking Opera in Recordings and Radio Broadcasting --- p.26 ; Peking Opera Films in the 1940s and 50s --- p.33 ; Integrating Peking Opera with Local Martial Arts Films in the 1960s and 70s --- p.35 ; Local Peking Opera Academies --- p.38 ; Amateur Peking Opera Groups --- p.42 ; Hybridization Between Peking Opera and Cantonese Opera --- p.43 ; Chapter 2.3 --- An Entertainment for Mainland Emigrants --- p.48 ; Chapter 2.4 --- Summary --- p.51 ; Chapter Chapter Three - --- Contemporary Peking Opera Activities --- p.54 ; Chapter 3.1 --- The Continuing Political Influence --- p.55 ; The Shifting Dynamics of Political Influences in the ...

1990年代以來,尤其是進入2000年,中國基督教開始在復興,但其發展表現出極大的地方差異。較之於其他城市,作為中國政治與文化中心的北京,其基督教發展呈現出廣泛的公共性。本文以北京不同類型教會為研究對象,主要探討基督教與公共性的關係。 ; 本文認為城市基督教的復興是當代中國社會政治與文化結構性變遷帶來的結果。發展中的北京基督教存在多重意涵的公共性,而這多重公共性創造出北京基督教的不同社會與政治面貌。雖然黨國試圖壓制非官方基督教的發展,將其限制在私人領域,但基督教不僅復興,且以不同形式──公共論域、公民共同體及公民不服從參與建設中國的公民社會。 ; Since the 1990s, Protestantism has been experiencing the revival in urban China. However, the development path of urban Protestantism varies in different in different areas. Compared to other cities, Beijing Protestantism is showing the new forms and has a significant impact on the public realm. ; By using the most updated data obtained from years of fieldwork, this dissertation attempts to study the rising and the publicness of Beijing Protestantism with case studies of different types of churches.This study argues that the revival of urban Protestantism results from the structural transition of contemporary Chinese society, politics and culture. According to various theories on publicness, the developing Protestantism in Beijing has indeed demonstrated a variety of publicness, in the forms of its parpicitation in public sphere formation, civic community building and civil disobedience, etc. ; Detailed summary in vernacular field only. ; Detailed summary in vernacular field only. ; 袁浩. ; Thesis (Ph.D.) Chinese University of Hong Kong, 2014. ; Includes bibliographical references (leaves 298-311). ; Abstracts also in English. ; Yuan Hao.

《北洋官报》于1902 年12 月创刊发行,至1912 年5 月随清王朝的覆灭而寿终正寝。纵观清末十年《北洋官报》的刊行,可见其应新政而生,又以报道和宣传新政为第一要务。本研究旨在透过《北洋官报》来看清末北洋新政。具体而言,首先要探讨的是作为新政喉舌的《北洋宮报》的创刊背景,即清末新政与北洋独特的政治文化;同时,也要梳理这份新式官报与晚清业已存在的报纸之间的文本联系。其次要具体探讨的是北洋官报局的局务,包括《官报》的发行、书籍为主的印刷业务的开展,以及"官纸印刷"的筹划与争论等。其三是《北洋官报》对新政的展示和宣传。其四是《北洋官报》在展示新政与启蒙民众过程中对日本的借鉴与推崇。通过以上四方面的研究,本论文主要探讨了《北洋官报》及官报局在北洋新政中的作用《官报》在展示新政、启蒙民智上所形成的官方新政话语和所体现的官方与非官方之间的互动关系,以及北洋与中央之间的复杂关系等。 ; 就时间的划分而言, 1906 年之前,清末新政主要集中在经济、教育、军事等诸领域的改革, 1906 年之后转为以中央与地方推行的宪政改革为主要内容。依此,本论文讨论《北洋官报》对新政的展示和宣传就以1906 年为界,分为两个峙段:新政时期和宪政时代。前者侧重于《北洋官报》中的不同部分如何展示新政;后者侧重于从《官报》中看到的清末宪政推进情况。论文正文的末章则对宪政时代作详细论析。 ; 综合言之, 《北洋官报》从其创刊之际,即与晚清的变局、北洋政治文化以及清末新政息息相关。《官报》为新政产物和应新政而生的同时,又以宣扬新政与开民智为己任,塑造了呈现于《官报》上的新政话语。作为官方报纸上的新政话语,并非纯然代表官方立场表达官方意志,而是既有官方的一面,又有非官方的一面,更有官方与非官方之间互动的一面。《官报》的语境既与一个多元与过渡的时代息息相关,同样,这个多元与过渡的时代也呈现在《宮报》的各种不同文本空间之中。体现在《北洋官报》中的北洋新政,在某种程度上也预示了北洋政治左右民初政局的现象,这是多元变化和过渡形态的一个方面。 ; The Beiyang Gazette (Beiyang guanbao) published its first issue in December, 1902, and stopped publication in May, 1912, following the fall of the Qing Dynasty. From an overview of its ten-year publication and circulation, it is clear that the gazette was born to serve the late Qing reform, and publicizing and reporting on the reform became its top priority. This thesis aims at studying the reform through textual and contextual analyses of the Beiyang Gazette. In details, the author first investigates the background of the gazette as the mouthpiece of the reform, to understand the unique political culture of the reform under the Beiyang authorities in the late Qing. This study also traces the textual links between the new-style Beiyang Gazette and other contemporary newspapers. Second, the thesis examines the Bureau of the Beiyang Gazette in length. Details include the distribution of the gazette, the development of its book-based printing business, the controversy of "official paper" printing, and so forth. Third, the representation ofthe reform in the Beiyang Gazette is studied through textual analysis. Fourth, Japan as an enlightening model for the Chinese ...

Au-Yeung Chi-ying. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2000. ; Includqes bibliographical references (leaves 143-161). ; Abstracts in English and Chinese. ; Chapter CHAPTER 1 --- INTRODUCTION ; The Issue --- p.1 ; The Case of Sun Ben wen --- p.10 ; Chapter CHAPTER 2 --- CULTURE AND SOCIAL CHANGE ; Chapter 2.1 --- Introduction --- p.19 ; Chapter 2.2 --- Cultural Environment and Social Life --- p.20 ; Chapter 2.3 --- Social Change As Cultural Change --- p.24 ; Chapter 2.4 --- Culture and Social Change in Modern China --- p.28 ; Chapter 2.5 --- Social Progress: Towards a Modern Society --- p.33 ; Chapter 2.6 --- Social Reconstruction: Man Made Social Changes --- p.38 ; Chapter 2.7 --- Conclusion --- p.39 ; Chapter CHAPTER 3 --- SOLVING SOCIAL PROBLEMS IN MODERN CHINA: CULTURE AND POLITICS ; Chapter 3.1 --- Introduction --- p.41 ; Chapter 3.2 --- Defining Social Problems --- p.43 ; Chapter 3.3 --- Cultural Maladjustment: The Cause of Social Problems in Modern China --- p.44 ; Chapter 3.4 --- Rural Problem: A Cultural Problem --- p.50 ; Economic Problems ; Educational Problems ; Problems of Public Health ; Problems of Collective Organizational Forms ; Chapter 3.5 --- Rural Problem: A Political Problem --- p.59 ; Chapter 3.6 --- Conclusion --- p.62 ; Chapter CHAPTER 4 --- "SOCIOLOGISTS AND THE STATE: THE CASE OF THE SOCIOLOGY DEPARTMENT, NATIONAL CENTRAL UNIVERSITY" ; Chapter 4.1 --- Introduction --- p.64 ; Chapter 4.2 --- "Establishment of the Sociology Department, 1928 " --- p.65 ; Chapter 4.3 --- Closures of the Sociology Department in the 1930s --- p.73 ; The 1932 Crisis ; The 1936 Crisis ; Chapter 4.4 --- "The Ministry of Society and the Re-opening of the Sociology Department, 1941 " --- p.82 ; Chapter 4.5 --- Conclusion --- p.89 ; Chapter CHAPTER 5 --- LIMITED ACHIEVEMENTS OF THE ACADEMIC SOCIOLOGISTS IN REPUBLICAN CHINA ; Chapter 5.1 --- Introduction --- p.92 ; Chapter 5.2 --- Sun Benwen's Cultural Eclecticism --- p.93 ; Liang Shuming's Cultural Conservatism ; Chen Xujing's Wholesale ...