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What are the possibilities of connection between politics and literature? How have those possibilities been developed? Why should students of politics turn to literature as a source of political understanding? Connections have traditionally been made in terms of literature as illustration or example for politics or as a form of moral education. Other possibilities are a 'political sociology of literature' or literature as a primary source for political studies. Work in the United States suggests further extensions. The case for 'politics and literature' is also strengthened by recent developments in political theory such as the interest in 'identity' or 'narrative'.

This lively collection of essays gives a non-technical, but profound analysis of the essential relationship between politics and literature.

The fruitfulness of imaginative literature as source material for the student of politics has been a subject for much debate over recent years, though the impact of literature on the teaching of politics remains limited. This paper addresses by means of an example (that of the relationship between means and ends) some of the fundamental problems involved in the relationship and some of the advantages which imaginative literature might bring to our understanding of political issue and concepts. Following introductory comments about the relationship between politics and literature in general we consider the treatment of means and ends in political theory, especially Machiavelli's claim that when the 'act accuses, the result excuses'. Finally and substantively we consider the treatment of the means/end theme in Arthur Koestler's Darkness at Noon and The Gladiators and conclude with some general comments about the relationship between the study of politics and imaginative literature.

Michael Keren traces the political lives and messages of some of the twentieth century's greatest literary characters in this insightful and jargon-free book of literary criticism. Hans Castorp (Thomas Mann's The Magic Mountain), Joseph K. (Franz Kafka's The Trial), John the Savage (Aldous Huxley's Brave New World), Winston Smith (George Orwell's 1984), Ralph (William Golding's Lord of the Flies), Merusault (Albert Camus's The Stranger), Ida Ramundo (Elsa Morante's History), and Chauncey Gardiner (Jerzy Kosinski's Being There) participate in ideological, technological, and organizational projects of the twentieth century. Keren observes these infamous characters' behaviours and attitudes while they struggle through world wars, the rise and fall of totalitarianism, the Holocaust, the development of the atomic bomb, de-colonization, the Cold War, and globalization. Here is a refreshing contribution to civil society theory that makes a pioneering effort to cross the boundaries between politics, literature, and culture. A study of the human condition via literature, The Citizen's Voice expounds the key features of a "good citizen" while offering a perfect discussion piece for courses in political theory, politics and literature, and history. ; Yes

Michael Keren traces the political lives and messages of some of the twentieth century's greatest literary characters in this insightful and jargon-free book of literary criticism. He observes the infamous characters ranging from Joseph K from Franz Kafka's The Trial to Ralph from William Golding's Lord of the Flies to Chauncey Gardiner from Jerzy Kosinski's Being There and beyond while they struggle through their lives and world events. The Citizen's Voice is a refreshing contribution to civil society theory that makes a pioneering effort to cross the boundaries between politics, literature, and culture. A study of the human condition via literature this book expounds the key features of a good citizen while offering a perfect discussion piece for courses in political theory, politics and literature, and history.

Michael Keren traces the political lives and messages of some of the twentieth century's greatest literary characters in this insightful and jargon-free book of literary criticism. Hans Castorp (Thomas Mann's The Magic Mountain), Joseph K. (Franz Kafka's The Trial), John the Savage (Aldous Huxley's Brave New World), Winston Smith (George Orwell's 1984), Ralph (William Golding's Lord of the Flies), Merusault (Albert Camus's The Stranger), Ida Ramundo (Elsa Morante's History), and Chauncey Gardiner (Jerzy Kosinski's Being There) participate in ideological, technological, and organizational projects of the twentieth century. Keren observes these infamous characters' behaviours and attitudes while they struggle through world wars, the rise and fall of totalitarianism, the Holocaust, the development of the atomic bomb, de-colonization, the Cold War, and globalization. Here is a refreshing contribution to civil society theory that makes a pioneering effort to cross the boundaries between politics, literature, and culture. A study of the human condition via literature, The Citizen's Voice expounds the key features of a "good citizen" while offering a perfect discussion piece for courses in political theory, politics and literature, and history.

Japanese writer and Nobel laureate Kenzaburô Ôe delivered the first in a series of lectures established at the Center for Japanese Studies to honor political theorist Masao Maruyama. In his Maruyama Lecture, "The Language of Masao Maruyama," he focuses on the problem of political responsibility in the modern world, taking Maruyama's major work as his point of departure. In a second (unrelated) lecture, "From the Beginning to the Present, and Facing the End: The Case of One Japanese Writer," Kenzaburô Ôe offers an account of his own development as a writer of both fiction and non-fiction.