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Ovaj diplomski rad bavi se razdobljem pozitivizma u Poljskoj koje je trajalo od 1863. do 1890. godine. U radu se opisuje društveno-politička situacija u Europi i njezin utjecaj na Poljsku koja je još 1795. bila podijeljena na austrijski, pruski i ruski dio. Objašnjavaju se zatim temeljni pojmovi programa poljskog pozitivizma. Osim društveno-političke scene, riječ je i o pozitivizmu u poljskoj književnosti, o vrstama književnosti kao što su tendenciozna i agitacijska književnost, te o cenzuri. Pozitivizam u sociologiji utemeljio je Auguste Comte u svome djelu "Zakon triju stadija". Poljski pozitivisti preuzeli su neke vrijednosti i prilagodili pozitivizam svojim potrebama. Promjene u Europi potaknule su politička previranja u Poljskoj: želju za asimilacijom Židova, ali i rast antisemitizma te emancipacija žena i seljaka. Prikazani su također problemi društvenih skupina koje nisu imale status poljskog plemstva. ; This graduate thesis deals with the period of positivism in Poland (1863 – 1890). The theisis addresses the socio-political situation in Europe and its impact in Poland, which was divided in 1795 into Austrian, Prussian and Russian part. The basic concepts of the Polish positivism program are explained. Apart from the socio-political scene, it is also about positivism in Polish literature, about types of literature such as tendentious and agitational literature, and about censorship. Positivism in sociology was founded by Auguste Comte in his work "The Law of the Three Stages". Polish positivists have taken on some values and adapted positivism to their needs. Changes in Europe have fueled political turmoil in Poland: the desire to assimilate Jews, but also the rise of anti-Semitism and the emancipation of women and peasants. Problems of social groups that did not have the status of Polish nobility are also presented.

Dosadašnja istraživanja pokazuju da suradnja u istraživanjima između znanosti i industrije može biti snažan izvor inovacija i čimbenik koji pridonosi uspješnosti u inovacijama i ekonomskom rastu. Iako brojne mjere javnih politika i inicijative potiču zajednička istraživanja akademske zajednice i industrije, njihov potencijal još nije primjereno iskorišten. Ovaj rad daje pregled postojeće literature o suradnji u istraživanju između znanosti i industrije. Rad analizira i diskutira motive i druge čimbenike koji utječu na suradnju i identificira ograničenja zajedničkom istraživanju s aspekta poduzeća i javnih istraživačkih institucija. Na temelju pregleda literature izvode se preporuke za inovacijske politike. ; Existing research indicates that science-industry collaborative research might be a powerful source of innovation and an important factor of high innovation performance and economic growth. Although a number of public policy initiatives promote collaborative research, its potential is still not being adequately reached. This paper presents a review of existing literature on science-industry collaborative research. It elaborates and discusses motives and determinants of collaborative research, and identifies obstacles to joint science-industry research, from both the companies' and public research organizations' perspective. Based on the literature review, the paper provides recommendations for innovation policies.

ATLASES: Poetics, Politics, and Performance is a web exhibition of atlases from the Special Collections and School of Geographical Sciences of the University of Bristol (http://uobatlases.net/). It includes atlases produced between 1570 to approximately 1970.The exhibition consists of four thematic parts. Renaissance Theatres contains famous and les famous atlases produced between the end of the 16th century to the middle of the 17th century, such as atlases by Ortelius (1574), Camden (1610), Speed (1611) and four atlas tomes by Blaeu (1645). Rhetoric of Truth contains geological and archaeological atlases from the 18th and the beginning of the 19th century. However, Rhetoric of Truth is not only limited to renaissance, but it also encompasses first computer generated atlases, e.g. Atlas of Breeding Birds in England and Ireland (1976) and others. The Colonial Gaze focuses on atlases applied in colonial projects and land exploitation in Africa and the Caribbean Islands, as well as in circulation of race theories in Europe and North America at the end of the 19th century. The last part, National Identities and Conflict explores the role of atlas as a powerful instrument for visualizing conflicts and shaping territorial-political ideas in the 20th century. ; ATLASES: Poetics, Politics, and Performance je izložba na mreži atlasa iz Specijalne zbirke i Škole geografskih znanosti (Special Collections and School of Geographical Sciences) Sveučilišta u Bristolu (http://uobatlases.net/). Uključeni su atlasi od 1570. do približno 1970. godine.Izložba obuhvaća četiri tematske cjeline. Renaissance Theatres sadrži slavne i manje poznate atlase od kraja 16. do sredine 17. stoljeća., među ostalim, Orteliusov atlas iz 1574., Camdenov iz 1610., Speedov iz 1611. i četiri toma Blaeuova atlasa iz 1645. Rhetoric of Truth sadrži geološke i arheološke atlase iz 18. i početka 19. stoljeća. Međutim, cjelina Rhetoric of Truth nije ograničena samo na stoljeća prosvjetiteljstva već prožima i prve računalno generirane atlase poput npr. Atlas of Breeding Birds in England and Ireland (1976) i neke druge. Treća cjelina The Colonial Gaze fokusirana je na atlase koji su primjenjivani u provedbi kolonijalnih projekata i eksploataciji zemljišta u Africi i na Karibima, ali i cirkulaciji rasnih teorija krajem 19. stoljeća u Europi i Sjevernoj Americi. Posljednji dio National Identities and Conflict istražuje ulogu atlasa kao moćnog instrumenta za vizualizaciju sukoba i oblikovanje teritorijalno-političkih ideja u 20. stoljeću.

U prvoj polovini 19- stoljeća dolazi do povijesnih i političkih previranja u Europi: pojava panslavizma, revolucija 1948., koja je trebala rušenjem Austrougarske Monarhije uspostaviti temelje demokraciji (u kojoj se hrvatski ban Jelačić stavio na stranu Beča), te intenzivan interes kulturne Europe za zaostali srpski narod pod turskom vlašću. I pored kontroverzne uloge J. Kopitara i Vuka Karadžića, Hrvati prihvaćaju Književni dogovor 1850. g. sa Srbima, koji već u ono vrijeme, očevidno uz pomoć politike i lingvistike, osporavaju Hrvatima identitet. ; In the first half of the 19th century Europe saw some historical and political changes like Pan-Slavism and the Revolution of 1848, which was to build up democratic fundaments through the abolition of the Austro Hungarian Empire (with the Croartian Banus Jelačić on the Viennese side). Europe's cultural interest in Serbia increased. The Serbs were under Turkish dominance and thus restricted in their development. In 1850, despite controversial roles of J. Kopitar and Vuk Karadžić, the Croats agreed to a literary arrangement with the Serbs, who had already at that time obviously disputed the Croatian identity by means of politics and linguistics.