Suchergebnisse

Description based on: Avg. 1798. ; Mode of access: Internet. ; From private collection of I. Martynov (Ivan Fedorovich).

O objetivo do presente artigo é proceder a uma análise dos livros de literatura infantil Cinderela Surda e Rapunzel Surda, focalizando os sentidos produzidos sobre identidades e diferenças. As análises desses livros pretendem contribuir para a discussão da produção de uma literatura surda, que está vinculada às discussões sobre cultura e identidade. Na investigação desses materiais, os textos e as imagens produzidas evidenciam que os autores buscam o caminho da auto-representação do grupo de surdos, através da luta pelo estabelecimento do que reconhecem como suas identidades e suas diferenças. Tais evidências estão no uso da língua de sinais, em suas formas de narrar as histórias e/ou de adaptar histórias clássicas, tendo como base suas formas de existência, suas formas de ler, traduzir, conceber e julgar os produtos culturais que consomem e que produzem.

First of all, the article analyzes, in panorama, Spinoza's ontology. Secondly, it shows how, from the concepts present in the ontology, the author derives others, as man, desire, joy and sorrow, hope and fear, security and despair, action and passion. From the relationship between ontology, men and desire - as well as from the other affects -, are extracted, in brief considerations, some Spinoza ́s political thesis. In this argumentative movement, the hypothesis is that many Spinoza's political thesis a rise from its ontology and its conception of man as desire and potency variation. The concept of desire is analyzed in the light of the variation of potency and the theme of natural right, which in Spinoza is identical to potency. When the subject is the brief derivations to politics, some hobbesian thesis - related to the following subjects, namely, the multitude, the people, the representation, the natural right, the civil state, etc. - are brought to show, by contrast, the importance of Spinoza's innovations.

The article traces the function of the word philistine in German literature — from Sturm und Drang to Romanticism. Its etymological premises, two
biblical variants are touched upon, its statement in secular literature is fixed. The
initial use of the word philistine — in the socio-philosophical works — and accompanying, and sometimes preceding it, the corresponding artistic design of the
concept is noted. Th e author considers the emergence of the antithesis 'philistine —
genius' in the aesthetics of Sturm und Drang and the change of Goethe's Sturmer
ideas about philistine to the period of late Romanticism — an unambiguously
negative accentuation of the word. Th e use of the word philistine at two stages of
Romanticism is analyzed as an indicator of reaction to the innovations of the French
Revolution of 1789. Th e meaning of the word among the Jena Romantics is revealed:
the definition of a nature devoid of a romantic worldview — and its subsequent reinterpretation in the propaganda lexicon of the Heidelbergers as a statement of the
German 'elect', which develops into anti-Semitism. Th e actualization and politicization of the concept of philistine in the course of the social movement in Germany
on the eve and aft er the revolution of 1848 is noted.

O objetivo deste texto é analisar o uso da literatura como a construção da consciência de mundo, relacionando a interpretação com a realidade. A proposta é investigar a importância do uso da imagem e da linguagem na literatura, analisando a expressão de uma literatura surda.