Suchergebnisse

Niccolò Machiavelli : a demonized humanist or a monster of modern politics? -- Giambattista Vico : power and imagination in the dispute between ancients and moderns -- Cervantes vs. Shakespeare : the sociogenesis of love and friendship in Don Quixote and Romeo and Juliet -- Behind utopias : where shall the conservative imagination be found? -- Behind dystopias : where shall the liberal imagination be found?

The fruitfulness of imaginative literature as source material for the student of politics has been a subject for much debate over recent years, though the impact of literature on the teaching of politics remains limited. This paper addresses by means of an example (that of the relationship between means and ends) some of the fundamental problems involved in the relationship and some of the advantages which imaginative literature might bring to our understanding of political issue and concepts. Following introductory comments about the relationship between politics and literature in general we consider the treatment of means and ends in political theory, especially Machiavelli's claim that when the 'act accuses, the result excuses'. Finally and substantively we consider the treatment of the means/end theme in Arthur Koestler's Darkness at Noon and The Gladiators and conclude with some general comments about the relationship between the study of politics and imaginative literature.

"The Routledge Companion to Politics and Literature in English provides an interdisciplinary overview of the vibrant connections between literature, politics, and the political. Featuring contributions from 41 scholars across a variety of disciplines, the collection is divided into five parts: Connecting Literature and Politics; Constituting the Polis; Periods and Histories; Media, Genre, and Techne; and Spaces. Organised around familiar concepts - such as humans, animals, workers, empires, nations and states - rather than theoretical schools, it will help readers to understand the ways in which literature affects our understanding of who is capable of political action, who has been included in and excluded from politics, and how different spaces are imagined to be political. It also offers a series of engagements with key moments in literary and political history from 1066 to the present in order to assess and reassess the utility of conventional modes of periodization. The book extends current discussions in the area, looking at cutting-edge developments in the discipline of literary studies as a whole which will appeal to academics and researchers seeking to orient their own interventions into broader contexts"--

AbstractTwo influential but strangely separate bodies of research have emerged in the field of Politics and Literature. Either political theorists write about literature in a theoretical way by describing how literature enriches our understanding of politics, or they interpret individual works of literature. Comprehensive methodological accounts that aim to connect these two research literatures do not exist. In order to start such a methodological debate, the article will ask what methodology means in Politics and Literature. It will identify five methodological questions, ranging from how to read literary elements of style and how to deal with fictionality to what else to do with literature apart from interpretation. Any set of answers to these questions can be called a methodology in the field, and every methodology must find answers to all five questions.

Michael Keren traces the political lives and messages of some of the twentieth century's greatest literary characters in this insightful and jargon-free book of literary criticism. Hans Castorp (Thomas Mann's The Magic Mountain), Joseph K. (Franz Kafka's The Trial), John the Savage (Aldous Huxley's Brave New World), Winston Smith (George Orwell's 1984), Ralph (William Golding's Lord of the Flies), Merusault (Albert Camus's The Stranger), Ida Ramundo (Elsa Morante's History), and Chauncey Gardiner (Jerzy Kosinski's Being There) participate in ideological, technological, and organizational projects of the twentieth century. Keren observes these infamous characters' behaviours and attitudes while they struggle through world wars, the rise and fall of totalitarianism, the Holocaust, the development of the atomic bomb, de-colonization, the Cold War, and globalization. Here is a refreshing contribution to civil society theory that makes a pioneering effort to cross the boundaries between politics, literature, and culture. A study of the human condition via literature, The Citizen's Voice expounds the key features of a "good citizen" while offering a perfect discussion piece for courses in political theory, politics and literature, and history. ; Yes

Michael Keren traces the political lives and messages of some of the twentieth century's greatest literary characters in this insightful and jargon-free book of literary criticism. He observes the infamous characters ranging from Joseph K from Franz Kafka's The Trial to Ralph from William Golding's Lord of the Flies to Chauncey Gardiner from Jerzy Kosinski's Being There and beyond while they struggle through their lives and world events. The Citizen's Voice is a refreshing contribution to civil society theory that makes a pioneering effort to cross the boundaries between politics, literature, and culture. A study of the human condition via literature this book expounds the key features of a good citizen while offering a perfect discussion piece for courses in political theory, politics and literature, and history.

Michael Keren traces the political lives and messages of some of the twentieth century's greatest literary characters in this insightful and jargon-free book of literary criticism. Hans Castorp (Thomas Mann's The Magic Mountain), Joseph K. (Franz Kafka's The Trial), John the Savage (Aldous Huxley's Brave New World), Winston Smith (George Orwell's 1984), Ralph (William Golding's Lord of the Flies), Merusault (Albert Camus's The Stranger), Ida Ramundo (Elsa Morante's History), and Chauncey Gardiner (Jerzy Kosinski's Being There) participate in ideological, technological, and organizational projects of the twentieth century. Keren observes these infamous characters' behaviours and attitudes while they struggle through world wars, the rise and fall of totalitarianism, the Holocaust, the development of the atomic bomb, de-colonization, the Cold War, and globalization. Here is a refreshing contribution to civil society theory that makes a pioneering effort to cross the boundaries between politics, literature, and culture. A study of the human condition via literature, The Citizen's Voice expounds the key features of a "good citizen" while offering a perfect discussion piece for courses in political theory, politics and literature, and history.