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Gakushūin-Daigaku-hōgakkai-zasshi: Gakushuin review of law and politics
ISSN: 1341-7444
Gakushūin-Daigaku-Hōgakubu-kenkyū-nenpō: Gakushuin review of law and politics
ISSN: 0435-0456
Chiba-daigaku-hōgaku-ronshū: Chiba journal of law and politics
ISSN: 0912-7208
政治: Politics
In: Wakamono no genzai
In: Present of young people
In: 若者の現在
In: Present of young people
Shizuoka Daigaku hōsei kenkyū: The journal of law and politics, Shizuoka University
ISSN: 1342-2243
World Affairs Online
Jiji International Politics News (Japanese Language)
Erscheinungsjahre: 2012- (elektronisch)
The politics of same-sex marriages
In: Kazoku shakaigaku kenkyū, Band 14, Heft 2, S. 32-42
ISSN: 1883-9290
Politics, pleasure, violence: Swedish defence propaganda in social media ; Politics, Pleasure, Violence: Swedish Defence Propaganda in Social Media
In recent years, the Swedish Armed Forces have produced and distributed highly edited video clips on YouTube that show moving images of military activity. Along- side this development, mobile phone apps have emerged as an important channel through which the user can experience and take an interactive part in the staging of contemporary armed conflict. This article examines the way in which the aes- thetic and affective experience of Swedish defence and security policy is socially and (media-)culturally (co-)constructed and how the official representation of Swedish military intervention (re)produces political and economic effects when these activi- ties are distributed through traditional and social media such as YouTube and digital apps. Based on Isabela and Norman Fairclough's thoughts on political discourse, Michel Foucault's dialectic idea of power/knowledge, and Sara Ahmed's concept of the affective, I discuss how the Swedish digital military aesthetic is part of a broader political and economic practice that has consequences beyond the digital, the semi- otic, and what might at first glance appear to be pure entertainment. ; In recent years, the Swedish Armed Forces have produced and distributed highly edited video clips on YouTube that show moving images of military activity. Alongside this development, mobile phone apps have emerged as an important channel through which the user can experience and take an interactive part in the staging of contemporary armed conflict. This article examines the way in which the aesthetic and affective experience of Swedish defence and security policy is socially and (media-)culturally (co-)constructed and how the official representation of Swedish military intervention (re)produces political and economic effects when these activities are distributed through traditional and social media such as YouTube and digital apps. Based on Isabela and Norman Fairclough's thoughts on political discourse, Michel Foucault's dialectic idea of power/knowledge, and Sara Ahmed's concept of the affective, I discuss how the Swedish digital military aesthetic is part of a broader political and economic practice which has consequences beyond the digital, the semiotic and what might at first glance appear to be pure entertainment.
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World Affairs Online