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Though the intersection of postcolonial theory and media studies might seem an obvious one due to their common focus on representation, the role of institutions and the transnational dimension, a critical assessment of their relationship and potential is to some extent under-theorized and long overdue. This has to do with the disciplinary entrenchment of the two fields: postcolonial theory originally emerged from comparative literary studies and initially focused strongly on textual criticism, whereas media studies developed more in connection with media objects, such as film and television, and focused on issues of production, reception and distribution. However, both fields can be considered relatively young with respect to more traditional disciplines. They emerged as a contestation of .

Colonialism and its aftermath prompt a form of cultural studies that seeks to address questions of identity politics and justice that are the ongoing legacy of empires. Postcolonial theory has its origins in resistance movements, principally at the local, and frequently at nonmetropolitan, levels. Among its early thinkers, three seem of special importance: Antonio Gramsci, Paulo Freire, and Frantz Fanon. Antonio Gram sci ( 1891- 193 7) was a founder of the Communist Party in Italy. In his Prison Notebooks (1971 ), he wrote insightfully about the proletariat, designated by him as subalterns; his thoughts regarding the responsibilities of public intellectuals inspired many, and his notion of hegemony and resistance proved influential. Paulo Freire ( 192 1- 97) was a Brazilian with a special interest in education. His Pedagogy of the Oppressed ( 1970) seeks to restore subjectivity to objectified, oppressed classes in society. Frantz Fanon ( 1925- 6 l) was a psychiatrist of Caribbean descent who participated in the Algerian independence movement. His two books, The Wretched of the Earth ( 1963) and Black Skin, White Masks ( 1967) inspired many anticolonial struggles and investigations of racism's many manifestations.

Rather than agreeing to any one meaning or referent, most critics these days speak of 'post-colonialisms' to refer principally to 'historical, social and economic material conditions' and at other times to 'historically-situated imaginative products' and 'aesthetic practices: representations, discourses and values' (McLeod 2000: 254). Arising from subaltern studies, its theorists embrace hybridity, indict alterity, analyze colonial discourse, and employ strategic essentialism to promote identity politics. Under its influence, a strain of self-interrogation has for decades run as an undercurrent through much of anthropology and archaeology. Topics including looting, repatriation, stewardship, and the transformation of disciplinary identity are now persistent tropes in the field. Indigenous archaeology, emergent cosmopolitanisms, building up knowledge from below—these now occupy ongoing archaeological work. Limiting its applicability, though, are charges against its homogenization of colonial experience, its perpetuation of academic imperialism, and its relative neglect, until recently, of regions such as Latin America.

Opposing the orthodoxies of establishment postcolonialism, Beyond Postcolonial Theory posits acts of resistance and subversion by people of color as central to the unfolding dialogue with Western hegemony. The testimonies and signifying practices of Rigoberta Menchu, C.L.R. James, various "minority" writers in the United States, and intellectuals from Africa, Latin America, and Asia are counterposed against the dogmas of contingency, borderland nomadism, panethnicity, and the ideology of identity politics and transcultural postmodern pastiche. Reappropriating ideas from Gramsci, Bakhtin, Althusser, Freire, and others in the radical democratic tradition, San Juan deploys them to recover the memory of national liberation struggles (Fanon, Cabral, Che Guevara) on the face of the triumphal march of globalized capitalism

"Cultural theory has often been criticized for covert Eurocentric and universalist tendencies. Its concepts and ideas are implicitly applicable to everyone, ironing over any individuality or cultural difference. Postcolonial theory has challenged these limitations of cultural theory, and Postcolonial Theory and Autobiography addresses the central challenge posed by its autobiographical turn." "Despite the fact that autobiography is frequently dismissed for its Western, masculine bias, David Huddart argues for its continued relevance as a central explanatory category in understanding postcolonial theory and its relation to subjectivity. Focusing on the influence of post-structuralist theory on postcolonial theory and vice versa, this study suggests that autobiography constitutes a general philosophical resistance to universal concepts and theories." "Offering a fresh perspective on familiar critical figures like Edward W. Said and Gayatri Chakravorty Spivak, by putting them in the context of readings of the work of Jacques Derrida, Gilles Deleuze, and Alain Badiou, this book relates the theory of autobiography to expressions of new universalisms that, together with postcolonial theory, rethink and extend norms of experience, investigation, and knowledge."--Jacket