Suchergebnisse

The book explores the discourses of modernism, contemporary art and art history writing as well as their interdisciplinary values and boundaries – and cases that do not fit within these boundaries.The articles explore the meanings of junk and relics, high art, design, and the intimate experience of art and public criticism. The themes explored in the book expand our views on the queer potential of colour, the meaning of detail, and the relationships between visual art and writing.
The fourteen peer-reviewed case studies in the volume offer new insights from the fields of visual cultural studies, art history and gender studies. The articles in the anthology do not rely strictly on disciplinary boundaries but also open themselves up to broader fields of culture.

Narrative After Postmodernism takes a critical and practical look at the cultural theories of what comes after postmodernism or the postmodern. Alongside contemporary literary authors, the anthology studies diverse contemporary textual phenomena from TV shows to online fan theories and survivalist blogs. The essays compiled in this anthology tentatively apply the theories of the post-postmodern to contemporary texts to see how they might open up for analysis within their new theoretical frameworks or challenge them.The introduction, co-written by all the authors of this volume, introduces the most influential theories of post-postmodernism and contextualizes them within broader intellectual trends of the early 21st Century. The three essays comprising the first part of the volume discuss some of the theories of the postmodern in relation to contemporary works that seem to challenge them. Yet they also strive to clarify and sharpen some of the ideas proposed in the theories of the post-postmodern.The second part of the volume aims to show that it is not only the contemporary texts that move beyond the postmodern – the ways of reading literature and interpreting artworks in different media are also changing. The essays in the second part of the volume inquire about the effects of the contemporary literary culture on the methods of interpretation and ways of reading.

This book approaches contemporary migration to Finland from the perspective of everyday security, presenting an alternative view to theories that examine the links between migration and security from the perspective of securitisation. By treating everyday security as a theoretical concept and as empirical lived reality, the book foregrounds migrants' experiences of (in)security, as well as the perceptions of individuals and groups whose lives are touched by migration. Empirical studies investigate the ways in which security is produced at various levels, transnationally, and in multiple locations where encounters between long-term residents and newcomers occur, highlighting the roles of the welfare state, civic society, and the media. The book explores how everyday security is constructed between interdependent actors on personal, community and societal levels, concluding that the production of everyday security is a mutually beneficial, yet at times painstaking, process for all participants.