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This bibliography was prepared by a committee of the National Council on Radio Journalism, with the aid of a number of specialists. Cooperating in the work were Miss Gertrude G. Broderick, of the United States Office of Education; Mitchell V. Charnley, of the University of Minnesota; Fred S. Siebert and Frank Schooley, of the University of Illinois; Kenneth Bardett, of Syracuse University; Karl Krauskopf and Paul Wagner, of Ohio University; Floyd Baskette, of Emory University; Paul White, of the Columbia Broadcasting System; Arthur M. Barnes and Wilbur Schramm, of the University of Iowa. Dr. Schramm was chairman of the committee.

The bibliography that follows is a supplement to "Radio Journalism: An Annotated Bibliography," published by the Council on Radio Journalism in the Journalism Quarterly of June 1946. Its purpose is to provide annotated citations of major publications—book, periodical, and pamphlet—dealing with radio news and closely related fields that have appeared since the first bibliography was compiled. Like the first, this bibliography is selective, not exhaustive. It does not list the scores of articles, many of them of first importance, that have appeared in the trade press—Broadcasting, Radio Daily, NAB Reports, Variety, Billboard, Tide, Television, FM and Television, Frequency Modulation Business, Radio Showmanship, Newscaster, and the like. It is assumed that those interested in radio journalism keep abreast of materials of this kind. Compilers of this bibliography are members of the Council on Radio Journalism, with the assistance of Baskett Mosse of the Medill School of Journalism, Northwestern University, and C. H. Sandage of the School of Journalism, University of Illinois.

To investigate broadcasters' complaints that the titles of college radio courses are often meaningless, the Council on Radio Journalism studied content and nomenclature of courses at 313 schools. In this article, the Council reports on its findings and individual members of the Association can contribute.

The article examines the changes that have taken place in the field of radio journalism under the influence of socio-cultural phenomena, the progress of new information technologies, the activation of civil journalism and the interactive beginning in broadcasting. The processes of transformation of the figurative structure of radio journalism, expressive means and methods of creating a journalistic work on the radio in the context of media convergence, genre modification is considered. The author analyzes both the materials of "classical" radio journalism and new forms of broadcasts with a journalistic component.

This article describes the potential political value of the hip-hop mixtape by demonstrating (a) how a consolidated radio and music industry media environment has largely made the medium of radio an agent of the suppression of mass organization and struggle; (b) how this suppression acts to maintain African America as an internal colony rather than a free citizenry; (c) how in response to this, the application of media theories and general frames of reference that center this experience is necessary; (d) that though hip-hop as a cultural expression has become part of the machinery of colonial control it still offers avenues of liberation specifically the underappreciated aspect of the mixtape as an African American underground communication and press; and (e) the potential of and challenge to mixtapes becoming a source of emancipatory journalism using the author's own Washington, D.C.—based FreeMix Radio: The Original Mixtape Radio Show as case study.