Suchergebnisse

Strindberg's strategies of commitment, disengagement and new commitment across the border between literature and politics represent an intriguing intellectual adventure we can follow throughout his life as a writer. My article focuses on Strindberg's dilemma as it took form in the first half of the 1880s, and observes it through his fundamental and controversial relationship with the Swedish journalist, literary critic and Social-democratic political leader Hjalmar Branting, with the Danish playwright, literary critic, journalist and radical liberal politician Edvard Brandes, and with the Norwegian writer, politically engaged intellectual and nasjonalskald Bjørnstjerne Bjørnson. For a period they all experienced, along with Strindberg, the ambivalence of working in a social field where art and politics were intertwined, and were to a certain extent involved in the same project, each with his own interpretation. For Strindberg the writer, defending his autonomy from the political field in the end became crucial. What did his colleagues expect from his work? How did Strindberg react to their expectations? What is his legacy today with respect to stances such as intellectual autonomy from power, democratic rule, pacifism and critique of civilization, but also anti-feminism and anti-Semitism? Strindberg's unruly genius illustrates that it is at times difficult to draw the dividing line between radicalism and reaction, and that the great modernists were often also great anti-modernists.

Sverige kallas ibland för världens mest sekulariserade land. Medlemstalen i de religiösa församlingarna sjunker. Samtidigt söker sig allt fler svenskar ut i naturen för att hitta en plats för kontemplation. Är det så att det är ute i skog och mark som de avkristnade svenskarna möter det som en gång söktes i kyrkan? Är naturen svenskarnas nya religion och hur blev den i så fall det? I Granskogsfolk tecknar David Thurfjell den svenska naturkärlekens religionshistoria, från fornnordiska föreställningar om en besjälad vildmark, via de katolska och lutherska periodernas folktro och troslära, till den moderna tidens exploatering och naturromantik. Det blir en berättelse om vår relation till den natur som vi älskar och är en del av, men som vi samtidigt ständigt söker dominera eller fjärma oss ifrån