Suchergebnisse

Δεν παρατίθεται περίληψη στα ελληνικά. ; Yiannis Papatheodorou, a The cruel April of 1944»: Fiction, History and Memory in Straus Tsirkas's Drifting Cities Stratis Tsirkas, a distinguished Greek diaspora novelist in Egypt, published his important and controversial trilogy {The Club, Ariagne, The Bat), in the early '60s. The novel is situated in three colonial Mediterranean cities —Jerusalem, Cairo and Alexandria— drifting towards chaos in a war-torn Middle East, during 1942-1944. As far as the plot is concerned, the trilogy is inscribed to the wider context of postwar European literary «master-narratives» elaborating representations of war, Nazism and resistance, and also opening an agenda to the traumatic phenomena of a discontinuous modernity: violence, social repression, exclusion of the Other. This article discusses the politics of history and memory in Stratis Tsirkas's trilogy Drifting Cities in order to show how he problematizes the tropes of historical representation in a dialogical perspective, by focalizing to the Greek military left underground «movement of April 1944». His historical point of view, which clearly can be identified as the «return of the repressed», is related to the questions of an alternative narration about the past, enriched within a critical and deliberating interpretation of the left collective memory.

Δεν παρατίθεται περίληψη στα ελληνικά. ; Juan Suriano, Cultural practices and politics of the argentine anarchism The writer attempts to establish the basic characteristics of the argentine anarchism, analyze its cultural dimensions and show the limits of its strategies. The basic concepts of the anarchism in Argentina were developed during the years 1870-1920, within a constantly changing and cosmopolitan social environment, since it was in that period that the country became part of the international market place. The anarchists' discourse, being flexible and out of rigid structures, based on the principles of class heterodoxy, individualism and universality, as well as on the spontaneous action, achieved to interpret, during the years 1890-1910, not only the demands of the working class, but also the discontent and frustration of the lower classes and oppressed social groups, in general. The anarchists undertook the mission to «illuminate» and educate morally the working class, through the doctrinaire press and a network of a considerable number of circles, clubs and alternative schools, which offered not only economic help but also education and entertainment to the workers and their families. On the other hand, the constant rejection, by the anarchists, of the concepts of citizenship, representation and political participation had a negative effect on the popularity of the movement: because of the new political situation during the 1910s —in 1912 all men obtained the right to vote—, the working class changed its attitude towards the electoral process and got interested in the social measures taken by the radical governments of the period; as a result, the anarchism faced serious difficulties to attract the interest of the lower classes.

Δεν παρατίθεται περίληψη στα ελληνικά. ; Tonia Kafetzaki, Female Contention and Communist Commitment: Working Women in the Midwar Novels and Essays of Galateia Kazantzaki The paper examines the representations of working women in the midwar novels of Galateia Kazantzaki (1881-1962), the relation of these representations to the author's political views on female labor —as articulated in two essays written in the same period—, as well as the manner in which her views are integrated into the discussion of these issues during this time period, specifically in the confrontation between the radical feminists, the socialists and the communists. G. K. was a writer with an enduring interest in the social status of women, an intellectual who actively participated in the debates of the Left regarding the role of art, and unswerving in her commitment to the communist movement. Including women in her work, she intended to denounce the decay of the bourgeois system that imposes upon women additional forms of exploitation, to tackle issues regarding the status of her female contemporaries and to examine women's labor in relation to women's emancipation perceived as a change in mentality and morals. Her prose in its entirety, literary and political, is an interesting expression of female contention in the period between the wars, an expression consistent with the basic tenets of the communist party, conversant with the views of the radical feminist scene, and showing a clear proximity to socialist opinions. Revealing a broader and more liberal attitude regarding women's labor and women's issues than the political party she is affiliated to, she chiefly expresses her concern for attaining a new female ethos, a new consciousness.