Populizam kao suvremeni izazov liberalnoj demokraciji može predstavljati prijetnju, ali i potencijalan korektiv demokraciji. Ovaj rad bavi se tipovima desnog populizma u Europi. Pretpostavlja se postojanje razlika unutar kategorije desno populističkih stranka u starim i novim demokracijama u Europi. Počinje se od određenja desnog populizma te njegovih ključnih elemenata: populizam, autoritarizam i nativizam. Program desno populističkih stranaka uključuje negativan stav prema manjinama, antiimigrantsku politiku i euroskepticizam. Cilj rada je uočiti ključne elemente koje su jednake u tim strankama, ali i uočiti potencijalne razlike među njima. Shodno tome kompariraju se četiri desno populističke stranke: poljska stranka Pravo i pravednost (PiS), francuska stranka Nacionalno okupljanje (RN), češka stranka Sloboda i izravna demokracija (SPD) i norveška Napredna stranka (FrP). U prikaz stranaka ulazi pregled postojeće znanstvene literature o navedenim strankama te usporedba stranačkih programa koja uključuje bazu podataka Manifesto Project Database (MPD). MPD sadržava kvalitativne podatke o tome kojoj temi, javnoj politici i političkoj poziciji političke stranke posvećuju pažnju u svojim izbornim i stranačkim programima. Desno populističke stranke pokazuju razlike prema svojim socioekonomskim pozicijama, poziciji prema Europskoj uniji, Rusiji i drugim međunarodnim organizacijama te koga uključuju u "opasne druge, to jest u njihovom odnosu prema etničkim i seksualnim manjima. Uočene su razlike na ekonomskoj dimenziji pa su tako neke stranke za tržišnu ekonomiju i privatizaciju, dok su druge za državni intervencionizam i povećanje socijalnih naknada. Na kulturnoj dimenziji zauzimaju sličnu radikalno desnu poziciju, no razlikuju se prema tome koju skupinu uključuju u svoje poimanje "opasnih drugih". Desni populisti pokazuju pozitivno lice populizma kada kritiziraju tehnokraciju, to jest demokratski elitizam i u svoj koncept naroda uključuju seksualne manjine. S druge strane, negativno lice pokazuju kada u "opasne ...
Autor u radu obrađuje desne političke stranke. Riječ je o najbrže rastućoj stranačkoj obitelji u Europi. U tom smislu analizira i prikazuje ideologiju, pojmove i vrste desnih političkih stranaka. Posebna pozornost posvećena je ideologiji stranaka radikalne desnice kroz teorijski okvir nizozemskoga politologa Casa Muddea. ; The author deals with right-wing political parties. It is the fastest growing party family in Europe. In this sense, he analyses and displays the ideology, concepts, and types of right-wing political parties. Special attention is paid to the ideology of the parties of the radical right through the theoretical framework of the Dutch political scientist Cas Mudde.
Tema rada je desni populizam, vrlo jak i raširen na cijeloj sjevernoj polutki; ovdje nas zanima naša zemlja i njoj najbliže. Najprije općenito karakteriziramo populizam, a onda razmatramo njegov odnos s najbližim mu pojavama, nacionalizmom i patriotizmom. Zanimljiv je fenomen u Hrvatskoj odsutnost snažnih jasno populističkih stranki usprkos snažnoj nacionalističkoj orijentaciji u izbornoj bazi; najjednostavnije je objašnjenje da je HDZ uspio preuzeti važne teme desnog populizma, a ipak sačuvati formu i ideologiju parlamentarne demokracije. Koliko je to rješenje stabilno vidjet će se u budućnosti. Uspon populizma promijenio je okvir političkih dilema kod nas i u svijetu; zastupnici suprotnih stajališta sada moraju ponovno promisliti pretpostavke na kojima djeluju i ponuditi nova rješenja. ; The topic of the paper is right-wing populism, strong and widespread throughout the Northern Hemisphere; although the focus is on Croatia and its closest neighborhood. First, the author defines populism and then considers its relationship with its closest phenomena, nationalism, and patriotism. An interesting puzzle about Croatia is the absence of strong, clearly populist parties, despite a strong nationalist orientation in the electoral base; the simplest explanation is that the strongest party, HDZ (Croatian Democratic Union) has managed to take on important topics of right-wing populism while still preserving the form and ideology of parliamentary democracy. How stable this solution is will be seen in the future. The rise of populism has changed the frame of political contestation in our country and in the world; proponents of opposing political standpoints must now rethink the assumptions of their political action and offer new solutions.
Gospodarske i društvene krize prilika su za protestne stranke da dignu svoj glas i da se izbore za nove pozicije na političkoj sceni. Mnogi analitičari smatraju da su stranke radikalne desnice dobile zamah upravo na protestima građana protiv globalizacije, ekonomske deprivacije i utjecaja gospodarske krize. Pomnijim proučavanjem radikalizacije politike vidi se da pojednostavljivanje te teze nema naročito čvrsto uporište. U nedostatku jasnih metodologija politolozi i drugi društveni znanstvenici pokušavaju uobličiti teorije zasnovane na empirijskim istraživanjima. Jedan je od čestih teorijskih okvira odnos populističkih stranaka prema socioekonomskom stanju u zemlji. Prema toj tezi, u vremenu globalne krize postotak glasača za radikalne političke opcije raste, većinom iz protesta, a ne antisustavnosti. Ovo izlaganje prati i stanje u Srednjoj Europi, odnosno rezultate ovogodišnjih izbora u Mađarskoj, Latviji i Slovačkoj kao zemljama sa snažnom radikalnom desnicom. Na primjerima tih zemalja nastoji se utvrditi može li se socioekonomska teorija aplicirati ili se radi o većim izazovima liberalnoj demokraciji s krajnjeg desnog pola. ; Economic and social crises provide an opportunity for protest parties to raise their voices and to win new positions in the political arena. Many analysts deem that the parties of the radical Right gained momentum exactly with the protests by citizens against globalisation, economic deprivation and the impact of the economic crisis. A more detailed study of the radicalisation of politics reveals that the simplification of this thesis does not have a particularly strong justification. In the absence of clear methodologies, political scientists and other social scientists seek to formulate theories based on empirical research. One of the frequent theoretical frameworks is the attitude of populist parties toward the socio-economic situation in the country. According to this thesis, in the period of a global crisis, the percentage of voters of radical political options increases, mostly out of protest, and not as an anti-systemic phenomenon. This paper also examines the situation in Central Europe, as well as the outcomes of this year's elections in Hungary, Latvia and Slovakia as countries with a strong radical Right. By analysing the cases of these countries, the author seeks to establish whether the socio-economic theory can be applied, or whether these countries are facing greater challenges to liberal democracy posed by the far-right pole.
Svrha je rada upotpuniti spoznaje o populizmu u kontekstu hrvatskoga društva, s naglaskom na prihvaćanju populizma među mladima kao nositeljima budućega društvenog razvoja. Budući da su za istraživanje sklonosti populizmu mediji, kao oblikovatelji javnoga mišljenja, među najvažnijim izvorima relevantnih spoznaja, posebna se pozornost posvećuje odnosu upotrebe dnevnoinformativnih portala i prihvaćanju populizma. Istraživanje je provedeno na dvoetapno izabranom neprobabilističkom uzorku od 1189 studenata Sveučilišta u Zagrebu, kako bi se utvrdili odnosi između sklonosti studenata općem, lijevom i desnom populizmu te njihovih navika upotrebe dnevnoinformativnih portala i nekih individualnih obilježja. Rezultati pokazuju kako kod studenata postoje trendovi niske, ali značajne povezanosti između upotrebe većine portala i sklonosti općem, lijevom i desnom populizmu. Utvrđena je povezanost obrazovanja roditelja sa studentskom sklonosti lijevom i desnom populizmu te razlike u tim sklonostima u odnosu na sociodemografska obilježja, razinu studija, studijsko usmjerenje, političku orijentaciju, religioznost i povjerenje u institucije. ; The purpose of the paper is to fulfil the findings on populism in the context of Croatian society, with an emphasis on the acceptance of populism among young people as bearers of the future social development. Media, as a form of public opinion, are among the most important sources of relevant insights for the study of the rise of populism. The paper pays special attention to the relationship between the use of daily news portals, and the acceptance of populism. The study was conducted on a two-stage non-probabilistic sample of 1189 students of the University of Zagreb, in order to determine the relationships between students' preferences in general, left-wing and right-wing populism, their habits of using daily news portals, and some individual characteristics. The results show that there is a low but significant correlation between the use of most portals, and the preference for general, left- -wing and right-wing populism among students. The correlation between the education of parents with student preferences of left-wing and right-wing populism was found, as well as differences in these preferences with respect to some sociodemographic characteristics, level of study, study orientation, political orientation, religiosity and trust in institutions.
Autor analizira sociostrukturna i političko-ideološka obilježja stranačkog sustava u Hrvatskoj na temelju rezultata ankete provedene pred parlamentarne izbore 1992. Iako se stranački sustav nije do kraja formirao i stabilizirao, autor pokazuje da je njegova temeljna struktura određena nizom rascjepa. Isprva dominantni povijesni rascjep između političkih orijentacija koje zagovaraju hrvatsku samostalnost i onih koje joj se protive biva nadopunjen suvremenim polarizacijama poput liberalizma nasuprot konzervativizmu, demokratičnosti nasuprot autoritarnosti, kozmopolitizma nasuprot etnocentrizmu, religioznosti nasuprot sekularnosti. Ti rascjepi dihotomno strukturiraju hrvatski stranački sustav na tradicionalistički desni pol te modernistički centar i ljevicu. Autor također opisuje glavne dinamičke tendencije u stranačkom sustavu Hrvatske. ; The author analyses socio-structural as well as political and ideological characteristics of the party system in Croatia, on the basis of the results of a survey conducted short time before the 1992 parliamentary elections. Although the party system has not been completely shaped and stabilized, the author shows that its basic structure is determined by a number of cleavages. The initially dominant historical cleavage between political orientations advocating Croatian independence and those opposing it has been supplemented by contemporary polarization, such as liberalism versus conservatism, democratism versus authoritarianism, cosmopolitism versus ethnocentrism, religious versus secular orientation. These cleavages determine a dichotomous structure of the Croatian party system with a traditionalist right-wing pole and a modernist center and left-wing pole. The author also describes main dynamic tendencies in the party system of Croatia.
Kako je tema ideologije europskih stranki populističke i radikalne desnice u literaturi vrlo opširna, u radu se pokušava kroz analizu diskursa i programa istražiti moguća povezanost fašizma i radikalne i ekstremne desnice; na koji način i ako uopće, desne organizacije i stranke rehabilitiraju fašističke ideje. Kratkom uvodu u kojemu se objašnjava cilj istraživanja, slijedi teorijsko-konceptualni okvir u kojem se najprije definiraju pojedini važni pojmovi – ideologija fašizma i današnje desnice pa onda i razlikovanje ekstremne i radikalne desnice. Drugi se dio okvira odnosi na prikazivanje veza različitih europskih ekstremnih i radikalnih stranaka i grupacija s fašizmom. Na primjeru nekoliko europskih stranaka utvrđeno je kako postoji razlika između ekstremnih i radikalnih organizacija iako nije uvijek moguće točno odrediti granicu budući da nerijetko takve stranke prilagođavaju ideologiju u skladu s vremenom kako bi osvojile vlast. Nakon glavnoga dijela prikazuje se kratki zaključak s istaknutim nedostatcima i prijedlozima za poboljšanjem. ; As the topic of the ideology of the European populist and radical right parties is extensive in academic research, the possible connection between fascism and the radical and extreme right through the analysis of discourses and programs will be explored; how and if at all, right-wing organizations and parties rehabilitate fascist ideas. A short introduction explaining the aim of the research is followed by a theoretical-conceptual framework in which certain important concepts are defined - the ideology of fascism and present-day right along with the distinction between the extreme and radical right. The second part of the framework shows the links between various European extreme and radical parties and groups with fascism. The example of several European parties has shown that there is a difference between extreme and radical organizations, although it is not always possible to determine the exact distinction, as often such parties adjust their ideology in accordance with ...
Glavni cilj disertacije je analizirati ideologiju glavnih predstavnika radikalne desnice u Poljskoj. Ova doktorska disertacija dizajnirana je kao studija slučaja unutar okvira kulturalnog pristupa u političkim znanostima. Kao metoda istraživanja odabrana je kombinacija kvalitativne analize sadržaja i konceptualne analize ideologije Michaela Freedena. Iako je najveći fokus istraživanja na dvjema političkim strankama (Zakon i pravda i Liga poljskih obitelji) kao glavnim predstavnicima radikalno desne političke scene u Poljskoj, istraživanje se bavi i drugim akterima, prije svega organizacijama civilnog društva, društvenim pokretima i medijima, koji sudjeluju u konstruiranju i promoviranju ideologije radikalne desnice. Pritom istraživanje nije ograničeno na sadržaj ideologije i aktere koji tu ideologiju promoviraju, već ono uključuje i analizu procesa putem kojih se ideologija radikalne desnice eksplicira i formulira, kao i analizu dinamičnih odnosa među akterima procesa proizvodnje ideologije doprinoseći istraživanju ideologije radikalne desnice kao i istraživanju procesa konstruiranja političkih ideologija općenito. Kao polazište za navedenu analizu u disertaciji se koristi ponešto modificirana definicija radikalne desnice poznatog politologa Casa Muddea prema kojoj su konstitutivna obilježja radikalne desnice integralni nacionalizam, autoritarnost i populizam. Analizom je utvrđeno kako su sve tri ideološke karakteristike tipične za radikalnu desnicu prisutne kod glavnih aktera istraživanih u ovoj disertaciji. Na tragu konceptualne analize, ova disertacija je pokazala kako središnji konstitutivni koncept radikalno desne ideologije u Poljskoj predstavlja nacija, i kako svi ostali okolni koncepti detektirani analizom, poput solidarnosti, jednakosti šansi, pravde, demokracije, slobode, zadobivaju svoje značenje na temelju svog odnosa prema središnjem konstitutivnom obilježju ideologije. ; In the last thirty years or so, the influence of the radical right has been constantly growing throughout Europe. This political success has been accompanied by an increasingly intensive scientific research on the phenomenon of the radical right, which has resulted in several studies that address various aspects of the radical right phenomenon in Europe. Paradoxically, despite such an abundance of research papers, their review suggests that there are relatively few papers that have a systematic and in-depth approach to the political ideology of the radical right. This doctoral dissertation fills this research gap and focuses on the political ideology of the radical right, taking into account the thesis of the well-known researcher of political ideologies Michael Freeden, that political ideologies are the center of political analysis because the study of ideologies can provide relevant insights necessary for understanding politics and political processes. In the context of the debate on the wave of radicalism in Europe, Poland is a particularly interesting case. Firstly, it is the largest and most populous post-communist country that became a member of the EU and a country in which the radical right won three parliamentary and three presidential elections between 2005 and 2020. Secondly, in academic papers and media Poland is often portrayed as an example of a country that has successfully gone through the process of transformation to liberal democracy and as an example of the most successful transition economy in Europe. The Polish case is also interesting because it is a a country with more than 90% of declared Catholics and where, primarily due to historical development, Catholicism plays a significant role in political, social, and cultural life; it has become a key component of the Polish national identity. In contrast to Western European countries, in Poland Political Catholicism, did not spark the development of strong Christian- Democratic parties, it rather gave rise to radical right-wing parties instead. In addition to cultural factors, historical heritage is often considered a fertile ground for the emergence of this type of parties, especially its influence on political processes and on the processes of building a national identity. Namely, the Polish historical heritage, specifically the one related to the 20th century, was marked by a short period of democratic rule (1918-1925), and two long periods of authoritarian rule, that of Jozef Pilsudski (1925 to 1939), and that of the communist authoritarians (1945 to 1989). Thus, the main goal of the dissertation is to analyze the ideology of the main representatives of the radical right in Poland by exploring its discursive manifestations, as well as the way in which the radical right ideology is produced. This doctoral dissertation is designed as a case study within the framework of a cultural approach in political sciences. The cultural approach is characterized by the insistence on the importance of context, which, on the other hand, makes it difficult to define clear independent, dependent, and intervening variables. Therefore, in the cultural approach, a case is most often taken as the analytical unit taking into consideration all the complexity of its historical and socio-political distinctiveness. Qualitative content analysis was chosen as the research method, and conceptual analysis of Michael Freeden's ideology was added to it, since this approach allows us to better understand the morphology of ideologies and their operationalization in politics. The first chapter is about the theoretical and methodological framework. Since the concept of the radical right is one of the deeply contested concepts which there is no consensus about in political science, and since the aim of this doctoral dissertation is to explain this concept, the first part of the chapter consists of a review and analysis of recent literature. The notion of the radical right was analyzed through comparison with related terms such as the extreme right, right-wing populism, and the far right. As a starting point for analysis in the dissertation, a somewhat modified definition of the radical right by the well-known political scientist Cas Mudde is used. According to him, the constitutive features of the radical right are integral nationalism, authoritarianism, and populism. Like the concept of the radical right, the concept of ideology is also ambivalent and can be understood in different ways which result in multiple uses of the term ideology which are often contradictory. This doctoral dissertation is largely based on the morphological approach to the study of ideology developed by Michael Freeden. The second chapter deals with the history of Poland before 1989. The first part of the chapter explains the early context of the emergence of Polish nationalism, which has its roots in the 'noble democracy' of the 17th century, as well as in the national struggles for independence of the 19th century. However, the chapter focuses on two periods that significantly influenced the emergence and growth of Polish political nationalism in the early 2000s. The first is the interwar period (1918-1939) in which two traditions of Polish political thought, Sanacja and Endeca, crystallized, and from which two visions of the Polish nation, national identity, and the nation-state, emerged. The second period is after the Second World War, i.e., the period of the People's Republic of Poland in which the legitimization and institutionalization of the nationalist discourse take place. Equally, in this period there emerged and formed social groups with different visions of the Polish state after the fall of communism. The third chapter deals with the transformation of the People's Republic of Poland into the The third Republic and with an account of political and social events in the first decade after the fall of communism. This chapter sheds light on the political and social context within which the dominant social divisions in Polish society emerged, which in large part resulted in the evolution of radical right-wing parties in the early 2000s. In particular, the very nature of the transformation process emerged as the main subject of dispute. Namely, the Polish right believes that due to the contractual transformation of the system, the 'revolution' is not over and that the left-liberal groups have made an agreement with the former communist establishment. They believe that the Third Republic is a product of this agreement and that it serves the left-liberal and former communist elites to maintain positions of power and rule the The third Republic to the detriment of the oppressed people. This conspiratorial narrative represents the foundation around which the politics and ideology of the radical right have been built in Poland since 2000. The fourth chapter deals with the emergence and profiling of two radical right-wing parties, Law and Justice (Polish: Prawo I Sprawiedliwość – PiS) and the League of Polish Families (Polish: Liga Polskich Rodzin – LPR) . The chapter is structured in such a way as to first present the history of the formation of these parties, with an emphasis on the main actors who participated as the originators and implementers of these projects. In both cases, these are largely the 'family projects' of the Kaczynski brothers (Law and Justice) and father and son Giertych (League of Polish Families). From the Kaczynskis' biographies, it is obvious that they come from an environment dominated by the legacy of Sanacja, while father and son Giertych openly presents themselves as the heirs of the interwar Endecja. After presenting their political activities and the first successes in the elections, the ideology of these two parties is reconstructed, primarily from their programs and other party publications. The research showed that until 2005 both parties contained all the constitutive elements of the radical right according to Mudde's conceptualization. While these constitutive elements have been present in the League of Polish Families since its founding, the party Law and Justice gradually became radicalized. This period, at least from the perspectives of PiS and LPR, is dominated by the conflict between the post-communist elites (former communists and left-liberal intellectuals) gathered around the left Democratic Left Alliance (Polish: Sojusz Lewicy Demokratycznej, SLD) and the so-called "patriotic' camp that emerged from Solidarity. This chapter also covers the period between 2005 and 2007 when these two parties, together with the Self-Defense party, formed a government that lasted less than two years. This first, shorter coming to power of the radical right in Poland is not important because of the public policies they pursued during that period, but because of the experience and lessons gained by PiS during its rule in the liberal democratic system. Namely, after 2007, the LPR disappeared from the Polish political scene, leaving the PiS as the only relevant political actor of the radical right. The fifth chapter covers the period between 2007 and 2015. It is the period of rule by the Civic Platform (Polish: Platforma Obywatelska, PO), a center-right party with strong pro-EU views and liberal economic and social policies. Due to the disappearance of the left from the Polish political scene, the main social and political conflict underwent a radical change. PiS formulated a new conflict – the struggle between solidarity and liberal or corporate Poland – and built its ideology around this conflict. This period in Polish political and social life was marked by the immigration crisis that hit Europe and the debate on the acceptance of the Council of Europe Convention on Preventing and Combating Violence against Women, the so-called Istanbul Convention. Both topics as well as the pro-European orientation of the PO government led to the mobilization of radical right-wing social groups and media that skillfully occupied public space by successfully imposing their topics on the public agenda. As this dissertation will show, PiS has adapted its discourse to that of radical right-wing organizations and has successfully presented itself as their political representative. On the one hand, this 'alliance' helped the PiS succeed in the 2015 presidential and parliamentary elections, while on the other it marked the further radicalization of the PiS, especially when it comes to issues of morals and values. The sixth chapter deals with the period between 2015 and 2020. During that period, the PiS won both the presidential and the parliamentary elections twice. This chapter emphasizes how PiS translates its ideology into public policies. Namely, during this period PiS focused its efforts on two projects: 'repairing the state' and rebuilding the community (nation). The first project was marked by the judicial reform and the crisis related to the Constitutional Court; it aimed to strengthen the executive branch to the detriment of other branches of government. The PiS community reconstruction project was conceived as a change in the material and spiritual dimension of the community. The first is mostly related to social policies, the emphasis being on family policies. Changes in the spiritual dimension imply changes in cultural policy, within which there has been a reform of public media and the announcement of the "recolonization" of private media. In changing the spiritual dimension, PiS placed special emphasis on the defense of the traditional way of life on the one hand, and on the politics of history on the other, in which the Institute of National Remembrance played an exceptional role. The seventh chapter takes the form of a final discussion in which the basic theses of the radical right ideology in Poland are reconstructed. The aim of this discussion is to position the topic of this dissertation within the framework of a broader theoretical discussion between liberals and their critics. Finally, the conclusion summarizes the main research results in this doctoral dissertation and points to the possible direction of future research, especially research of countries with a strong radical right and with a similar historical and cultural heritage. Equally, the conclusion points to the fact that this dissertation has not fully answered the research question related to finding out how ideology is constructed, and the actors involved in the process. Namely, the problem was the research design and selection of the analysis method. The conclusion is that a more complete answer to this research question would require some field research, preferably using the method of interview or survey. Finally, we believe that some future research on ideology should move in that direction.
Ovaj rad bavi se međuodnosom političkih preferencija i političkih orijentacija studenata i njihovih roditelja. Rad je teorijski organiziran u okvirima sociologije znanja s posebnim osvrtom na određene dimenzije političke socijalizacije kao dinamičnog procesa – konstantne dijalektike primarnih i sekundarnih socijalizacijskih aktera. U radu se istraživala važnost određenih aktera u životima studenata u formiranju njihovih političkih identiteta. Provedeno je istraživanje nad populacijom studenata Sveučilišta u Zagrebu. Uzorak je obuhvaćao 500 studenata s fokusom na ispunjenje kvota po spolu i području studijskog programa. Samo istraživanje polazilo je od tri osnovna istraživačka pitanja; (1) U kojoj mjeri i na koji su način povezane političke preferencije studenata i roditelja? (2) U kojoj mjeri su povezani političko ideološki stavovi (političke orijentacije) roditelja i studenata (u smislu lijevo/centar/desno)? (3) U kojoj mjeri su povezani politički stavovi (preferencije i orijentacija) studenata sa stavovima očeva te stavovima majka? Istraživanje je pokazalo kako su, u ponuđenim akterima, najveće značenje za formiranje političkog identiteta za studente i dalje imali njihovi roditelji. Potvrđena je i statistički značajna povezanost političke orijentacije studenata i one njihovih roditelja. U deskriptivnom smislu, veća usklađenost i političkih orijentacija i političkih preferencija vidljiva je na desnom političkom spektru nego li je to slučaj s lijevim političkim spektrom (iako i tamo postoji povezanost). ; This paper deals with the interrelation of political preferences and political orientations of students and their parents. The paper is theoretically organized within the sociology of knowledge with special reference to certain dimensions of political socialization as a dynamic process - the constant dialectic of primary and secondary socialization actors. The paper investigates the importance of certain stakeholders in the lives of students in the formation of their political identities. A survey was conducted on the student population of the University of Zagreb. The sample included 500 students with a focus on meeting quotas by gender and program of study. The research itself was based on three basic research questions; (1) To what extent and in what way are the political preferences of students and parents related? (2) To what extent are the political ideological attitudes (political orientations) of parents and students related (in terms of left-wing / center / right-wing)? (3) To what extent are the political attitudes (preferences and orientation) of students related to the attitudes of their fathers and mothers? The research showed that, among the offered stakeholders, the most influential in the formation of political identity for students were their parents. A statistically significant connection between the political orientation of students and that of their parents was also confirmed. In the descriptive analysis, greater alignment of both political orientations and political preferences is visible on the right political spectrum than is the case with the left political spectrum (although there is a connection there as well).
Autor pokazuje kako se stil Božidarevićeva slikarstva može analizirati kao reprezentativna građa za povijest dubrovačkog društva1500-tih godina, premda se Nikola ustezao od prodornijeg promatranja svog unutarnjeg svijeta i onog vanjskog koji ga je okruživao, dočim se moglo očekivati (obzirom na njegov temperament i budući da je radio po narudžbi kapetana i trgovaca globe-trottera) da mu slike budu proviđene s više detalja onodobne vidljive stvarnosti. ; He signed himself in brush strokes only twice as: Nicolaus Rhagusinus, Nicolo Raguseo- Nikola of Dubrovnik - once in a marble medallion under the arm of Gabriel in the middle of the Annunciation, which he painted in 1513 forthe Đorđić family, the second time at the foot of the Virgin's throne on the main altar retable in the Church of Our Lady of Dance, his last work (1517). This name, until the archival discovery of his Croatian family name, fired the imagination of those researching Dubrovnik Renaissance art and even became a kind of myth. To call himself Rhagusinus in the middle of Dubrovnik undoubtedly meant a self-confident declaration vis a vis his artistic contemporaries- especially Mihajlo Hamzić and Vicko, the son of Lovro Dobričević,and even perhaps in relation to his own father whose workshop he had just left. When we stand today in front of polyptychs of this kind (which, when preserved in full, amaze us by the perfect balance of their general composition) we rarely think that they were created as bricolage. Immediately after Nikola's return from Italy he, and his father Božidar Vlatković received several very large orders. In 1495 they were given a contract for the retable of the main altar of the Franciscan church in Cavtat. The church authorities required that the central composition and figures on the left side should be composed according to the pattern of a polyptych executed almost half a century earlier by Matko Junčić in the church of the Minorite Friars in Dubrovnik, while figures on the right side were to be done according to the pattern of another altar in the same church. The saints in the upper part of the polyptych, shown down to the waist, were to be done after Junčić also, and only the central Pieta according to an earlier painting by Božidarević. The same is true of their style. Experts have very easily "reduced" Božidarević's work into the style and themes found in the Crivelli brothers and Vittore Carpaccio. But Božidarević obviously also knew the fresco paintings of Perugino and Pinturichio in the Vatican palace (Appartamento Borgia)and elsewhere in Rome where his brush may, according to Vladimir Marković, have indeed been involved. The form of a polyptych (like the form of a sonnet) helps in the construction of a figural composition, in a rationally and symmetrically balanced composition. It equalizes lighting, concentrates sight and attention: even when its constructional elements are removed, which make the composition of a polyptych, it continues to make an invisible effect for a long time. By 1500 the form of the polyptych which the "Dubrovnik School of Painting" retained until the end had become a Procrustean bed. It did not allow figures to be shown in a natural context, to be enlivened by being shown with real appurtenances, nor for any relaxation of stiff postures, or any easier breathing. Thus in Božidarević's paintings the representation of real life and the movement of the real world is only found in miniatures, on the borders of polypthychs, in "footnotes" on individual articles or when we study details "microscopically". In fact it is drapery which is the most convincing and arresting and almost tactile element of Božidarević's painting. Just as we perceive the bustle of the harbour on the model of Dubrovnik held by St Blasius so too he was fully aware of the richness of the materials which were produced at this time in Dubrovnik. Cloth was as important as salt for the trade of Dubrovnik and was a very tangible asset in the consciousness of the city. It may be paradoxical but it is accurate to say that Božidarević did not paint portraits (using patterns of characters) but portrayed materials in which his saints were clothed. It is of significance in this context that the most outstanding assistant in his workshop for which in 1507 he rented a whole floor in one of the mansions on Placa, suitable because of its good light - was Marin Kriješić who is recorded in one of the archives as "pictor sive coltrarius", painter of pictures, curtains, covers and cloth. When we consider Božidarević's landscapes we also notice a paradox. The endless journeys of the Dubrovnikians, constantly involving the sea, did not give rise to the desire to extend the picture to include real landscape even in those ordered by ship's captains, merchants, or globe-trotters. But it would have been unrealistic to expect Nikola Božidarević to show the Annunciation in Kolendić's Lopud landscape. Instead he presents the stereotyped picture of the humanists' idea of Arcadia but omitting Bellini's ploughmen and donkeys. This is no bucolic Virgilian landscape as created in the circle surrounding Giorgione - no mundane Utopia in which we might like to live. Behind Gabriel the landscape is wild and rough, behind Our Lady it is cultivated, these are more symbolic, antithetical rather than any true mise-en scene. When we first come to Božidarević's paintings we may be surprised by the fact that in spite of the very real situation within which they developed, there is a lack of any penetrating observation of either inner or outer worlds. Where details appear they largely represent a sanctified aspect of reality: spiritualiasub metaphoris corporalium, as Thomas Aquinus would say. The political, diplomatic, commercial realism of the people of Dubrovnik was, surprisingly enough, very late reflected in an art which served symbolic ends. Considered from this angle the architectural presentation of the city has something in common with butterflies which have great black eyes on their wings in order to make an impression on their surroundings and themselves. Thus in Božidarević and his predecessors we shall find no dark allegory, as measured by today's art critics, but a clear and balanced representation of the Bible message. These polyptychs provide a view of many kinds of fear (of heaven, of the sea, of plague, of Turks of all kinds, of oneself), and also of much hope. The four paintings by Božidarević which have come down to us are typologically different. This only shows us how impoverished we are not to have his entire opus. All four of Božidarević' surviving paintings were private votive offerings. Their subject must therefore be read according to the wishes of the person who ordered them. It is often considered, taking into account their formal superioriy that the Sacra conversazione of the Đođic painting and the Annunciation done for Captain Marko Kolendić are the "measure" of Božidarević's painting. If the former is his first example of a particularly popular Renaissance composition in Croatian art history, the second is his first independent central altar painting. Private orders in Dubrovnik of the time continued to demand the traditional religious, especially votive themes. But in the wider sphere new, more secular, opportunities presented themselves. A study by Vladimir Marković shows this programme to have arisen out of a combination between political intentions and the moral principles of the patrician oligarchy which coincided and were identified with the Renaissance view of Christian and especially with the classical Roman exempla. Božidarević was the contemporary of poets Džore Držić and ŠiškoMenčetić, of Mavro Vetranović. Marin Držić, the most successful writer of Dubrovnik's "Golden Age" was born when Nikola was in prison for the ribald songs. But we cannot but feel that the painter's temper remains hidden behind the porcelain surface and perfect outer symmetry of his compositions. The Dubrovnik context did not provide opportunities for the expression of strong passions. The demands for caution and order were unremitting. There might be considerable personal pride but there must never be bragging. It was not a setting for great philosophy or poetry, nor for tragedy, but for the natural sciences, economics and- along with them- comedies. Unfortunately Dubrovnik painting was fated to disappear almost unnoticed, with no fanfares or real apogee, to be drowned in the import of baroque art from the other side of the Adriatic. When we talk about Dubrovnik, the Renaissance is our first association, but the Renaissance in Croatian painting never managed fully to develop. Indeed Gothic was never fully relinquished but, rather, gradually disintegrated. Its place was taken by the counter Reformation, together with a whole packet of ready-made solutions, before the Renaissance had managed to achieve full definition. We cannot experience Nikola's paintings as Renaissance building blocks cut out from the reality of their own day. We may rather consider them as tables bearing rich fabric. His saints, enveloped in brocade, standing before an azure sky, are sunk in timeless melancholy. They are depicted in an indeterminate context as they appeared to the eye of the painter - without any later addition of colour. They did not attain the position of an academic standard for the Dubrovnik painting of the period that followed. Božidarević went ad patraim paradisi the same time as Mihajlo Hamzić, son of the German immigrant Hans, a "bombardiere" from Cologne, and Vicko Lovrin, son of Dobričević. The sudden and complete change of generations coincided with a fundamental change in the taste of the rich commercial class when it began to turn to the artists of the Bellini and Titian circle. The colours of Božidarević's painting are the most harmonious chords of Dubrovnik's "Golden Age". Of the one hundred and fifty polyptychs registered at the time of Sormano's apostolic visitation in 1573 less than one tenth remain. The Dubrovnik archives record seventeen works by Božidarević but only four have come down to us. In old cities such as Dubrovnik - colour, like everything else except stone, is recessive. What we have today is an idealized impression of what was once reality.
