Suchergebnisse

Obálka -- Obsah -- Předmluva -- Úvod -- Gramofon -- Jean Marie Guyau: Paměť a fonograf -- Rainer Maria Rilke: Prazvuk -- Maurice Renard: Smrt a mušle -- Salomo Friedlaender: Goethe mluví do fonografu -- Film -- Salomo Friedlaender: Stroj na fatu morgánu -- Richard A. Bermann: Lyra a psací stroj -- Typewriter -- Martin Heidegger: O ruce a psacím stroji -- Carl Schmitt, Buribunkové: Dějinně-filosofický esej -- Doslov k českému vydání: Všechny přístroje zapnout -- Bibliografie -- Podrobný obsah -- Obrazová příloha.

The foreign policy of the European Union is usually perceived as being significantly different from the common conception of modern foreign policy of sovereign nation states. In this article we will construct two models of foreign policy & confront them with current EU external relations. Firstly we shall look at the modern foreign policy model based on a neorealist approach. Secondly we shall examine its post-modern alternative that draws its inspiration from the post-structuralism of Jacques Derrida. The comparison is focused on three dimensions: the actor representing the foreign policy; his primary goal; & the key principles invoked in interactions with other actors. We conclude that the EU foreign policy cannot be sufficiently explained by neither of the two models. The large gap between the two models could probably be filled by the third, liberal model of foreign policy. Adapted from the source document.

Autor navazuje na své mezinárodně úspěšné knižní fresky roku 1913, onoho "léta jednoho století", tentokrát se ovšem věnuje celé jedné dekádě, třicátým letům 20. století Jean-Paul Sartre pozval Simone de Beauvoirovou na schůzku a teď čeká sám v kavárně. Henry Miller a Anaïs Ninová se milují v Paříži a občas si zajedou za tichými dny do Clichy. Pablo Picasso kličkuje mezi svou ženou a milenkami a Gottfried Benn musel vstoupit do armády, aby se k němu vrátila poezie. Zatímco všude kypí láska, v Německu se Bertolt Brecht, Thomas Mann a mnozí další rozhodují pro emigraci. Moc uchvacují nacisté. Pálí se knihy. "Zlatá dvacátá" skončila. Nakladatelská anotace. Kráceno

Jean Baudrillard's perspective on the negative impact of TV on social solidarities, particularly as exemplified by the events in the former Yugoslavia, is explored. TV allows a viewer to experience events distant in place & time as though they were happening in the here & now. Reliance on this TV-viewer contact to arouse the world counts too much on the privileged position of the social as a positive. Baudrillard also argues that TV has a negative side of "collapsing the normalizing, expanding, & positive cycle of the social into its opposite: an implosive & structural order of signs." It is concluded that the triumph of the signifying culture means the eclipse of genuine social solidarity. Adapted from the source document.