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The practice and composition of music require patronage and institutional support, and they require it in a different fashion from that found in other forms of art. This collection of essays brings together the most recent and important contributions by leading scholars in the field to this crucial aspect of Renaissance musical culture. The articles approach the topic from a number of perspectives and consider the institutions and individuals engaged in supporting music; the systems of employment, benefices and sponsorship put in place to facilitate the support; and where, how and why music was sung and played. Taken together, these articles enable conclusions to be drawn about the interests of patrons and about the social and artistic status of musicians and composers within the courtly and urban context. - Publisher

The concept of fontes has shown its ever decreasing suitability to reflect the richness and complexity of humanistic literature. In the fontes printed as footnotes is reflected, mechanically and almost physically, the idea of a subaltern and gregarious modernity with regard to classical thought. This article presents a different approach to the study of the humanistic text, based on the identification of cultural genealogies which display all the elements of doctrine that make up a written work at various levels. The work examined is the De republica by Lauro Quirini, a fifteenth-century political treatise in which the author consciously inserts elements of the political thought of the Latin, classical and medieval traditions to an Aristotelian base, adapting such an ensemble to the ideological circumstances of his era.

"The author focuses on one of the most fascinating texts of the 17th and 18th century China mission - the Tianxue benyi (The Original Meaning of the Heavenly Teachings) and the more elaborate Gujin jingtian jian (Mirror on the Worship of Heaven in Ancient Times and Nowadays), both written and compiled by the Jesuit Joachim Bouvet (1656-1730) with the assistance of Chinese converts. The two works were even translated into Latin in order to support the Jesuit position in the Chinese Rites Controversy in the Roman Curia. Through them, Bouvet presented the Jesuit missionary strategy of accommodation in a nutshell: He aimed at introducing Christianity in the terms of Chinese traditional culture. Thus, Bouvet's approach can be characterised as an early attempt at a contextualized theology which is meaningful even for contemporary discussions. The present study offers an introduction to Bouvet's thoughts and works and their respective historical and theological context, a transcription of the Latin texts - the Cœlestis Disciplinæ vera notitia and the De cultu cœlesti Sinarum veterum & modernorum - with an annotated German translation"--

"The author focuses on one of the most fascinating texts of the 17th and 18th century China mission - the Tianxue benyi (The Original Meaning of the Heavenly Teachings) and the more elaborate Gujin jingtian jian (Mirror on the Worship of Heaven in Ancient Times and Nowadays), both written and compiled by the Jesuit Joachim Bouvet (1656-1730) with the assistance of Chinese converts. The two works were even translated into Latin in order to support the Jesuit position in the Chinese Rites Controversy in the Roman Curia. Through them, Bouvet presented the Jesuit missionary strategy of accommodation in a nutshell: He aimed at introducing Christianity in the terms of Chinese traditional culture. Thus, Bouvet's approach can be characterised as an early attempt at a contextualized theology which is meaningful even for contemporary discussions. The present study offers an introduction to Bouvet's thoughts and works and their respective historical and theological context, a transcription of the Latin texts - the Cœlestis Disciplinæ vera notitia and the De cultu cœlesti Sinarum veterum & modernorum - with an annotated German translation"--

Intro -- Contents -- Preface -- Abbreviations -- Sigla -- Introduction -- 1 A background to the Hibernensis -- 1.1 Authorship -- 1.2 Date of composition -- 1.3 Structure -- 1.4 Sources: general discussion -- 1.5 Sources: the Bible -- 1.6 Sources: Irish synods -- 1.7 The late antique and early medieval canonical background -- 1.8 The Hibernensis and Irish vernacular law -- 1.9 Remarks on Latinity -- 2 Recensions and textual varieties -- 2.1 Distinguishing between the recensions: a formal approach -- 2.2 Different recensions, different sources -- 2.3 The recensions and their Irish sources -- 2.4 Vestiges of a pre-recensional text -- 2.5 An early secondary witness to the undivided text -- 2.6 Postulating an undivided text -- 3 Editing the Hibernensis -- 3.1 The present edition -- 3.2 The main copy -- 3.3 Principles of the present edition -- The main text -- Book, chapter, and other numbers -- Cited sources -- Grammar, orthography, and translation -- Variant readings and emendations -- 4 Manuscripts studied for the present edition -- A Orléans, Bibliothèque municipale, 221 (193) -- B Paris, Bibliothèque nationale, lat. 3182 -- D Monte Cassino, Archivio e Biblioteca dell'Abbazia, 297 -- H Oxford, Bodleian Library, Hatton 42 -- O London, British Library, Cotton Otho E. XIII -- P Paris, Bibliothèque nationale, lat. 12021 -- S St. Gall, Stiftsbibliothek 243 -- V Rome, Biblioteca Vallicelliana, T. XVIII -- Q Würzburg, Universitätsbibliothek, Mp. th. q. 31 -- Tables -- 1: Texts attributed to Sinodus Hibernensis and Hibernenses -- 2: Sinodus Romana and Romani in Hib.A and Hib.B -- 3: Texts attributed to Patrick -- 4: Irish sources not mentioned in previous tables -- 5: Q and the present edition - a synoptic table -- Editorial conventions -- Text of the Hibernensis.

My research is concerned with the formation of artists as creative subjects in an increasingly neoliberalised art world. This study examines to what extent does the artist-run space offer alternatives to current neoliberal orthodoxy in the art world. There has been little research to understand the lived experiences of emerging visual artists within neoliberalism. The thesis is located in museum studies but stretches beyond this field in an interdisciplinary approach to explore the complexity of what it means to both make art and self-organise. The thesis presents multiple case-study research into three New Zealand artist-run spaces; RM, Enjoy Contemporary Art Space and Meanwhile. Qualitative research brings the experiences of artist-run space participants to the fore through interviews, examining how they understand and articulate their involvement, negotiate tensions over power, and position themselves in an art world that seeks to enfold them in its own narratives. I analyse and discuss the findings through a series of connecting theoretical frameworks—assemblage theory, creative labour and governmentality—which together map the distinct practices that shape, and reshape, the artist-run space. My research contributes to literature on creative workers within neoliberalism, providing new knowledge about tactics and strategies deployed by emerging visual artists to carve space for their activities on their own terms. The thesis argues that while artist-run spaces are embedded in the mainstream through both networks of strategic reciprocity and funding imperatives, the nuances which define an individual artist-run space are both broader and messier than their increasingly formal structure suggests. The identity formation of the artists and creative workers whose hard work and passion keep artist-run spaces going is similarly compromised, confounding simplistic readings. I propose that the notion of 'alternative' is too binary an understanding to describe artist-run spaces within a time of neoliberalism, instead, this thesis seeks to complicate and problematise the term.

Ko ngā muka oÿ te rino : threads of the two-stranded rope / Rhonda Powell, Elisabeth McDonald, Māmari Stephens and Rosemary Hunter -- Law in Aotearoa New Zealand / Māmari Stephens and Rhonda Powell -- Introducing the feminist and mana wahine judgments / Rosemary Hunter, Māmari Stephens, Elisabeth McDonald and Rhonda Powell -- Taylor v Attorney General [2015] NZHC 1706, commentary : disengaging the disengaged / Margaret Wilson and Julia Amua Whaipooti, judgment : Mihiata Pirini and Lisa Yarwood -- Brooker v Police [2007] NZSC 307, commentary : rights balancing rejected / Ursula Cheer, judgment : Janet McLean -- Ruka v Department of Social Welfare [1997] 1 NZLR 154, commentary : defining a relationship for the purposes of state support / Catriona MacLennan, judgment : Māmari Stephens -- Lawson v Housing New Zealand [1997] 2 NZLR 474, commentary : state housing, market rents and families facing eviction / Dean R Knight, judgment : Natalie Baird -- Seales v Attorney-General [2015] NZHC 1239, commentary : the potential interface of gender and vulnerability in legal contexts / Kate Diesfeld, judgment : Joanna Manning -- Hallagan v Medical Council of New Zealand HC Wellington CIV-2010-485-222, 2 December 2010, commentary : whose choice, whose conscience? / Colin Gavaghan, judgment : Rhonda Powell -- Re W [PPPR] ('Re Williams[PPPR]') (1993) 11 FRNZ 108, commentary : caring for the pregnant woman / Rosemary Hunter, judgment : Holly Hedley -- Quilter v Attorney General [1997] NZCA 207, commentary : same-sex marriage and the Marriage Act / Wendy Aldred, judgment : Clare Abaffy -- Amo'h v Ajo'h (Caldwell v Caldwell) [2010] NZFC 48, commentary : the case of the missing woman / Erin Ebborn, judgment: Ruth Ballantyne -- V v V [2002] NZFLR 1105, commentary : a fair share of the pavlova? / Vivienne Crawshaw and Khyati Shah, judgment : John Adams -- Lankow v Rose [1995] 1 NZLR 277, commentary : property division on the breakdown of a de facto relationship : the search for a just outcome / Nicola Peart and Kyla Mullen, judgment : Mark Bennett -- Director of Human Rights Proceedings v Goodrum [2002] NZHRRT 13, commentary : the challenge of proving discrimination in the face of bias and gender stereotyping / Sam Bookman and Gayathiri Ganeshan, judgment : Selene Mize -- Air Nelson v C [2011] NZCA 466, commentary : she said, he said, from myth to reality / Annick Masselot, judgment : Jenny Catran and Martha Coleman -- Stephens v Barron [2014] NZCA 82, commentary : should company law principles affect duty of care analysis? / Liesle Theron, judgment : Victoria Stace -- Bruce v Edwards [2002] NZCA 294, commentary : taonga tuku iho, the generational treasure of land / Jacinta Ruru, judgment : Kerensa Johnston and Mariah Hori Te Pa -- Waipapakura v Hempton (1914) 33 NZLR 1065, commentary : whitebait for the people / John Dawson, judgment : Emma Gattey -- Squid Fishery Management Company Ltd v Minister of Fisheries (CA39/04, 7 April 2004), commentary : an ecofeminist approach to the impact of fisheries on sea lion mortality / Joanna Mossop, judgment: Nicola Wheen -- West Coast Ent Inc v Buller Coal Lltd [2013] NZSC 87, commentary : broadening an ethic of care to recognise responsibility for climate change / Catherine Iorns, judgment : Estair van Wagner -- R v S [2015] NZHC 801, commentary : reasonable grounds to believe an unconscious woman is consenting? : the relevance of advance consent / Elisabeth McDonald, judgment : Paulette Benton-Greig -- R v Sturm [2004] 1 NZLR 570, commentary : "well, what did you think would happen?" / Cassandra Mudgway, judgment : Sarah Croskery-Hewitt -- Vuletich v R [2010] NZCA 102, commentary : when is sexual violence against adults unusual? : the admissibility of propensity evidence / Elisabeth McDonald, judgment: Carissa Cross -- Police v Kawiti [2000] 1 NZLR 117, commentary : Kāwiti at the centre / Julia Tolmie and Khylee Quince, judgment : Khylee Quince and Julia Tolmie -- R v Wang [1990] 2 NZLR 529, commentary : finding a plausible and credible narrative of self-defence / Lexie Kirkconnell-Kawana and Alarna Sharratt, judgment : Brenda Midson -- R v Te Tomo [2012] NZHC 71, commentary : the truth about sentencing Maori women : giving context to the meaning of mana wahine / Linda Hasan-Stein and Valmaine Toki, judgment : Valmaine Toki -- R v Taueki [2005] NZCA 174, commentary : sentencing guidelines for domestic violence : the missing factors / Yvette Tinsley, judgment : Frances Gourlay.