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Michael Slote has long been one of the foremost contributors to discussions in moral theory. Both his work on consequentialism and his particular version of virtue ethics have been highly influential. In recent years, Slote has developed a distinctive and original voice, placing his various theoretical endeavours under the title of "sentimentalism". His key ethical work in this context is Moral Sentimentalism, which, uniquely, defends versions of both a metaethical and aretaic sentimentalist theory. The present volume is an extended discussion of that work, containing eight original commentaries and a substantial response by Slote, which provide fresh insights into his position. The collection will be of significant value to anyone interested in contemporary debates in meta-ethics or normative ethics
In recent years there has been a tremendous resurgence of interest in ethical sentimentalism, a moral theory first articulated during the Scottish Enlightenment. Ethical Sentimentalism promises a conception of morality that is grounded in a realistic account of human psychology, which, correspondingly, acknowledges the central place of emotion in our moral lives. However, this promise has encountered its share of philosophical difficulties. Chief among them is the question of how to square the limited scope of human motivation and psychological mechanism - so easily influenced by personal, social, and cultural circumstance - with the seeming universal scope and objective nature of moral judgment. The essays in this volume provide a comprehensive evaluation of the sentimentalist project with a particular eye to this difficulty. Each essay offers critical clarification, innovative answers to central challenges, and new directions for ethical sentimentalism in general
What is dolorology? -- Sublime pain and the subject of sentimentalism -- Anesthesia, birthpain and civilization -- Picturing racial pain -- Late modern pain
In: SUNY Press Open Access Ser.
Intro -- Contents -- List of Illustrations -- Acknowledgments -- Chapter One: What Is Dolorology? -- Sentimentalism and Pain -- Pain and Biopolitics -- Pain and Speaking -- Chapters -- Chapter Two: Sublime Pain and the Subject of Sentimentalism -- Gendered Aesthetics -- Sublime Physiology -- Muscle Compassion -- The Racial Sublime -- Americanizing Pain -- Chapter Three: Anesthesia, Birthpain, and Civilization -- Medical Martyrs -- Anesthesia and the Medical Gaze -- The Pains of Reproduction -- Birthpain As Racial Relay -- Overcivilization and Self-Conduct -- From Women's Anesthesia to Feminist Eugenics -- Anesthesia and Democracy -- Chapter Four: Picturing Racial Pain -- Histories of the Back -- Gordon -- Peter -- Pain and Racial Memory -- White Pain and the Nation -- Biopolitical Portraits -- Margaret Garner's Necropolitics -- The Children of Louisiana -- Passing Over -- Theatrical Slavery -- National Protection -- Miscegenation Portrait -- Visual Dolorologies -- Chapter Five: Late Modern Pain -- Democratic Pornography -- Unscathed Life -- Notes -- Works Cited -- Index.
Offers a critical history of the role of pain, suffering, and compassion in democratic culture. American Dolorologies presents a theoretically sophisticated intervention into contemporary equations of subjectivity with trauma. Simon Strick argues against a universalism of pain and instead foregrounds the intimate relations of bodily affect with racial and gender politics. In concise and original readings of medical debates, abolitionist photography, Enlightenment philosophy, and contemporary representations of torture, Strick shows the crucial function that evocations of "bodies in pain" serve in the politicization of differences. This book provides a historical contextualization of contemporary ideas of suffering, sympathy, and compassion, thus establishing an embodied genealogy of the pain that is at the heart of American democratic sentiment. Simon Strick is Postdoctoral Researcher at the Center for Literary and Cultural Research Berlin in Germany.
American Dolorologies presents a theoretically sophisticated intervention into contemporary equations of subjectivity with trauma. Simon Strick argues against a universalism of pain and instead foregrounds the intimate relations of bodily affect with racial and gender politics. In concise and original readings of medical debates, abolitionist photography, Enlightenment philosophy, and contemporary representations of torture, Strick shows the crucial function that evocations of "bodies in pain" serve in the politicization of differences. This book provides a historical contextualization of contemporary ideas of suffering, sympathy, and compassion, thus establishing an embodied genealogy of the pain that is at the heart of American democratic sentiment. Print versions available for purchase at https://sunypress.edu/Books/A/American-Dolorologies ; Open Access version supported by Knowledge Unlatched ; VoR ; SUNY Press ; N/A
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Offers a critical history of the role of pain, suffering, and compassion in democratic culture. American Dolorologies presents a theoretically sophisticated intervention into contemporary equations of subjectivity with trauma. Simon Strick argues against a universalism of pain and instead foregrounds the intimate relations of bodily affect with racial and gender politics. In concise and original readings of medical debates, abolitionist photography, Enlightenment philosophy, and contemporary representations of torture, Strick shows the crucial function that evocations of "bodies in pain" serve in the politicization of differences. This book provides a historical contextualization of contemporary ideas of suffering, sympathy, and compassion, thus establishing an embodied genealogy of the pain that is at the heart of American democratic sentiment. Simon Strick is Postdoctoral Researcher at the Center for Literary and Cultural Research Berlin in Germany.
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This version is B-version of the pre-reviewed article appeared in the journal Problems of Literary Genres/ Zagadnienia Rodzajów Literackich 48 (95-96), 2005:1-2. ; In our paper, we present a review of recent developments in literary theory especially in the theory by Martha Nussbaum focusing on a role of compassion in literary studies. Our main thesis is that neo-sentimentalism is visible in three areas of Martha Nussbaum's thought: first, in her views of emotions (she try to persuade readers that this stance is neo-stoicism, but it should be properly called neo-sentimentalism); secondly, in her theory of the literary genres, in which she represents the anti-formalist turn in literary studies; thirdly, in her theory of compassion and love in the reception of literature, in ethics and in social thinking. In order to characterise Martha Nussbaum's literary theory, we try to summarise the motive of empathy occurring in 18th century sentimentalism and in many forms of the later aesthetic sentimentality. We interpret so called ethical criticism (involving, besides Martha Nussbaum, Stanley Cavell, Wayne Booth, Martin Price) as a political movement using, as its rhetorical device, reference to sentimental motives of absolute empathy (G. Lakoff and M. Johnson's concept). We also argue that in the current era we should abandon an ideal of apolitical criticism and theory of literature. Literary scholarship has many ethical and, subsequently, political dimensions and empathy is a basic term in literary studies which associates itself with other sociological and political issues. But recent developments in cognitive science make us to treat empathy as a basic term of understanding human behaviours and language, so the neo-sentimentalism has a solid grounds in science.
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In: Peace review: peace, security & global change, Band 24, Heft 4, S. 505-512
ISSN: 1469-9982
In: Aztlán: international journal of Chicano studies research, Band 23, Heft 2, S. 47-80
In: Contexts / American Sociological Association: understanding people in their social worlds, Band 11, Heft 4, S. 52-54
ISSN: 1537-6052
"American Sentimentalism and the Production of Global Citizens" looks at recent trends in the globalization of U.S. higher education through the lens of sentimentalism to expose three dangers: the linking of a certain kind of productivity with global citizenship; the division of the world into global citizens and global subjects; and the illusion that awareness and enthusiasm are sufficient for social change. Social scientist Ron Krabill calls for international education policies that embrace radical reciprocity to overcome these dangers.
In: Cultural studies, Band 37, Heft 4, S. 647-668
ISSN: 1466-4348
In: Canadian Slavonic papers: an interdisciplinary journal devoted to Central and Eastern Europe, Band 21, Heft 3, S. 336-346
ISSN: 2375-2475
In: Synthese: an international journal for epistemology, methodology and philosophy of science, Band 195, Heft 5, S. 1873-1889
ISSN: 1573-0964