Suchergebnisse

The aim of this paper is to present the Frankfurt School's critique of mass culture. The authors particularly seek to demonstrate that critical theory provides a specific interpretation of Marxist philosophy, reinterprets some of its central economic and political notions such as production, distribution, fetishization, consumption and also attempts to illuminate the place and the role of culture industry within global culture. As a conclusion it is argued that the Frankfurt School's approach, while it is still useful to social science programs, tends to be overlooked by social theorists.

RESEARCH OBJECTIVE: The aim of this article is an analysis of Witold Gombrowicz's position in reference to the archetype of Polish political culture. THE RESEARCH PROBLEMS AND METHODS: The main problem undertaken in the article is an analysis of Witold Gombrowicz's position in reference to the question of Polishness, its components, and its relationship to Latin civilization. The article is based on an analysis of Gombrowicz's Diary. THE PROCESS OF ARGUMENTATION: The article begins with a synthetic outline of two fundamental issues: the Latinness of European civilization and the debate surrounding the archetype of Polish political culture. This is followed by what constitutes the main body of the article: an analysis of Gombrowicz's views on Polishness. RESEARCH RESULTS: The most important result of the scientific analysis conducted here is the indication of the main theses of Gombrowicz's understanding of Polishness and of the relationship between Polishness and Latin civilization. Gombrowicz's conception is presented as an innovative approach to the problem, transcending traditional takes on Polishness as a specific type of realism. CONCLUSIONS, INNOVATIONS, AND RECOMMENDATIONS: In his conclusions, the author indicates interpretative possibilities resulting from the perspective taken in the article, as well as areas that require further study, concerning such issues as the relationship between the Sonland and the Fatherland, and the culture of the Polish nobility during the "Saxon Era."

Nasheeds outpace the era of Internet and Youtube. Jihadist poetry in the Islamist hymns can be seen as an extension of the 19th-century anticolonial style of poetry called qaseeda. Presented article shows that nasheeds were not always a significant element in the jihadi culture. The increase of their role was observed quite recently, after the outbreak of the "Arab Spring". This article is a case study. It attempts to fill a gap in research on the IS's propaganda materials. The major objective of this article is to investigate the phenomenon of jihadist naseeds, including their role in the 'jihadi culture'. The author seeks to answer to the question whether the presented facts may indicate the increase in their role occurred with the transfer of IS' activities to cyberspace and whether it will be intensified in the future. The article takes into account historical conditions, briefly describing the genesis of the naseeds and their proliferation after the events of the "Arab Spring". Then, using systemic analysis, the author presents their role in the activities of the Islamic State. In addition, theoretical and empirical research methods, such as: scientific literature analysis, case analysis, content analysis, classification, generalization were taken to solve the research problem.