Suchergebnisse

Die Digitalisierung der Fotografie und des Films in den 1990er-Jahren war ein Paradigmenwechsel in Funktion, Produktion und Kamerapraxis. Chemische Entwicklungslabore waren obsolet geworden, das Warten hatte ein Ende - die visuellen Produkte waren umgehend verfügbar. Und dennoch - das Fotografieren mit einem eigens dafür notwendigen Apparat blieb besonderen Gelegenheiten vorbehalten oder war zumindest anlassbezogen. Doch dann kam das Smartphone. Seine Popularisierung bedeutet einen massiven Umbruch für die Welt der Bilder - eine Revolution, die Alltag und Freizeit, unsere visuellen Praxen, aber auch viele Berufsfelder elementar verändert hat und noch verändern wird. Nicht mehr nur das Fotografieren an sich, sondern vielmehr das Teilen von und Kommunizieren durch Fotografien in den sozialen Netzwerken bestimmt seither die Lebenswelt vieler Menschen. Die Kommission Fotografie der Deutschen Gesellschaft für Volkskunde widmete sich mit ihrem Kooperationspartner, den Staatlichen Museen zu Berlin, im Rahmen der Tagung "SnAppShots. Smartphones als Kamera" im Oktober 2020 diesem Paradigmenwechsel. Der Tagungsband vereint Beiträge von Wissenschaftler*innen aus den Fachbereichen Geschichte, Kunstgeschichte, Ethnologie, Empirische Kulturwissenschaft, Europäische Ethnologie, Erziehungswissenschaft, Pädagogik und Medienwissenschaft - ein Kaleidoskop zur visuellen Welt des Smartphones.

"Smartphone Cultures explores emerging questions about the ways in which this mobile technology and its apps have been produced, represented, regulated and incorporated into everyday social practices, as the various authors in this volume each locate their contributions within the circuit of culture model. More specifically, this book engages with issues of production and regulation in the case of the electrical infrastructure supporting smartphones and the development of mobile social gambling apps. It examines issues of consumption through looking at parental practices relating to children's smartphone use, children's experience of the regulation of this technology, both in the home and in school, how they cope with the mass of communications via the smartphone and the nature of their attachment to the device. Other chapters cover the engagement of older people with smartphones, as well as how different cultural norms of sociability have a bearing on how the technology is consumed. The smartphone's implications for other theoretical frameworks is illustrated though examining ramifications for domestication, and the sometimes-limited place of smartphones in certain aspects of life is examined through its role in the practices of reading and writing. Smartphone Cultures presents the latest international research from scholars located in the UK, Europe, the US and Australia and will appeal to scholars and students of media and cultural studies, communication studies and sociologists with interests in technology and social practices."--Provided by publisher

With texting, emailing, and social media accessible via smartphones, bullying is more difficult to avoid than ever before. But kids don't need to feel trapped by or scared of their smartphones. This volume teaches students how to handle bullies in this technological age, stay safe, and even prevent bullying

Since the advent of the smartphone, the practice of photography has clearly democratized. Indeed, smartphones have already replaced compact digital cameras which are declining proportionally to the development of our "photophones". Odontology does not escape this democratization, indeed photography has its place in the dental office. In this work we will see how to integrate a smartphone into a daily practice of dental photography. In a first part we will develop the shooting with a smartphone, in the second we will see the different accessories that can adapt to our practice and in the third we will talk about post-production and data transfer. ; Depuis l'avènement du smartphone, la pratique de la photographie s'est clairement démocratisée. En effet, les smartphones ont déjà remplacé les appareils photos numériques compacts qui connaissent un déclin proportionnel au développement de nos « photophones ». L'odontologie n'échappe pas à cette démocratisation, en effet la photographie a complètement sa place au cabinet dentaire. Dans ce travail, nous allons voir comment intégrer un smartphone dans une pratique de la photographie dentaire au quotidien. Dans une première partie nous développerons la prise de vue avec un smartphone, dans la seconde nous verrons les différents accessoires pouvant s'adapter à notre pratique, puis dans la troisième nous parlerons de la post-production et du transfert des données.

Since the advent of the smartphone, the practice of photography has clearly democratized. Indeed, smartphones have already replaced compact digital cameras which are declining proportionally to the development of our "photophones". Odontology does not escape this democratization, indeed photography has its place in the dental office. In this work we will see how to integrate a smartphone into a daily practice of dental photography. In a first part we will develop the shooting with a smartphone, in the second we will see the different accessories that can adapt to our practice and in the third we will talk about post-production and data transfer. ; Depuis l'avènement du smartphone, la pratique de la photographie s'est clairement démocratisée. En effet, les smartphones ont déjà remplacé les appareils photos numériques compacts qui connaissent un déclin proportionnel au développement de nos « photophones ». L'odontologie n'échappe pas à cette démocratisation, en effet la photographie a complètement sa place au cabinet dentaire. Dans ce travail, nous allons voir comment intégrer un smartphone dans une pratique de la photographie dentaire au quotidien. Dans une première partie nous développerons la prise de vue avec un smartphone, dans la seconde nous verrons les différents accessoires pouvant s'adapter à notre pratique, puis dans la troisième nous parlerons de la post-production et du transfert des données.

The data for this project come from a web survey among smartphone users 18 years and older who live in Germany. Respondents were recruited from the German nonprobability online panel of Dynata.



In January of 2020, members of the online panel were invited through a survey-router system, and 3,350 people started the survey. Only smartphone owners were able to proceed to the main questionnaire, and quotas for gender, age, and frequency of smartphone usage were employed to generate a sample with sufficient diversity. Of the panel members who started the survey, 669 were screened out because of the quotas, because they reported not owning a smartphone, or because they did not live in Germany. Of the 2,681 remaining respondents, 156 did not complete the survey (5.8%), and 2,525 respondents completed the questionnaire.



The questionnaire included items on smartphone use and skills as well as sleep behavior, physical activity, and mobility. The questionnaire was programmed in EFS Survey. Respondents could complete the questionnaire on a PC, tablet or smartphone; 36 percent of the respondents completed the questionnaire on a smartphone. The median time for completing the questionnaire was 6 minutes and 48 seconds.

This text provides detailed examination of start-up companies which entered the smartphone industry following the revolution triggered by Apple with its iPhone in 2007. Analytical case studies explore the rationale behind the business models, financing cycles, and factors that helped start-ups sustain their own growth and survival. By studying these companies through the lens of entrepreneurship and competitor analysis, the author investigates not only the opportunities that can arise from technological evolution, but also the uncertainty that has developed surrounding the industry's future. Topics covered include value proposition development, evaluation of the effectiveness of business models, and market competition analysis, unveiling thought-provoking results about this rapidly changing industry.