國家調整農民工社會政策研究
In: Guo jia zhe xue she hui ke xue cheng guo wen ku. 2012
In: 国家哲学社会科学成果文库. 2012
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In: Guo jia zhe xue she hui ke xue cheng guo wen ku. 2012
In: 国家哲学社会科学成果文库. 2012
Chow King Mun. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2001. ; Includes bibliographical references (leaves 139-144). ; Abstracts in English and Chinese. ; Abstract (in English and Chinese) --- p.iv-v ; Acknowledgements --- p.vi ; Notes --- p.vii ; List of Figures --- p.viii ; List of Diagrams and Tables --- p.viii ; Figures ; Chapter 1. --- Introduction --- p.1 ; Chapter 1.1 --- The Aim of the Study ; Chapter 1.2 --- The Road to Chinese Modernity ; Chapter 1.3 --- Modernity and Consumption ; Chapter 1.4 --- Theories of Consumption ; Chapter 1.5 --- Consumption in China ; Chapter 1.6 --- "A Brief Overview of the Tian Village, Zhongshan" ; Chapter 1.7 --- Methodology ; Chapter 1.8 --- Summary of the Chapters Making up the Thesis ; Chapter 1.9 --- Significance of Study ; Chapter 2. --- Tian Village and its Environment --- p.27 ; Chapter 2.1 --- The Xiaolan Town ; Chapter 2.2 --- The Tian Village ; Chapter 2.2.1 --- Background ; Chapter 2.2.2 --- The Dramatic Transformation of the Village ; Chapter 2.2.3 --- The Economic Activities ; Chapter 2.2.4 --- Education Level ; Chapter 2.2.5 --- Migrant Labourers ; Chapter 2.3 --- Summary ; Chapter 3. --- Aspiring to be Modern --- p.52 ; Chapter 3.1 --- What is Modernity? ; Chapter 3.2 --- The Aspirations of Older and Younger Villagers ; Chapter 3.2.1 --- The young generation ; Chapter 3.2.2 --- The old generation ; Chapter 3.3.3 --- The hardships of the older villagers ; Chapter 3.3 --- The Government Initiatives ; Chapter 3.4 --- The Hong Kong Influences ; Chapter 3.5 --- The Discourses of Modernity ; Chapter 3.6 --- Summary ; Chapter 4. --- Striving for a Better Life --- p.78 ; Chapter 4.1 --- Strategies to earn money ; Chapter 4.2 --- Case Study 1: Big Brother ; Chapter 4.3 --- Case Study 2: Ah Ming's mother ; Chapter 4.4 --- Case Study 3: AhYan ; Chapter 4.5 --- Case Study 4: Mr He ; Chapter 4.6 --- Summary ; Chapter 5. --- Consumption and Modernity --- p.92 ; Chapter 5.1 --- Interpreting modernity: Consumption as a strategy ; Chapter 5.1.1 --- Housing ...
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In: Documentatio ethnographica 22
Wang, Haiyan. ; Thesis (Ph.D.)--Chinese University of Hong Kong, 2013. ; Includes bibliographical references (leaves 295-313). ; Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. ; Abstract also in Chinese.
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Ng King Sau. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2005. ; Includes bibliographical references (leaves 138-147). ; Abstracts in English and Chinese. ; Abstract --- p.iii ; 論文摘要 --- p.iv ; Acknowledgements --- p.v-vi ; Chapter Chapter 1 --- Introduction ; Chapter 1.1 --- Research Background --- p.1-3 ; Chapter 1.2 --- Research Questions --- p.3-5 ; Chapter 1.3 --- Research Significance --- p.5-7 ; Chapter 1.4 --- Overview of the Research --- p.7-9 ; Chapter Chapter 2 --- Literature Review ; Chapter 2.1 --- Definition of Civil Society --- p.10-16 ; Chapter 2.2 --- The Idea of Global Civil Society --- p.16-19 ; Chapter 2.3 --- Development of Chinese Civil Society --- p.19-23 ; Chapter 2.4 --- Development of Global Civil Society in China --- p.23-26 ; Chapter Chapter 3 --- Analytical Framework and Methodology ; Chapter 3.1 --- Structural Level of Analysis --- p.21-29 ; Chapter 3.2 --- Organizational Level of Analysis --- p.29-33 ; Chapter 3.3 --- Individual Level of Analysis --- p.33-34 ; Chapter 3.4 --- Definition of Culture --- p.34-40 ; Chapter 3.5 --- Methodology --- p.40-45 ; Chapter Chapter 4 --- Global Civil Society: The case of Greenpeace ; Chapter 4.1. --- A History of Greenpeace --- p.46-47 ; Chapter 4.2. --- The Mission of Greenpeace --- p.47 ; Chapter 4.3 --- The Resources of Greenpeace --- p.48-49 ; Chapter 4.4. --- Organizational Structure of Greenpeace: a M-form organization --- p.49-52 ; Chapter 4.5. --- Global Strategy of Greenpeace --- p.52-56 ; Chapter 4.6 --- Background of Establishment of China Office --- p.56-57 ; Chapter 4.7 --- Greenpeace China I: An Introduction to the Hong Kong Unit --- p.57-58 ; Chapter 4.8 --- Greenpeace China II: An Introduction to the Beijing Unit --- p.58-60 ; Chapter 4.9 --- Greenpeace China III: An Introduction to the Guangzhou Unit --- p.60-62 ; Chapter 4.10 --- Conclusion --- p.62-63 ; Chapter Chapter 5 --- Guangzhou Unit: Process and Mechanisms of Cultural Diffusion ; Chapter 5.1 --- Structural Level of Analysis: An Introduction of Guangzhou --- ...
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電視模式(TV formats)在全球的跨文化旅行,及其如何本土化以適應在地社會政經情境,成為值得學界關注和研究的主題。作為對這一主題的回應,本文致力於研究《醜女無敵》電視劇--"醜女貝蒂"模式在中國的本土化。借由對該劇文本、生產和觀眾解讀的綜合分析,本研究從宏觀上探索符號形式與中國社會變遷的關係。具體而言,研究者聚焦於以下研究問題:在當前電視模式貿易、克隆和本土化的背景下,中國電視劇《醜女無敵》與美國電視劇《醜女貝蒂》有何異同?在中華人民共和國這一特定社會情境下,《醜女無敵》受到了怎樣的政治、經濟限制?中國觀眾如何解讀《醜女無敵》電視劇?《醜女無敵》受歡迎的原因所在,及該劇表徵了怎樣的中國現代性? ; 為回答以上問題,研究者採用了多種定質方法,即文本分析、民族志、焦點小組、檔案分析和深度訪談。其研究發現《醜女無敵》作為混雜性文本,兼有西方現代性元素和獨特的中國性。《醜女無敵》的生產受到了中國政經情境的極大限制。經濟力量有中心主導、系統地控制著生產過程。而政治力量的控制卻是散漫於整個生產者社群,并呈現去中心的狀態。中國觀眾在解讀《醜女無敵》時主要有两種模式:霸權式解讀与協商式解讀。而对抗式解读却在该剧的解读模式中呈现缺失状态。持有霸權式解讀的觀眾作為主流在諸多方面與權力中心一致,從而形成霸權效應。 ; 《醜女無敵》可歸類為本研究所析霸權文本,并表徵和複製了一種中國現代(Chinese modernity)。轄制於党國,中國現代性在其三大結構性維度上都呈現高度的混雜性。就中國電視業發展趨勢而言,研究者認為全球電視模式在中國將愈加繁榮,因其有極大潛質成為霸權文本,繼而服務于權力中心。 ; With the increasing transcultural flow of television formats, the localization of these formats to fit various socio-political contexts is worthy of academic scrutiny. This is a case study on the TV drama Ugly Wudi (Chounv Wudi), the Chinese version of the global Ugly Betty format. Exploring textuality, production, and reception simultaneously, my dissertation sheds light on the relationship between symbolic forms and social transition in China. Specifically speaking, the research questions initiating this study are as follows: Under current TV format cloning, trading, and borrowing, what are the similarities and differences between the Chinese Ugly Wudi and the American Ugly Betty? In the specific context of the People's Republic of China, what are the political and economic forces that constrain the production of Ugly Wudi? What are the audience interpretations of Ugly Wudi? What accounts for Ugly Wudi's popularity, and to what extent does it reflect a Chinese version of modernity? ; Multiple qualitative methods have been applied by the researcher to explicate the research questions, including textual analysis, ethnography, focus groups, archival analysis, and in-depth interviews. It is found that Ugly Wudi is a hybridized text that combines elements of Western modernity with Chinese particularities. As for Wudi's ...
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Ben shu hui ji le zhong guo nong ye da xue ren wen yu fa zhan xue yuan ju ban de"nong cun liu shou ren kou,Nong cun jiao yu:fan si fa zhan zhu yi de shi jiao"yan tao hui de yan jiu lun wen 16 pian,Gong fen wei liu dong yu liu shou,Liu shou er tong,Liu shou fu nü,Liu shou lao ren si ge bu fen