Alþýðumenning á Íslandi: 1830 - 1930 ; ritað mál, menntun og félagshreyfingar
In: Sagnfræðirannsóknir 18
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In: Sagnfræðirannsóknir 18
"The current volume presents a selection of 126 texts in Uyghur posted in public spaces, translated, and annotated for this book. The author started photographing Uyghur texts in 2008 at the time of the Beijing olympics and continued to do so during 2009, the year of the so-called "Urumqi uprising" of July 5. This event generated a stream of texts posted in public spaces that reflected the efforts made by the authorities to re-establish control. In the course of his travels in the years thereafter the author continued to add to the corpus of photographed Uyghur texts. At the same time he started collecting, as comprehensively as possible, various types of folders, brochures, handouts, and product wrappings with texts illustrating aspects of Uyghur culture and society. The texts, published here for the first time, are primary source materials documenting a wide variety of aspects of daily life of the Uyghurs in Shinjang. The implicit messages or explicit references contained in many of these texts give them significance as clues towards an understanding of the existential realities they reflect or illustrate."--Provided by publisher
In: Research studies - demographic transition and pension series 7
In: Ritið; Kynbundið ofbeldi, Band 18, Heft 3, S. 217-236
ISSN: 2298-8513
This article surveys the ouevre of the Icelandic writer Jakobína Sigurðardóttir (1918-1994) on the occasion of her centenary. Various aspects of her novels, short stories, poetry and memoirs are examined, including the ways in which she presents time in her texts – time as it pertains to individual life spans and the interaction of different generations, as well as time in the life of a nation which could be said to have switched abodes in the course of the 20th Century, moving from rural to urban settings, and during this time the island nation attained sovereignty and independence. narrative is a key element in treating time and historical shifts, and attention is paid to the ways in which Sigurðardóttir both renews realist traditions and resorts to more radical narrative forms, pulling the reader into an active dialogue on gender and generational issues, on social justice and equality, as well on the routes and conditions which connect and mould places of dwelling – individual houses as well as the abode of the nation.