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Pomen izvedbenih politik pri uvajanju sistema upravljanja informacijske varnosti
In: Uprava, Band 10, Heft 4
Diskuse: Ekonomie Vedy -- Nadeje, Nebo Lecka?
In: Politická ekonomie: teorie, modelování, aplikace, Band 60, Heft 4, S. 536-550
ISSN: 0032-3233
The paper poses the question whether the economics of science could be the key to economic methodology. First, the sociology of science, which tries to put science in social context, is described. Then, the economic approach to science, inspired by Tullock, Stigler and Becker, is explained. We point out the problem of circle, according to which putting science in context does not imply relativism as concerns the truth. This conclusion underlines the Popperian message of the paper. Adapted from the source document.
Mesečni statistični pregled Republike Slovenije: družbeni razvoj Republike Slovenije = Monthly statistical review of the Republic of Slovenia
ISSN: 0353-8591, 0352-0633
Freedom of the press and personal rights: right of correction and right of reply in slovene legislation
In: Mediawatch
The constitutional basis of economic activity in the Republic of Slovenia
In: Entwicklungen im Europäischen Recht 23
Prebivalstvo Republike Slovenije 1995: Population of the Republic of Slovenia 1995
In: Rezultati Raziskovanj, St. 685
World Affairs Online
Maritime history of South India: (indigenous traditions of navigation in Indian Ocean)
In: Eighth World Tamil Conference revolving fund publication no. 1
In: Tamil University publication no. 158
Vracanje pogleda. Ameriski odziv na francosko kritiko okularocentrizma
In: Filozofski vestnik: FV, Band 16, Heft 1, S. 117-134
ISSN: 0353-4510
The alleged domination of the visual in contemporary culture -- initially theorized by French thinkers such as Jacques Derrida, Georges Bataille, & Michel Foucault, & artists such as Marcel Duchamp -- has influenced the self-evaluation of recent US art. The repudiation of the high modernist evaluation of the "pure optical" introduced by Clement Greenberg & Michael Frid is explained in terms of the post-WWII relocation of the center of modernist art from Paris (France) to New York City; Rosalind Krauss & Norman Bryson observe the conspicuous lack of interest in the later "revenge" of French art theorists. Their influence has helped undermine the achievements of abstract expressionism while promoting neo-Dadaism, conceptual art, & minimalism, & has diminished the primacy of the visual. Adapted from the source document.