The article is an attempt to draw a brief historical comparison between censorship in interwar and in communist Romania respectively. Paradoxically, there are not too many genuine scientific studies on censorship, in a country well-known for its repressive approach against culture during its recent and not so recent history. The analysis uses the works of the novelist and historian of religions, Mircea Eliade, as an illustrative case study among other prior to 1989 examples, especially in order to prove the much harsher nature of the communist regime.
This article is a case study of the Romanian Artists' Union during the Thaw as an institution potentially capable of renewal by creatively applying the rules imposed in the totalitarian communist State. The methodology used is that of archival research through the use of the concepts of Repressive State Apparatus, Ideological State Apparatus (Althusser), dispositif (Foucault), and habitus (Bourdieu). The text shows that from 1953 until 1957, in the context of similar changes in the Soviet Union, the Union of Romanian Fine Artists underwent a gradual transformation, which culminated with the change of the Management Board and a professionalization on specific criteria of the structure. The characteristics of the modern foucauldian dispositif, that the Union acquired in the period of the Thaw, remained valid in the next period, of reideologisation (1958-1963). The conclusions are that even in conditions of totalitarianism, subjects and structures can introduce creative elements into the process of reproduction of a given order, by modifying this order.
The study focuses on the analysis of a minor literature selection. My application, being determined by the nature of the selected theme (the major historical literature, which offers important interpretative reference points, usually does not appeal to the repertory characteristic of the historiographic and mythologizing imagery), is also conditioned by a personal concern pertaining to the resurgence, in recent years, of this type of imagery that usually affects the perception of historicity as well as the structuring of civil society. The themes of postcommunist Dacianism represent a thin catalog of theories and motives, which primarily aim to the reinvention of the traditional historiographic discourse through the reinterpretation of the older or more recent archaeological discoveries from a Dacianist perspective. The anti-Semitic themes from the post-communist discourse disseminated especially in connection to the instauration of the communist regime in Romania, are connected to the new radicalisms as well. Publishers that promote nationalist, xenophobic, anti-Semitic, and fictional along with historical Dacianist literature are also responsible for the dissemination of extremist ideas using Dacianist rhetoric. This minor literature, ignored by the academic establishment, but benefiting from a large segment of culture consumers, has had appeal especially among adolescents attracted by the soteriological profile of Dacian heroes. The influence of texts can be explained by the manner in which major themes of the national historical discourse are vulgarized and reinterpreted from the perspective of some rhetoric of crises. The search for heroes in an ancient and hypothetical "golden age" (we refer to the Pelasgic Empire) is part of the already obsolete repertoire of mythological reconstructions. The refuge in the past (in fact, a sign of maladjustment and the inability for social and identitary reformulation) and sacrifice become the reference points for the socio-cultural behavior proposed in a world, which is considered hostile and conspiring. Anti-Semitic attitudes go hand in hand with the instances of identitary exacerbation produced on the traditional basis of victimology, on the Orthodoxist-Dacianist exaltations. We cannot but to be astonished by the nationalist mixture, which paradoxically combine Dacianism and Orthodoxism, or Dacianism and alternative religions, the latter occurrence being also violently anti-Semitic through its rejection of Judaism as a subversive and unilateral religion. In conclusion, post-communist Dacianism (promoted especially by the Dacia Revival International Society ), as an answer to the identitary crisis, fits into the autochtonist historiographic trend, while more radical approaches (see the extremist publications and the books recently published especially by the "Obiectiv" Publishing House from Craiova) are somehow closely related to both the "interwar prophetism", which they vulgarize, and to the legionary mystique too.
A common argument for the nomination of the Romanian city of Sibiu as European Capital of Culture 2007 by the European Commission is the actual local multiculturalism, which makes the city seem somehow different when regarding the more general ethnic background in Romania. The aim of this article is therefore to map the local multiculturalism and identify its limits. The conclusion is that the local context is multicultural in fact, yet some ethnic tensions are to be taken into account. These tensions are rather symbolic and still weak, and are related to the way one might conceive local public space. The findings not only confirm the initial supposition, but they could become a starting point for a future comparative analysis of ethnic contexts in Romania.
Cultural heritage represents an essential component of human identity, and as a part of of the contemporary world, it has both symbolic and economic value. Cultural heritage is finite and non-renewable though, being endangered due to recent conflicts and due to the way it is perceived. This article analyses how different political regimes have influenced the way Iraqi and Syrian cultural heritage has been perceived, preserved, protected and even destroyed, starting with internal laws, institutions responsible of heritage administration and the people who led them, in the attempt of demonstrating that continuous attempt to impose a cultural unity can have unwanted consequences.
The article presents the characteristics of the language used in the prison employees and inmates. There is a nonverbal language, gesture that is learned by imitation two social categories in the everyday interaction. And there are two types of verbal language - one official and one secret slang. In the universe of prison three languages intertwine not possible without each other. To understand the functioning of an institution's total language understanding is essential, for it is vital for human interaction flow, understanding and functioning of formal and informal rules for the two categories internalization of social values.
Starting from the case of Ion Irimescu, this article discusses the issue of continuity among Romanian visual artists before and after 1944. In this study, I argue that it was essential for the visual artists' survival and establishment as artists during the communist regime to enter into a clientpatron relationship. The existence of this relationship meant access for the artists to financial funds, promotion within the UAP, and protection from the measures, which the Securitate could have taken against them. This article is divided into four sections. Every section examines an episode from the life of Ion Irimescu. His interwar biography is presented in the first section, and his adaptation to the communist regime is the subject of the second part of this study. The last two parts analyse the factors which facilitated his confirmation and promotion as a state artist after 1944 and the relation of the artist with the Securitate.
The study aims to carry out an analysis from demographic perspective for the city of Arad during the years 1767-1768. It is based on two documents that contain mainly statistical data with which it is possible to emphasize aspects related to some demographical behaviour in Arad. Information about the deceased, newborns and marriages registered, about the share of different ethnicities and confessions help us to outline the image of Arad, in which, during the XVIIIth century has been seen a clear process of modernization and demographic growth.
This article presents the relation of East European artists with the Secret Police institutions. While focused on the Romanian case, several examples from Poland, Czechoslovakia and Bulgaria help place the topic in a regional context. The analysis includes both the viewpoint of the Secret Police on the artistic world as such, as well as the gazes of artists on the reality of their time. The conceptualization of artistic surveillance includes three types of examples: the deconstruction of the officially fabricated reality, the focus on the details of the everyday life forbidden by official propaganda, and the reflection of artists on the secret police apparatus. The conclusions of this study show that the investigation of artistic artifacts together with the secret police archives can help bring a new perspective on the limits of domination exerted by the communist regime.
This article discusses the case of Ion Grigorescu, and of his ambiguous relationship with the communist regime, which he registered through a form of "documentary realism". Through his "realgrams" Grigorescu documented real life experiences in an innovatory approach to the majority of Romanian artists of the time using photographs of his everyday environment, and being inspired by his social and political context. Grigorescu is thus an artist committed to the public space and assuming a critical stance without it being discursive, pedant or moralizing. The approach of this study is descriptive, based on the artists' artworks and self-descriptions, and seeking to situate Grigorescu's approach in the context of the communist regime and its transformation after 1990 into a democratic regime. The conclusions show that Grigorescu's artworks are anti-system, criticizing any establishment, no matter in which regime he finds himself. His contestation is specific to a committed artist that chooses to express his freedom of expression beyond his own studio.
The criminal treatment of juveniles in the European Union was regulated in earlier times and has evolved by national legislation of Member States, international treaties, documents of the Council of Europe, as well as by European Union Treaties, European Parliament Resolutions and Press Releases of the European Commission. The regulatory divergence of criminal treatment of juveniles in EU countries implies the need to elaborate certain minimum rules to prevent and to combat juvenile delinquency, oriented to education of minors and their punishment.
Mixed marriage is one of the factors providing the link between interethnic and interreligious communities. Ethnic and confessional diversity of the population imposes a communication, an interference of different ethno-confessional communities. As these communities were living together, it was natural that this "cooperation" should be visible in the case of marriage. Given the context, mixed marriages acquired an innate multiculturalism due to the need for living together. The "social barriers" completed the ethnic and confessional differences. The State becoming more and more powerful in time imposed itself and promoted a new perception of mixed marriage through a lay legislation. On the other hand, in the mixed Greek-Catholic and Roman-Catholic communities, inter-confessional marriages were more easily accepted officially as both confessions were under the same hierarchic authority, the Pope. It is important to get a glimpse of the ethnic structures and their dynamics, as well as of the confessional realities to have a clear image in the analysis of interethnic or inter-confessional marriages. Marriage may be one of the social mechanisms to change the demographic volume of certain communities not only quantitatively, but also qualitatively, and to alter traditional spiritual values.
The recognition of the local collectivities and the essential role of democratic society require the clear definition of the term "local collectivity", which would allow the avoiding of ambiguities in its usage. The defining element of the local territorial collectivities is the population, which includes all inhabitants permanently living in the territorial perimeter of the local collectivity. There are identified criteria that allow the establishment of the individuals' belonging to a specific local collectivity. This is very important because the individual's ability to be part of a particular local collectivity gives him the opportunity to take part in local selfgovernment. I insisted on the recognition of the local population as a subject of the local autonomy, and not of the local public authorities elected by the population who are representatives of the local territorial collectivities, while also examining the causes of the population's nonparticipation in local public life.
The family, its formation, the relationships between man, woman, children and relatives, as well as the relationships with the rest of the community were filtered by the "village gossip". The need for a strong solidarity that was necessary in the unfriendly conditions at the time compelled the individuals to accept the cohabitation with other members of the family (including the extended one) and with the rest of the community. More often than not, the individual behaviour acquired the expression of the collective behaviour. Such an influence of the community was obvious in the traditional rural societies. However, in time, it became progressively diluted under the pressure of modernity. We can see that there were deep changes as the area integrated to an economic circuit that would lead to imposing new mutations in several economic sectors. The economic development and the dissemination of non-agricultural activities associated to urban development whose influence went growing brought about alterations in the family relations. Then, there were mutations in the relationship between the family, the domestic group and the household resources. These changes were not obvious in all localities in the region: some of them were still anchored in the traditional as the new managed to penetrate more difficultly, while major changes on the level of the collective mental could not be perceived on a short span of time. Nevertheless, under the influence of modernity, society influenced the family not only in point of form, but also insofar as its role and functions were concerned. Mentalities changed together with the form and nature of society. Family was no longer big; it did no longer accept the interference of the relatives and even less that of the community. Changes were more visible in the city; however, once the social, cultural and economic changes, they became obvious in the countryside too. The nuclear family was the new family model where interference from the outside was insignificant.
The survey was conducted between March 9-20, 2022 on a sample of 800 people living in 220 urban and regional localities in all counties of Romania, with a statistical error of +/- 3.5%. He measured the attitude of Romanians towards refugees from Ukraine, but also from other geographical regions. Compared to the similar research in October 2021, there was a 25% increase in the favorable attitude towards refugees, and it is the highest increase among young people, those with higher education, employers, those living in very large cities. Romanians are favorable to the entry of refugees from Ukraine and hypothetically from Moldova, but more reluctant to those from Asia, Africa, Latin America or the Caucasus. Romanians' self-esteem has significantly increased for the exemplary way in which their fellow citizens have been involved in helping refugees in Ukraine, although they are aware that there is a risk of upsetting the Russian Federation.
