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Typologie des sexuell-erotischen Vokabulars des heutigen Italienisch: Studien zur Bestimmung der Wortfelder "prostituta" und "membro virile" unter besonderer Berücksichtigung der übrigen romanischen Sprachen
In: Tübinger Beiträge zur Linguistik 136
Drept administrativ român
In: Publicaţiile Fundaţiei Academice "Petre Andrei"
In: Seria 2, Drept şi legislaţie
Breves observações sobre a ideia de esgotamento do quadro-pintura
In: Griot: Revista de Filosofia, Band 20, Heft 1, S. 1-16
This article starts from the analysis of Impressionism, Kazimir Malevich's abstractionism and Hélio Oiticica's penetráveis to think about the process of eliminating the edges of painting. Oiticica's thesis is that, at the moment in which she lived and acted, the painting began to do without the edges, spilling out of it and constituting itself as modus vivendi, thus eliminating the notion of an outside and one inside. With this, it defends the substitution of the spectator by the participant. We wonder if cinema, with its moving edges, is also touched by these changes. For that, we will take Cinema Novo and Cinema Marginal. Finally, we wonder if the school institution, as heir to these questions, has been inserted in this debate and what it has or would be its role. In this sense, the question remains about what to expect from this institution after the dilution of the picture (the great narratives, the modern certainties) and the historical vanguards.
Dogmática jurídico-administrativa: um balanço intermédio sobre a evolução, a reforma e as funções futuras
In: Série IDP, Instituto Brasiliense de Direito Público
In: Linha Direito Comparado
Poemas e fotografias na busca pelo eterno
In: Revista Observatório, Band 2, Heft 5, S. 510-529
As possíveis semelhanças entre a poesia e a fotografia é o que analisamos neste texto. A partir da obra do modernista Oswald de Andrade, discutimos alguns elementos de aproximação entre a visualidade fotográfica e a imagem poética. Defendemos que parte da poesia oswaldiana - na qual predomina uma linguagem clara, direta, simples, sem adornos e que apresenta uma visualidade explícita - passa a impressão de que o poeta tenta colocar para o leitor cenas que se assemelham a fotografias.
Verwaltungs- und Sozialrecht in Deutschland und Brasilien: Beiträge der XXXVII. Jahrestagung der DBJV 2018 in Bremen
In: Schriften der Deutsch-Brasilianischen Juristenvereinigung Band 55
Auditoria governamental: uma visao de qualidade
In: Revista de administração municipal: RAM, Band 40, Heft 209, S. 53-64
ISSN: 0034-7604
A Constituicao da Republica deu enfase ao controle na administracao publica, de uma forma geral, entre outras inovacoes. O controle e a avaliacao de desempenho na execucao do orcamento, bem como dos fatos administrativos paralelos, de natureza financeira ou nao, sao executados com base nas informacoes geradas pela contabilidade e verificados pela auditoria, de cuja funcao na administracao se ocupa o presente trabalho. (Admin Mun/DÜI)
World Affairs Online
"Como o fotógrafo artista vê os aspectos mais marcantes da cidade": Fotografia amadora e poder público na construção da imagem de Belo Horizonte em 1953
In: Revista Maracanan, Heft 24, S. 115-148
The starting point of this article is the realization of "Primeira Exposição Fotográfica de Motivos Belorizontinos", exhibition organized in 1953 through the partnership of a collective of amateur photographers and the Municipality of Belo Horizonte. Our interest is to understand how the vision of the amateur photographer is directed to the city, what is their reach, their conditioning and of course, what images result from this association. In this regard, we need to analyse the photography in parallel to other cultural initiatives supported by the government in the period, as well if it is possible to associate the pictures with a specific political project. The discussion around the exhibition from 1953 would also approach the universe of political propaganda, the relationship between architecture, government and urban life, and questions connected to the visual culture and cultural circularity.
As Brasílias dos saraus das periferias: imagens além do cartão postal
In: Revista Maracanan, Heft 24, S. 635-652
Even today, the representations of Brasilia that circulate as hegemonic and the Brazilians that appear in them all focus on the original project, even though many of them re-signify their bases linked to progress and capitalist ideals, contrasting reports that emphasize the affections, the feelings, the bodies that coexist between asphalt and concrete, aspects at first sight incompatible with the logic of the city (BEAL, 2015). However, in recent years, certain historically desolate and silenced narratives coming from the periphery of the Pilot Plan have begun to resonate, bringing in the city's imaginary other brasilias that are no longer thought of as an utopia, but as an heterotopia, a subversion of the established order that leads us to the creation of resignified and alternative places (FOUCAULT, 1982). The par excellence space of the creation and vociferation of these stories are the saraus of the peripheries. This article analyzes the images about Brasilia that are built in these literary spaces located in the Administrative Regions, composing, besides the analysis, a file with material that does not circulate beyond this independent and autonomous literary circuit.