Suchergebnisse

The purpose of the work is to identify a special subject area in the research of symbolic capital of cities – symbolic geopolitical capital – and to identify its connection with urban space. The author defines environmental symbolic resources – urban signs or symbol carriers – the category of symbolic geopolitical capital (SGC), reveals their structure based on the applied example of St. Petersburg, as well as the principles of interaction with the urban environment and some ways in which SGK in symbolic politics are determined. The material carriers of symbols have at least four special properties that give the actors of urban symbolic politics an advantage when using these carriers in a competitive struggle: the duration of their existence and anchoring in the fabric of the city; the power of nomination – ideas about their legitimacy and public recognition; they are more likely to be encoded by the consciousness of the citizen in the form of a priori "normal", "comfortable" and positive perception; and they provide the actors of symbolic politics with special means of political maneuver, using the principle of separation and variability of interpretations of such signs. In addition to the principles of placement described for each category of signs, their generalized types are highlighted: spatial concentration, spatial confinement, spatial hierarchy and effective spatial representation. The means of symbolic management using SGC are described, such as: all kinds of physical actions with the carriers themselves; activism correlated with them; producing new political meanings of their nominations and renominations; reinterpretation of existing and production of new symbols and associated signs, thereby – the production of new symbolic resources and the reconfiguration of the symbolic space of the city. Examples are given of urban conflicts related to geopolitical urban signs reflected in public discourse. They are grouped by potential sources of conflictogenicity due to the different attitudes of actors to: practices and manifestations of territorial strategies, their results and consequences; concepts and proposed worldviews; ideas about control over territory. A number of principles and patterns for the formation and use of symbolic geopolitical capital associated with urban space in politics are formulated: specialization in the nomination, the "latent" nature of the potential for conflict inherent in the SGC, the change of hierarchies, stages or "waves" of geopolitical symbolic policy in urban space, the formation of a "geopolitical symbolic footprint".

This article examines the career types for women in the high-tech sectors of the Russian economy – based on the example of the rocket-space industry – and why women choose to pursue an engineering-technical education, and subsequently a career in the rocket-space industry. The theoretical framework for the study consists of the works of foreign and Russian authors devoted to studying the concept and types of career, as well as the employment of women in engineering trades. The empirical base consists of 33 semi-structured interviews with female engineers, including professionals from the "Soviet" generation and those who started their career after the USSR's collapse. A hypothesis was put forward that women from the Soviet generation considered "rocket-space industry engineer" to be one of the more demanded professions, its appeal being attributed to space's "romantic" flare, to one's desire to partake in something of national importance, while the current generation of engineers is more focused on pragmatic aspects, such as the prestige and high demand associated with an engineering education, the opportunity to work at a government enterprise which provides a set of social benefits. The study shows that this assumption was only partially correct. Among the reasons for why the Soviet generation of female engineers chose the profession, the most prominent were a genuine interest in space, the "romanticism" associated with the trade, the opportunity to partake in activity which benefits the country, and, finally, the "dynasty" aspect, which in a number of cases turned out to outweigh the desires of the respondent. Among the post-Soviet generation of engineers, the defining factor for choosing the profession was one's aptitude for precise science, the opportunity to receive a higher education in engineering, the trade being in demand on the labor market, while the "dynasty" factor mostly turned out to be an incidental aspect. In our time women mostly take into account their own preferences when it comes to choosing an education path, and subsequently a field of activity. Meanwhile, as was the case with the elder generation, a company's history played a rather significant role when it came to them choosing a place of employment. The most frequently chosen career type for both the elder and younger generations of engineers turned out to be the "qualification" type. Meanwhile a combination of "qualification" and "scientific research" career types also turned out to be rather popular, while the combination of "qualification" and "official" types turned out to be less prevalent among those employed at rocket-space industry enterprises. Such career types as "monetary" and "executive" proved to be uncharacteristic for the respondents.

The article presents the materials of the Round Table discussion on "Reproductive ties between Russia and the CIS: recovery issues and further integration of their economies in conditions of forming a single Eurasian Economic Union". The Round Table was organized and carried out on 17 June, 2014 by the problem group "The patterns of reproduction and growth", together with the Centre of the Russian economic model of the Department of Political Economy, Faculty of Economics, Moscow State University.

The transition to a new educational paradigm is associated with the widespread introduction of information and communication technologies (ICT) in education. The network space capabilities conduce to the transition from education to self-education. The post-nonclassical methodology based on the synergetic world-view and soft modeling ideas should become a methodological basis of the new educational paradigm. We consider the changes in the content, forms and methods of mathematics education.

The article describes the original aesthetic and philosophical concept – the motor aesthetics of Akim Volynsky. Volynsky uses the concept of «motor aesthetics» in the Kniga likovanii, describing the value of circular lines for the «all aesthetics, visual, sound and motor», and particularly pirouette for motor aesthetics. The term «motor aesthetics of Akim Volynsky» is used in this article for the first time and is studied by the author from an interdisciplinary perspective. Motor aesthetics is developed by Volynsky for plastic art as a language of description of classical ballet, he introduces the basic concepts, formulates the laws, defines the basic philosophical categories that underlie it. The importance of Volynsky's work on the formation of the language of classical ballet description is recognized in the professional environment and theater criticism. The study of the motor aesthetics of Akim Volynsky is relevant in connection with the study of the philosophical foundations of intermedial analysis. The article deals with the problem of time and space in the motor aesthetics of Akim Volynsky for the first time. The direct connection of Volynsky's later works on ballet with his early article on Kant is revealed, the conclusion about the originality of Volynsky's philosophical position in relation to the categories of time and space is made. Using the thesaurus of Kant's transcendental aesthetics, Volynsky defines the two-act structural relationship of time and space according to the «par coupe» (fr) principle, which he regards as universal. It was concluded of Volynsky's motorial aesthetics value not only in the history of classical ballet and theatre criticism, the history of of the Russian literature and philosophy of the late 19th - early 20th century, but also in the modern philosophical anthropology and ontology.

Young people's transitioning into adulthood is accompanied by their inclusion into society's socio-cultural context, together with the development of their own cultural models and interaction practices. Youth cultural space develops as a result of layered connections between young people and culture in general – elements of which are simultaneously inherited and altered by them – as well as subculture models, which emerge in the realm of intra-group interactions, i.e. within youth communities. During the dialectical process of inheritance, denial and construction, young people obtain their own social-group characteristics. In turn their cultural space is distinguished by features which differentiate their activities from other social groups. In modern society youth cultural space is very much a self-regulating realm, within which occurs the development and construction of the most important values which then become the foundation for purpose in life. Base culture plays an essential role in shaping purpose, with its models – contained within the collective unconscious – being directly linked to historic memory. Historic memory, reflected in archetypical and mental structures, influences the content of life purpose values. Engraining itself into habitus during the habitualization process, it becomes the basis for purpose which defines the direction for behavioral predispositions. Together with historic memory, youth life purpose values are significantly influenced by everyday knowledge and experience, which accumulate as a result of young people interacting with others participating in the development of cultural space. In order to confirm self-regulation of youth life purpose values as a holistic process, this article analyzes the connection between young people's concepts on the meaning of life and various types of culture, archetypes, mentality, habitus. This was facilitated by the fact that the article presents results of developing a cultural space typology, of highlighting – based on analyzing existing approaches towards studying the unconscious – the most common archetypes, mental and modern features of national character, habitual attitudes. Analyzing their relationship allowed for tracing the influence of each on the development of young people's purposes in life during the self-regulation process. The article substantiates the conclusion – drawn as a result of analyzing how life purposes are connected with types of culture and archetypes – that young people for the most part accept traditional culture, which defines the general direction for the development of meaning in their lives. Based on analyzing the connection between life purpose values and mental, modern features of national character, the study reveals the dialectics of "traditional" and "contemporary" in the altering of meanings in young people's lives. Analyzing the connection between life purpose values and habitus allows us to consider the modification (hybridization) of meanings in the process of developing behavioral inclinations among young people in terms of self-regulating their living activity. Therefore self-regulation of young people's life purpose values appears to be a dynamic process which fills their lives with new meanings in an evolving cultural space.

В последние годы когнитивный подход предоставляет новые возможности исследования в такой традиционной лингвистической науке, как паремиология. Изучение пословиц в рамках лингвокогнитивного подхода, с одной стороны, позволяет углубленно и комплексно описать пословичные единицы, вербализующие тот или иной концепт, а с другой - моделировать структуру концептов в провербиальном пространстве. В статье на материале пословиц рассматривается один из важных в русском языковом сознании концептов - «лицемерие». Выявляются содержание концепта и взаимоотношения между макроконцептом и его микроконцептами «двуличие» и «лесть». Изучение пословиц как средства доступа к содержанию концептов позволяет выявить инвариантную когнитивную информацию об отражаемом предмете или явлении и константы системы ценностей этноса. Результаты проведенного анализа показывают, что в пословицах, вербализующих концепты «лицемерие» и «двуличие», отмечается изменение позиции наблюдателя: от адресанта к адресату; отношения между льстецом и адресатом в пословичном фонде могут быть подчиненными, зависимыми и враждебными, что отражается в мотивах льстивого поведения. С одной стороны, интегральными признаками для концепта «лицемерие» и его микроконцептов «двуличие» и «лесть» являются притворная доброта, сокрытие истинных намерений и корыстные мотивы; с другой стороны, двуличие отличается от лицемерия двойственными поступками: двуличный человек ведет себя по-разному перед разными людьми, а лицемер проявляет всегда только личину-маску, не раскрывая своего настоящего лица. Лесть является лицемерной, при этом льстец может быть и двуличным.
In recent years, the cognitive approach has provided new research opportunities in such a traditional linguistic science as paremiology. The study of proverbs within the framework of the linguo-cognitive approach, on the one hand, makes it possible to describe in depth and comprehensively the proverbial units that verbalize a particular concept, and on the other hand, to model the structure of concepts in the proverbial space. On the material of proverbs, the author considers one of the important concepts in the Russian linguistic consciousness - "hypocrisy"; reveals the content of the concept and the relationship between the macroconcept and its microconcepts "duplicity" and "flattery". The study of proverbs as a means of access to the content of concepts allows us to identify invariant cognitive information about the reflected object or phenomenon and the constants of the value system of the ethnos. The results of the analysis show that there is a change in the position of the observer in proverbs that verbalize the concepts "hypocrisy" and "duplicity": from the addresser to the addressee; the relationship between the flatterer and the addressee in the proverbial fund can be subordinate, dependent and hostile, which is reflected in the motives of flattering behavior. On the one hand, the integral features for the concept of "hypocrisy" and its micro-concepts "duplicity" and "flattery" are feigned kindness, concealment of true intentions and selfish motives; on the other hand, duplicity differs from hypocrisy in its dual actions: a duplicitous person behaves differently in front of different people, and a hypocrite always shows his mask, without revealing his real face. Flattery is hypocritical, while the flatterer can be two-faced.

The article proposed the model for the future teachers` leader` qualities
formation in the university educational space. Necessary leadership qualities were
identified for the competent teachers` preparation. It is disclosed their structure, is
defined meaningful components. It was identified a complex of pedagogicalconditions of formation of leadership qualities with the modeling of the university
educational space. It was offered educational technology training of competent
teachers based on the formation leader' qualities. Meaningful core technology is the
"three stages of leadership", implying a sequential alternation of participants` role
positions. The article presents the results of the implementation of technology to
make a conclusion about its effectiveness.

В статье поднимается проблема дуализма художественного пространства романа Виктора Пелевина «Generation "П"», которое представлено субъективной и объективной реальностью. Понятие «субъективная и объективная реальность» ввел в философский язык Д. И. Дубровский в 1968 году. Автор утверждает, что это понятие характерно для современной русской прозы. В работе наглядно иллюстрируется, как олицетворением художественного пространства потребительского общества становятся город Москва и средства масс-медиа (реклама, телевидение, мировая компьютерная сеть). Научная новизна работы заключается в том, что впервые художественное пространство романа рассматривается с точки зрения дуализма реальностей. Автор отмечает, что рецептивная эстетика романа состоит из интертекстуальных связей, рассчитанных на разные уровни восприятия. Исследование показало, что в произведении русского постмодернистаВ. Пелевина художественное пространство состоит не только из одного вещественного мира, но и из телевизионной и психоделической реальности. На границе двух реальностей в сознании главного героя возникают вавилонские ассоциации. Структура художественного пространства в романе обусловлена городской средой. Москва в романе впитывает «петербургский миф», автор подчеркивает тревожность городского пейзажа. Результаты исследования имеют практическое значение и могут быть использованы в вузовских курсах по истории современной литературы.
The article raises the problem of dualism of the artistic space of Victor Pelevin's novel "Generation 'P'", which is represented by subjective and objective reality. The concept "subjective and objective reality" was introduced into the philosophical circulation by D. Dubrovsky in 1968. The author claims that this concept is characteristic of modern Russian prose. The work clearly illustrates how the city of Moscow and the mass media (advertising, television, world computer network) become the personification of the artistic space of the consumer society. The scientific novelty of the work lies in the fact that for the first time the artistic space of the novel is considered from the point of view of the dualism of realities. The author notes that the receptive aesthetics of the novel consists of intertextual connections designed for different levels of perception. The study showed that in the work of the Russian postmodernist V. Pelevin, the artistic space does not consist of one material world, but of television and psychedelic reality. On the border of two realities, Babylonian associations arise in the mind of the protagonist. The structure of the artistic space in the novel is determined by the urban environment. Moscow in the novel absorbs the "Petersburg myth", the author emphasizes the uneasiness of the urban landscape. The research results are of practical importance and can be used in university courses on the history of modern literature

In the revolutionary year 1905, Odessa became an area of violence in the tension of social, religious and cultural upheaval. In this year there were strikes, escalations of revolutional mood, a fire in the port after the arrival of the battleship «Knjaz´ Potemkin-Tavričeskij» («Potemkin») in the night of June 14-15. Arrival of the rebellious battleship was a significant event not only for the city of Odessa and the Russian revolution, but also for the history of the fate of Jews of the early 20th century. This was the first armed insurrection in the course of the revolution, which moved Odessa and its social, geographical and semiotic city spaces. The «Potemkin days» entered the history of the city of Odessa mainly through the periodicals of that time but also through the Russian-Jewish literature such as Lazar Karmen's story «Potemkin Days» (1907), Korney Chukovsky's essay «1905, June» (1958) and Vladimir Jabotinsky's novel «The Five» (1936). These works depict not only the resulting collective violence but also its semiotic and social spaces in the city. Up until now, this field has not been investigated in any historical, cultural or literary research. The focus of this paper is to analyse geographical, social and symbolic city spaces in Odessa with the help of the space theories by Jury Lotman and Michel de Certeau. Both scholars work with the definitions of the city, the place and the space, which are significant for the selected literate works about Odessa in 1905. The analysis will show not only the ambivalence, mobility and variability of city spaces, but also the narrators expectations and thus the fate of Jews in Odessa and the perspectives in the historical processes for them — assimilation or emigration.

The article touches upon characteristic features of a so-called Volto del Cavallo, a Renaissance portal on the rulers' d'Este palace facade in the 15th century Ferrara. It's analyzed in the process of its gradual formation and in the context of such problems as time (in terms of a private biography as well as historically), space (palatial space, that of Ferrara as a city, space of the Quattrocento Ecumene), glory and last but not least memory of Ferrara leaders. This range of Volto del Cavallo parallel interpretations tends to be new and brings one to a conclusion that each aspect in question, when looked at in connection with the discussed portal was engaged in glorification of the d'Este power.

The article is devoted to the study of the originality of literary anthroponyms in the works of Boris Ukachin. This problem has been little studied and requires further research. The relevance of the research is determined by the need to interpret the artistic anthroponymicon in order to comprehend the deep meaning of the text. The anthroponymic vocabulary of Boris Ukachin's artistic works has a significant potential for understanding the ways of the individual author's organization of the artistic space and the system of subtext connections. Therefore, the study of the anthroponymy of the author's works makes it possible to expand and streamline information about the traditional and new in the writer's artistic heritage.
Literary anthroponyms serve as a means of designating characters, isolating and distinguishing them, concretizing and generalizing. The anthroponymic space of Boris Ukachin's works is extraordinarily rich, there are names in it that reflect the customs, traditions and worldview of the Altai people, which are formed by different ways of word formation. The name and her appearance largely determine the artistic thought of the author, it is closely related to the plot, portrait, landscape of
Boris Ukachin's works. Since people call an object by their personal names, they do not attribute any properties to it, however, in a literary text, thanks to anthroponyms, the writer hides a certain meaning that reflects the character of the hero. It is thanks to proper names that the reader becomes clear which character is in front of him. Anthroponymic semantics manifests itself especially vividly and profoundly in the title of the stories.
According to the author, anthroponyms are widely and variously represented in the work of B. Ukachin. Many of them are divided by lexical and semantic characteristics into descriptive names, wish names and names that give some information about a person's personality.