Suchergebnisse

The East German Ministry of State Security, popularly known as the Stasi, was one of the largest and most intrusive secret police systems in world history. So extensive was the system of surveillance and control that in any given year throughout the 1970s and 1980s, about one in fifty of the 13 million East German adults were working for the Stasi either as an officer or as an informer. Drawing on original sources from the Stasi archives and the recollections of contemporary witnesses, The Stasi: Myth and Reality reveals the intricacies of the relationship between the Stasi enforcers, its agents and its targets/victims, and demonstrates how far the Stasi octopus extended its tentacles into people's lives and all spheres of society. The origins and developments of this vast system of repression are examined, as well as the motivation of the informers and the ways in which they penetrated the niches of East German society. The final chapters assess the ministry's failure to help overcome the GDR's inherent structural defects and demonstrate how the Stasi's bureaucratic procedures contributed to the implosion of the Communist system at the end of the 1980's.

The Firm is the first book to trace the history of the Stasi at a district level, the level closest to the population. Based on previously inaccessible secret police files and interviews with former members of the East German security apparatus, it provides an unparalleled picture of life in a totalitarian state.

By 1990 the Berlin Wall had fallen and the East German state security service folded. During forty years, they had amassed more than a billion pages in manila files detailing the lives of their citizens. Overnight, almost a hundred thousand Stasi employees, many of them experienced officers with access to highly personal information, found themselves unemployed. This is the story of what they did next. Former FBI Agent Ralph Hope uses critical insider knowledge and access to Stasi records to track and expose ex-officers working everywhere from the Russian energy sector to the police and even the government department tasked with prosecuting Stasi crimes. He examines why the key players have never been called to account and, in doing so, asks whether we have really learned from the past at all. He highlights a man who continued to fight the Stasi for thirty years after the Wall fell, and reveals a truth that many don't want spoken.

In 1992, the massive files of East Germany's infamous Ministry for the State Security, the Stasi, were made publicly available, and thousands of former East Germans began to confront their contents. Finally it was possible for ordinary citizens to ascertain who had worked for the Stasi, either on a full-time basis or as an "unofficial employee," the Stasi's term for an informer. The revelations from these documents sparked fueds old and new among a population already struggling through enormous social and political upheaval. This book examines the impact of the Stasi legacy in united Germany.

"Modernist art and literature sought to engage with the ideas of different cultures without eradicating the differences between them. In Modernism, Imperialism and the Historical Sense, Paul Stasi explores the relationship between high modernist aesthetic forms and structures of empire in the twentieth century. Stasi's text offers new readings of James Joyce, Ezra Pound, T. S. Eliot and Virginia Woolf by situating their work within an early moment of globalization. By combining the insights of Marxist historiography, aesthetic theory and postcolonial criticism, Stasi's careful analysis reveals how these authors' aesthetic forms responded to, and helped shape, their unique historical moment. Written with a wide readership in mind, this book will appeal especially to scholars of British and American literature as well as students of literary criticism and postcolonial studies"--

"Modernist art and literature sought to engage with the ideas of different cultures without eradicating the differences between them. In Modernism, Imperialism and the Historical Sense, Paul Stasi explores the relationship between high modernist aesthetic forms and structures of empire in the twentieth century. Stasi's text offers new readings of James Joyce, Ezra Pound, T. S. Eliot and Virginia Woolf by situating their work within an early moment of globalization. By combining the insights of Marxist historiography, aesthetic theory and postcolonial criticism, Stasi's careful analysis reveals how these authors' aesthetic forms responded to, and helped shape, their unique historical moment. Written with a wide readership in mind, this book will appeal especially to scholars of British and American literature as well as students of literary criticism and postcolonial studies"--