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Swedish children's films frequently deal with issues of nation and ethnicity, specifically with "Swedishness". This may be most obvious in films based on the works of Astrid Lindgren, which abound with nostalgic images of the national culture and landscape. However, films about contemporary Sweden, such as Kidz in da Hood (Förortsungar, 2006) address these issues too. Kidz in da Hood is about children in the ethnically diverse suburbs of Stockholm and it tells the story of a young fugitive, Amina, who is cared for by a young bohemian musician. It is, interestingly, a remake of one of the first Swedish children's films, Guttersnipes (Rännstensungar, 1944). In this article I argue that Kidz in da Hood is a contradictory piece, in the sense that it both celebrates and disavows "Swedishness", as it substitutes the class conict of Guttersnipes for ethnic conflict.

Kate Saccone interviews Elif Rongen-Kaynakçi, Eye Filmmuseum's silent film curator. Rongen-Kaynakçi discusses various aspects of her career and daily work, from archival research and film restoration projects to curating film programs and working with scholars and digital research platforms. Central to this conversation is Rongen-Kaynakçi's role within the archive in relation to feminist film history and challenging established (patriarchal) film histories.