“Jetzt ‘festivalt’ auch die Television”: Television Festivals in the 1960s
In: Cultural Transfer and Political Conflicts, S. 91-106
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In: Cultural Transfer and Political Conflicts, S. 91-106
In: Contemporary Security Studies; War, Image and Legitimacy, S. 117-164
In: Television and the Public Sphere: Citizenship, Democracy and the Media, S. 24-45
In: Television across Europe: A Comparative Introduction, S. 113-134
Examines how TV news narratives convey meaning to viewers & work to construct a mythology of the existing social order, drawing on data from an investigation of Swedish TV news. It is shown that, although TV news functions at one level to broadcast information, at another level it operates to construct a mythic portrayal of the social order. This mythology consists of recurrent symbolic displays of the state & other social institutions as a coherent totality, a constant monitoring of social conflict & controversy in a way that renders them safe for public consumption & an invitation to viewers to establish personal loyalty to the social order. This mythology insinuates itself into the public consciousness through its resonance with the everyday life of viewers. It is concluded that scholars are quite right to be critical of the ideological work performed by the TV news, but they ought also to recognize the utopian dimension of this mythic function. D. Ryfe
In: Television and the Public Sphere: Citizenship, Democracy and the Media, S. 46-70
In: Image Bite Politics, S. 266-277
In: Politics and the Media, S. 9-16
In: Routledge Handbook of Japanese Culture and Society
In: Television across Europe: A Comparative Introduction, S. 23-34
In: Indian Media in a Globalised World, S. 3-25
In: Media and Terrorism: Global Perspectives, S. 223-240
In: Television across Europe: A Comparative Introduction, S. 141-157
In: Lecture Notes in Computer Science; Telecommunication Economics, S. 78-88