Suchergebnisse

The author compares the Ferrajolian concept of «the sphere of what cannot be decided» to GARZÓN VALDÉS's notion of «forbidden territory» and also to the limit on the majority principle, which BOBBIO considers to be one of the rules of his (formal and procedimental) conception of democracy. As BOVERO sees it, while BOBBIO and GARZÓN VALDÉS favour the aspect of prohibition, the scope of the inviolable, FERRAJOLI also puts emphasis on positive obligations, on that which cannot be decided. However, (again according to BOVERO), one must take a formal conception like BOBBIO's as a starting point in order to reach a constitutional (substantial) conception of democracy like that held by FERRAJOLI. ; El autor compara el concepto ferrajoliano de «esfera de lo indecidible» con la noción de GARZÓN VALDÉS de «coto vedado» y con el límite al principio de la mayoría que BOBBIO configura como una de las reglas de su concepción (formal y procedimental) de la democracia. En opinión de BOVERO, mientras que BOBBIO y GARZÓN VALDÉS privilegian el lado de la prohibición, el espacio de lo inviolable, en FERRAJOLI se pone el acento también en las obligaciones positivas, en aquello sobre lo que no se puede no decidir. Pero (siempre según BOVERO) para llegar a una concepción constitucional (sustancial) de la democracia, como es la de FERRAJOLI, debe partirse de un concepto formal como el defendido por BOBBIO.

El autor compara el concepto ferrajoliano de «esfera de lo indecidible» con la noción de GARZÓN VALDÉS de «coto vedado» y con el límite al principio de la mayoría que BOBBIO configura como una de las reglas de su concepción (formal y procedimental) de la democracia. En opinión de BOVERO, mientras que BOBBIO y GARZÓN VALDÉS privilegian el lado de la prohibición, el espacio de lo inviolable, en FERRAJOLI se pone el acento también en las obligaciones positivas, en aquello sobre lo que no se puede no decidir. Pero (siempre según BOVERO) para llegar a una concepción constitucional (sustancial) de la democracia, como es la de FERRAJOLI, debe partirse de un concepto formal como el defendido por BOBBIO. ; The author compares the Ferrajolian concept of «the sphere of what cannot be decided» to GARZÓN VALDÉS's notion of «forbidden territory» and also to the limit on the majority principle, which BOBBIO considers to be one of the rules of his (formal and procedimental) conception of democracy. As BOVERO sees it, while BOBBIO and GARZÓN VALDÉS favour the aspect of prohibition, the scope of the inviolable, FERRAJOLI also puts emphasis on positive obligations, on that which cannot be decided. However, (again according to BOVERO), one must take a formal conception like BOBBIO's as a starting point in order to reach a constitutional (substantial) conception of democracy like that held by FERRAJOLI.

The Argentinian historian of the Mexican Revolution recalls his life as a roving agitator. Worlds of rebel workers, from the barrios of Buenos Aires to the Bolivian altiplano and Guatemalan jungle, Lecumberri Prison to the streets of Paris and Rome. Adapted from the source document.

Draws on the work of Walter Benjamin & Jacques Derrida to interpret the uses & status of Soviet-period monuments of Moscow, Russia, 1991-1996. Particular attention is paid to an aborted 1991 effort by an internatinal team of artists sponsored by the New York-based Sots-art-Komar & Melamid to temporarily transform Moscow into a garden of totalitarian sculpture. The point of this exercise was to perform a kind of history lesson through performing on & through the sculptures. It is suggested that this effort failed because traces of the communist period still remain in post-Soviet Russian society. In this context, the terror of the communist period is still too near to innocently play with its historical signifiers as the artists proposed. It is argued that the present moment in Russia is best understood as an ambiguous mix of presence-absence in that real deconstruction of the past is being postponed until some vague afterperiod becomes imbued with potentiality. 6 Photographs, 7 References. Adapted from the source document.