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Women's Theater in France
In: Signs: journal of women in culture and society, Band 12, Heft 3, S. 548-567
ISSN: 1545-6943
The European theater
In: Forgotten allies: the military contributions of the colonies, exiled governments, and lesser powers to the allied victory in World War II 1
THEATER STRATEGY AND THE THEATER CAMPAIGN PLAN: BOTH ARE ESSENTIAL
In: Parameters: the US Army War College quarterly, Band 18, Heft 1
ISSN: 2158-2106
The Asian theater. - 1985
In: Forgotten allies: the military contributions of the colonies, exiled governments, and lesser powers to the allied victory in World War II 2
Sustaining theater strategic operations
In: The journal of Soviet military studies, Band 1, Heft 1, S. 81-107
ISSN: 0954-254X
World Affairs Online
Sustaining theater strategic operations
In: The journal of Soviet military studies, Band 1, Heft 1, S. 81-107
Soviet theater grapples with reforms
In: The current digest of the Soviet press: publ. each week by The Joint Committee on Slavic Studies, Band 39, S. 8-12
ISSN: 0011-3425
Theater programs and reviews, 1980s
The Andrew P. Wood papers, 1987-2014 (bulk, 1988-1990) consist of flyers, newspaper clippings, correspondence, t-shirts, bumper stickers, as well as extensive materials relating to the Atlanta chapter of ACT/UP. Most of the materials cover protests to highlight the plight of the gay community during the height of the AIDS crisis. ; Andrew Wood is a graphic designer and gay activist. Born in Atlanta in 1962, the son of two doctors, Wood's early years were filled with art, books, and culture. He attended public schools in Dekalb County and worked in public radio. In 1980, Wood moved to San Francisco for art school and to join the thriving gay organization, the Sisters of Perpetual Indulgence. This charitable group of gay men dressed in nuns habits performed activism and street theater informed with the pagan spirituality of the Radical Faerie movement. While in San Francisco, Wood experienced the AIDS epidemic which caused him to return to Atlanta. After the Democratic National Convention in 1988, he and a handful of fellow protesters started an Atlanta Chapter of ACT/UP. ACT/UP practiced aggressive tactics, civil disobedience, and direct action to bring attention to the plight of AIDS sufferers. Wood moved to New Orleans in 1990 and stayed there until 2004 when he returned to Atlanta to care for his elderly mother.
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Chile: Street Theater Takes Risks
In: NACLA report on the Americas, Band 21, Heft 4, S. 10-11
Notes on the Black Theater
In: The journal of popular culture: the official publication of the Popular Culture Association, Band 19, Heft 3, S. 95-102
ISSN: 1540-5931
Soviet military objectives in the Arctic theater
In: Naval War College review, Band 40, Heft 4, S. 3-22
ISSN: 0028-1484
World Affairs Online
Non-nuclear theater and global communications
In: Military technology: Miltech, Band 9, Heft 6, S. 189-193
ISSN: 0722-3226
World Affairs Online
World Affairs Online
The economic right triangle of nonprofit theater
In: Social science quarterly, Band 69, Heft Sep 88
ISSN: 0038-4941
Studies production and cost and examines how they are affected by patronage. Estimates a Cobb-Douglas production function and computes shadow input prices attributable to patronage. Quantifies patronage effects by comparing a profit-maximizing enterprise with a nonprofit company. (Abstract amended)