Suchergebnisse

萬古恨著 ; 自由花譯. ; Cover title. ; Translation of: The free marriage : a novel in politics. ; "政治小說"--Cover. ; Fiction. ; Wanguhen zhu ; Ziyouhua yi. ; "Zheng zhi xiao shuo"--Cover.

"In 2016, economic globalization suffered a severe crisis after over half a century of smooth development, and deglobalization was running mountains high. Not only did it trigger domestic political discord in major countries like the United States, Britain, France and Germany, but also led to international economic and political disputes among Western countries, intensifying strategic competition between major powers. With the arrival of 2017, through the perilous waves of deglobalization and the consequent international political upheavals, we find that the post Cold War era that we were familiarized with, is coming to a rapid end, ushering in a new international political era, full of uncertainties. This annual book presents Chinese scholars' views, opinions and predictions on global political and security issues, as well as China's strategic choice. It covers a wide range of important issues concerning international security, ranging from the assessment of Sino-US relations, Russian-American relations, the counter terrorism situation in the Middle East, the political situation in Taiwan and cross-Strait relations, Brexit and the refugee problem, and the strategic situation in the South China Sea, to the judgment of the strategic posture in countries and regions like Japan, the Korean Peninsula, Southeast Asia, Latin America and Africa. Also covered are the analysis of the strategic posture in cyber space, outer space (as well as their governance), and discussion on China's international strategic choice in the wave of deglobalization."--

The aim of the study is to reveal the differences in the attitudes to Čiurlionis' creative work by the Lithuanian composers of two different generations – Bronius Kutavičius and Vidmantas Bartulis. The primacy of constructive or emotional relationship is demonstrated and the differences between modern and postmodern attitudes are studied with the help of analytical and comparative methods. However, this divide does not eliminate certain similarities. The period between the commemoration of Čiurlionis' birth centenary in 1975 and the year 2005 is examined. Kutavičius' "Dzūkiškos variacijos" (Dzukian Variations), Bartulis' "Ūkanos" (Mist), "Hommage à Čiurlionis" and "Kelias" (The Way) are analysed. The reasons for late reception are studied, and the political and cultural conditions discussed. Establishing a national musical school, the composers (just like Čiurlionis himself ) stressed folk tradition for a long time; only later did they start to purposely build links with their predecessors. It is stated how with the passing of time it is possible to distance oneself from an idealised relationship, and the approach as if it were an icon has also changed. The possibility of a more relaxed communication is linked with the changing from general relationships to personal. The artist who creates an opus that has been greatly influenced by others does not necessarily draw on the "peaks". It is possible that unresolved and unexpanded things, certain dead ends, or some collateral phenomena for which the genius simply had no time can be important for further expansion of art. Nevertheless, incorporated music is often employed as a sign and then the most characteristic works are drawn on. In cases of intertextuality, personal concurrence is rare and it imparts an additional dimension to other authors' creative idea that is being expanded. With the increasing number of works marked by in-texts, the listener is directed to search for them. In Čiurlionis' case, we have a peculiar phenomenon as honouring this symbolic Lithuanian figure other composers draw on his painting and graphic works, textual legacy, his music, or his personality. In his "Dzūkiškos variacijos" (Dzukian Variations) for chamber orchestra, piano and tape, Kutavičius not only pays homage to Čiurlionis but also as though builds a solidarity link between folk art, Čiurlionis' legacy and modern composing techniques. Meanwhile, in Bartuli's "Kelias" for mixed choir, saxophone, percussion and tape, Čiurlionis exists as an imaginary dramatic personage and thus here we can speak about stylistic biographic intertextuality

The aim of the study is to reveal the differences in the attitudes to Čiurlionis' creative work by the Lithuanian composers of two different generations – Bronius Kutavičius and Vidmantas Bartulis. The primacy of constructive or emotional relationship is demonstrated and the differences between modern and postmodern attitudes are studied with the help of analytical and comparative methods. However, this divide does not eliminate certain similarities. The period between the commemoration of Čiurlionis' birth centenary in 1975 and the year 2005 is examined. Kutavičius' "Dzūkiškos variacijos" (Dzukian Variations), Bartulis' "Ūkanos" (Mist), "Hommage à Čiurlionis" and "Kelias" (The Way) are analysed. The reasons for late reception are studied, and the political and cultural conditions discussed. Establishing a national musical school, the composers (just like Čiurlionis himself ) stressed folk tradition for a long time; only later did they start to purposely build links with their predecessors. It is stated how with the passing of time it is possible to distance oneself from an idealised relationship, and the approach as if it were an icon has also changed. The possibility of a more relaxed communication is linked with the changing from general relationships to personal. The artist who creates an opus that has been greatly influenced by others does not necessarily draw on the "peaks". It is possible that unresolved and unexpanded things, certain dead ends, or some collateral phenomena for which the genius simply had no time can be important for further expansion of art. Nevertheless, incorporated music is often employed as a sign and then the most characteristic works are drawn on. In cases of intertextuality, personal concurrence is rare and it imparts an additional dimension to other authors' creative idea that is being expanded. With the increasing number of works marked by in-texts, the listener is directed to search for them. In Čiurlionis' case, we have a peculiar phenomenon as honouring this symbolic Lithuanian figure other composers draw on his painting and graphic works, textual legacy, his music, or his personality. In his "Dzūkiškos variacijos" (Dzukian Variations) for chamber orchestra, piano and tape, Kutavičius not only pays homage to Čiurlionis but also as though builds a solidarity link between folk art, Čiurlionis' legacy and modern composing techniques. Meanwhile, in Bartuli's "Kelias" for mixed choir, saxophone, percussion and tape, Čiurlionis exists as an imaginary dramatic personage and thus here we can speak about stylistic biographic intertextuality

The Baltic society underwent different stages of development just as any other culture. Throughout centuries weaponry and its progress stages were among the major factors facilitating community's adaptation to altering environment. The Baltic tribes which once inhabited the territory of the modern Lithuania had to develop their weaponry in order to promote their own existence and to defend their habitat from the attacks of foreign foes during the course of time; therefore, they gradually developed traditional munitions outfits distinctive with their own specific features and revealing shared similarities when compared. This paper seeks to review the 5th – early 13th century weaponry of the Lithuanian tribe which inhabited the habitat of the Eastern Lithuanian Barrow Culture (hereinafter referred to as the ELBC) based on the materials of the burial monuments. The tasks of the paper are: 1. Describing the social structure and economical and political development of the Lithuanian tribe (ELBC) in the 5th – early 13th century identifying its most characteristic features; 2. Assessing types of weaponry used by the 5th – early 13th century Lithuanian tribe (ELBC) and identifying what kind of weapons (which of their types) were typical for a warrior of this tribe during the Middle and Late Iron Age period; 3. Highlighting specifics of the munitions of the 5th – early 13th century warriors of the Lithuanian tribe (ELBC) compared to other Baltic tribes and identifying typical munitions outfits of the warriors of this tribe.

The Baltic society underwent different stages of development just as any other culture. Throughout centuries weaponry and its progress stages were among the major factors facilitating community's adaptation to altering environment. The Baltic tribes which once inhabited the territory of the modern Lithuania had to develop their weaponry in order to promote their own existence and to defend their habitat from the attacks of foreign foes during the course of time; therefore, they gradually developed traditional munitions outfits distinctive with their own specific features and revealing shared similarities when compared. This paper seeks to review the 5th – early 13th century weaponry of the Lithuanian tribe which inhabited the habitat of the Eastern Lithuanian Barrow Culture (hereinafter referred to as the ELBC) based on the materials of the burial monuments. The tasks of the paper are: 1. Describing the social structure and economical and political development of the Lithuanian tribe (ELBC) in the 5th – early 13th century identifying its most characteristic features; 2. Assessing types of weaponry used by the 5th – early 13th century Lithuanian tribe (ELBC) and identifying what kind of weapons (which of their types) were typical for a warrior of this tribe during the Middle and Late Iron Age period; 3. Highlighting specifics of the munitions of the 5th – early 13th century warriors of the Lithuanian tribe (ELBC) compared to other Baltic tribes and identifying typical munitions outfits of the warriors of this tribe.

Chinesischer Text und parallel dazu vollständige deutsche Übersetzung der Strafprozeßordnung. (DÜI-Sms)