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nulo ; Em Le mosche del capitale Volponi analisa as relações entre o poder do capital e o mundo industrial. O romancista acredita que a literatura possa ter uma influência sobre a luta de classe. ; In Le mosche del capitale, Volponi analyses the relationship between the capitalistic power and industrial world. The novelist believes that literature many exert an influence on the class-warfare.

This paper has two aims, one theoretical and the other empirical. At the theoretical level, we advance an interpretation of the apparent inability of models based on rational expectations to explain the time evolution of exchange rates. The interpretation is based on the inadequate treatment of the different time frequencies with which new information on the different variables that affect the foreign exchange markets becomes available. At the empirical level, we attempt to re-examine the effectiveness of controls on capital movements, during a period in which these were used in Italy; moreover we analyse the effectiveness of official foreign exchange interventions.

The present paper analyses the dynamics of compensation and bargaining agreement at a firm level within the changed bargaining modes following the July 1993 agreement. The paper is divided in two parts. In the first part, the compensation dynamics are considered, with special emphasis on: a) wage differentials among various skilled and unskilled workers, b) the real wage rate from 1975 to 1995 within the metalworking sectors and from 1990 to 1995 for all workers, and c) the changes in the structure of pay from 1975 to 1995, with particular emphasis on the fiscal wedge. The second part, after a brief dissertation of recent changes in trade union bargaining agreements at the firm level in Bologna area in the early 1990s. It then suggests some possible options for intervention in the bargaining strategy of trade unions at the firm level. A final section is devoted to some comments on the urgent nedd to match the process of modernisation in industry and service activities with the importance of mantaining a high level of social cohesion.

Un'analisi di un'opera di uno dei più importanti, più discussi e più contraddittori autori del teatro tedesco del dopoguerra, vissuto nella Repubblica Democratica Tedesca. Si tratta di una tragedia moderna in cui la storia in quanto tale sembra non esistere più, raggelata dopo il crollo di tutte le ideologie. Il testo è costituito da una serie di citazioni, autocitazioni fedeli o rimaneggiate non sempre immediatamente individuabili e tali da rendere estremamente complicata l'interpretazione. "Die Hamletmaschine" è la distruzione dell'intellettuale: Amleto è un intellettuale che prova soltanto disgusto e nausea nei confronti di un mondo che non riesce a cambiare. L'originale shakespeariano viene stravolto: Amleto diventa un simbolo della perdita di speranza; secondo l'autore il dramma è al tempo stesso la rappresentazione del fallimento necessario e l'autocritica dell'intellettuale contemporaneo. ; The essay analyses the work of one of the most important, discussed, and contradictory authors of the German theatre of the post-war period, an author who lived in the German Democratic Republic. The study regards the modern tragedy in which the story as such does apparently not exist anymore, since it is 'frozen' after the disruption of all ideologies. The text is composed by a series of quotations, faithful or reworked self-quotations which are not always immediately detectable, thus rendering the interpretation extremely complicated. "The Hamletmachine" is the intellectual's destruction: Hamlet is an intellectual who experiences only nausea and disgust with a world that is unable to change. The original Shakespearian text is turned upside down: Hamlet becomes the symbol of the loss of hope. According to the author, drama is, at the same time, the representation of the necessary collapse and the self-critique of the contemporary intellectual.