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本文以1860至1911年間外國旅華攝影師在中國的攝影作品為研究對象,致力於討論中國「舊照活化」文化現象中同一批照片在19世紀末20世紀初的西方與20世紀90年代以降的當代中國這兩個不同的社會語境和時段中的具體運用方式,以考察照片、歷史敘述、民族國家政治意識形態之間的關係,試圖在「雙時軌」的對比結構中為晚清攝影研究打開新的探討空間。 ; 論文主體部分圍繞著「國家」、「民族」和「革命」這三個當代晚清攝影運用中的關鍵概念展開,分析攝影作品內部的話語變化,以及與這種變化息息相關的「主體性」與文化政治問題。第二章以晚清旅華攝影師代表約翰·湯姆遜的中國成像為討論對象,在比較1874年在英國出版、湯姆遜自主編纂的附圖遊記《中國與中國人影像》與2009年由中國官方出版界重新選編的《晚清碎影》的基礎上,具體呈現不同的主體在「想像晚清中國」和「呈現晚清中國」上的差別。第三章繞著當代晚清相冊中的「民族」選題而展開,探討「少數民族」與「中華民族」的表現方式及其缺陷。第四章著重討論「辛亥革命」在當代晚清相冊中的表現方法,以《壹玖壹壹:從鴉片戰爭到軍閥混戰的百年影像史》為例,分析照片集如何在一個通俗歷史的框架下處理「辛亥革命」這一歷史節點。在此基礎上,結論部分總結了舊照活化文化現象下「國家」與「歷史敘述」的同構關係,並以「視覺」為中心,分析了以攝影為材料的歷史敘述如何建構「民族-國家」視野下的身份認同。 ; The China's early photographs have enjoyed a drastic revival of attentions in the recent decades. An important category of these photos are those taken by Westerners during the late Qing China. This thesis aims to investigate these subjects from a cultural historical perspective, the photos are thus considered as a form of representation instead of visual history materials, and a comparative approach was employed to discuss the complex relationship among photo image, imperialism, history narrating under the political structure of nation-state and China's contemporary social reality. ; Photographs which were taken by the Westerners during the late Qing China emerged in the age of European capitalism and imperialist expansion. After the year 1860, China was defeated by the British-French Alliance in the Second Opium War and the Qing government was forced to open up to the treat and culture of the west. This change attracted Westerners of different occupations, including commercial photographers, explorers and journalists, to photograph various geographical and social aspects that are of their interests. The kinds of photographed subjects they chose and the kinds of commentaries they made vividly reflected how they understand China from the imperialism point of view. ; A hundred years later, these late Qing photos become an important part of the "old photo revival" wave raised in the 1990s China. Much different from the time ...

本論文選取畫家符羅飛(1897-1971)進行研究,旨在通過文字及圖像史料復原這一被視作"歷史失蹤者的藝術家個案,並將其放在20 世紀中國藝術與革命互動關係的語境中進行考察。文章依據時序及符羅飛活動地點與内容的變化,分爲五個章節,結合文獻考據、視覺分析及藝術社會學等研究方法,分別探討他於20 世紀20 至60 年代在上海、意大利、香港及華南等地的藝術創作與社會活動,並著重觀察這位以藝術積極投入社會革命、且擁有明確政治信仰的畫家及其代表的群體,是如何通過主動轉變藝術面貌,從而與20 世紀中國社會的大變動連成一體。本文認爲:符羅飛於抗戰期間攜傾向古典寫實的那不勒斯畫派畫風及自創的水墨寫生歸國,但其藝術救國活動最初並未達至理想效果;直到40 年代中期才在通過不斷地寫生、辦展,逐漸吸收國統區漫畫與木刻中流行的德國表現主義元素,脫胎出具有強烈視覺刺激和道德感召力、又符合中共革命訴求的代表性藝術面貌,在特定的政治人群中得到廣泛承認,在此過程中輿論因素的影響不可忽視;同時,他的彩墨實驗等游離於政治目標之外的藝術活動打破了"革命畫家"的刻板印象;而他在政權鼎革後因未能適應高度一元化的藝壇新秩序而湮沒於混亂時世的最終命運,又折射出五四以來自由知識分子傳統與中共黨文化之間不可調和的矛盾。 ; This thesis is a monographic study on the artist Fu Luofei (1897-1971), aiming to reconstruct his life and art with textual and visual historical materials, with focus on the interaction between art and revolution in the twentieth-century China. The five chapters of this thesis examine Fu's artistic and social activities in Shanghai, Italy, Hong Kong and South China from the 1920s to 1960s chronologically, and mainly investigate how this artist, who had definite political belief and was willing to devote his art to social revolution, involved in and acted on the transformation of Chinese society in the twentieth century through continuously transforming his artistic styles. ; As this study demonstrates, Fu brought back from Italy the representational painting style of the Neapolitan School and the achievement of his ink experiment in the late 1930s. However, his attempt on "saving the nation by art" did not succeed until mid-1940s. At that time, Fu established his signature style by absorbing the visual elements of German Expressionist paintings, one of the prevailing styles for cartoons and woodcut prints in the Kuomintang ruled areas. His signature style, which was strong in visual stimulation as well as in moral and emotional appeal, was developed through unceasing exchanges with the leftist critics and echoed with the political demand of the Chinese Communist Party. Meanwhile, as is rarely known, Fu also painted in the form of traditional guohua (Chinese national painting), ...

Chan, Mun Tak Ada. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2009. ; Includes bibliographical references (leaves 65-69). ; In English with some Chinese characters; abstract also in Chinese. ; Abstract --- p.i ; Abstract (Chinese) --- p.iii ; Acknowledgements --- p.iv ; Table of Contents --- p.V ; List of Figures and Tables --- p.vii ; Chapter Chapter One --- Introduction --- p.1 ; Geographical Location and Political Status of Hong Kong --- p.3 ; Personal Reflection on the Change of HKSAR´ةs Sovereignty --- p.8 ; Chapter Chapter Two --- Propaganda on Television: Music Video in Hong Kong Mass Media --- p.10 ; Defining Post-colonialism --- p.10 ; A Brief History of Hong Kong --- p.12 ; National Affiliation of the Hong Kong Citizens in the Pre- and Post-Handover Era --- p.14 ; Chapter Chapter Three --- The Changing Audiovisual Presentation of the PRC National Anthem Video Clips in Post-colonial Hong Kong --- p.23 ; Chinese Musical Nationalism in Post-colonial Hong Kong --- p.23 ; "Vocabulary´ح and Its Post-colonial Interpretation --- p.24 ; "Structure´ح and Its Post-colonial Interpretation --- p.25 ; Conceptualization of the Nation by Displaying the PRC flag and the Hong Kong SAR flag --- p.26 ; Conceptualizing the Ideas of Ethnicity --- p.30 ; Image of People´ةs Liberation Army in Constructing the Concept of the Nation --- p.32 ; Interrelationship between the Musical Interpretation and the People featured --- p.34 ; Vocabulary in Constructing the Concepts of the Chinese Nation --- p.41 ; Conclusion --- p.44 ; Chapter Chapter Four --- Conclusion --- p.48 ; Post-Colonial Influences Upon the Cultural Identity of Hong Kong Citizens --- p.48 ; Reinforcing Political Affiliation to the PRC using the National Anthem after the 1997 Handover --- p.49 ; Our Home Our Country featuring the PRC National Anthem as a Political Tool --- p.50 ; The Historical Significance of Our Home Our Country --- p.52 ; Appendix I Basic Information of the National Anthem Video Clip Our Home Our Country --- p.54 ; Appendix II Musical ...

Lau Ka Wah Joyce. ; Thesis (M.Phil.)--Chinese University of Hong Kong, 2005. ; Includes bibliographical references (leaves 177-192). ; Abstracts in English and Chinese. ; Abstract --- p.i ; Acknowledgements --- p.iv ; Table of Contents --- p.vi ; List of Tables --- p.xi ; List of Figures --- p.xiv ; List of Plates --- p.xvi ; Chapter Chapter 1 --- Introduction --- p.1 ; Chapter 1.1 --- Introduction --- p.1 ; Chapter 1.1.1 --- Environment of Hong Kong --- p.1 ; Chapter 1.1.1.1 --- Topography --- p.1 ; Chapter 1.1.1.2 --- Climate --- p.1 ; Chapter 1.1.1.3 --- Expanding population --- p.3 ; Chapter 1.1.2 --- Landslide history in Hong Kong and government action --- p.4 ; Chapter 1.1.3 --- Slopes in Hong Kong --- p.6 ; Chapter 1.1.4 --- Stabilization means --- p.7 ; Chapter 1.2 --- Biotechnical stabilization --- p.8 ; Chapter 1.2.1 --- Concept --- p.8 ; Chapter 1.2.2 --- History --- p.9 ; Chapter 1.2.3 --- Advantages and strengths of vegetation --- p.9 ; Chapter 1.2.4 --- Other components in biotechnical stabilization --- p.11 ; Chapter 1.3 --- The situation in Hong Kong --- p.12 ; Chapter 1.3.1 --- Government policy on control of visual impact of slopes --- p.12 ; Chapter 1.3.2 --- Landslip Preventive Measures (LPM) Program --- p.15 ; Chapter 1.3.3 --- Slope landscaping proprietary systems --- p.16 ; Chapter 1.3.3.1 --- Proprietary systems --- p.16 ; Chapter 1.3.3.2 --- Problems and limitations --- p.20 ; Chapter 1.4 --- Ecosystem reconstruction on slopes --- p.23 ; Chapter 1.4.1 --- Concept --- p.23 ; Chapter 1.4.2 --- Plant requirements --- p.24 ; Chapter 1.4.3 --- Potential challenges --- p.24 ; Chapter 1.4.3.1 --- Steep gradient and related problems --- p.24 ; Chapter 1.4.3.2 --- Thin soil --- p.24 ; Chapter 1.4.3.3 --- Water supply --- p.26 ; Chapter 1.4.3.4 --- Nutrient availability --- p.27 ; Chapter 1.5 --- Species selection --- p.28 ; Chapter 1.5.1 --- Vegetation types --- p.28 ; Chapter 1.5.2 --- Natives or exotics --- p.29 ; Chapter 1.5.3 --- Currently employed species and problems --- p.29 ; Chapter 1.6 ...